Pop Culture

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Thinking about 'God Made Trump,' with 'Hemingway -- Mark Hemingway'

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Thinking about 'God Made Trump,' with 'Hemingway -- Mark Hemingway'

Editor’s note: While preparing for this week’s podcast (“Carefully entering the hall of mirrors created by the 'God Made Trump' video”) I emailed a former GetReligionista who is way smarter than me about the Byzantine Beltway world. That would be “Mark — Mark Hemingway.” If you get that reference, you know that @Heminator knows a few things about mass-media satire. Here is his response, with slight editing.

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I haven't seen anything that establishes it's satire; but it's so over the top I also can't imagine anyone took it seriously.

I would only note that there's a very, very fine line for the "meme magic" online right between satire and stuff calculated to "trigger the libs." Basically, if the left is outraged by something, the idea is that they're going to lean so hard into it so as to make the issue pervasive enough that the criticism for doing what is unacceptable loses its sting.

Why? Because the left holds tremendous cultural power in setting the boundaries for what is acceptable and unacceptable discourse. That was always a power that the left abused by applying double standards and political correctness to their advantage; but it was mostly done around the margins because of a general consensus on the First Amendment as an important value. 

However, in the last decade or so with critical theory/wokism/cancel culture finally obtaining some sort of critical mass in among institutional leadership that the First Amendment consensus is really no more, at least among a lot of cultural gatekeepers, and they've just been moving the goalposts randomly as it suits their purposes.


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Podcast: Carefully entering the hall of mirrors created by the 'God Made Trump' video

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Podcast: Carefully entering the hall of mirrors created by the 'God Made Trump' video

I will not apologize for the fact that this week’s “Crossroads” podcast (CLICK HERE to tune that in) contains lots of questions and few answers.

In a way, the whole “God Made Trump” video ruckus is a house of mirrors full of questions.

Nevertheless, you cannot follow what Americans call “politics” without pondering the role that religious language is playing these days. At the same time, it’s impossible to ignore the role of humor — including brutal satire — in all of this. Put religion and humor together (with a dash of AI) and all hades breaks loose.

The New York Times offered a straight-faced news story about a trend that is a threat to democracy when used by conservatives and, in particular, the MAGA Orange Man Bad team. What about the satire on the other side, which is usually offered by billion-dollar platforms in mainstream media and late-night entertainment? That isn’t relevant. Meanwhile, here’s that double-decker Times headline:

Iowa Pastors Say Video Depicting Trump as Godly Is ‘Very Concerning’

The viral video shows the former president, in starkly religious, almost messianic tones, as the vessel of a higher power sent to save the nation.

The big question here that the Times team never asks: To what degree is the “God Made Trump” video satire or a wink-wink salute to a certain tribe of Trump supporters in some pews? Hold that thought, because asking that question leads to those hall-of-mirrors questions.

This Times piece is all serious all the time. Here is a key byte of that:

The clip’s authors are members of the Dilley Meme Team, an organized collective of video producers who call themselves “Trump’s Online War Machine.” The group’s leader, Brenden Dilley, describes himself as Christian and a man of faith, but says he has never read the Bible and does not attend church. He has said that Mr. Trump has “God-tier genetics” and, in response to outcry over the “God Made Trump” video, he posted a meme depicting Mr. Trump as Moses parting the Red Sea.


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'Naughty' list mass media: Should religious leaders help parents fight screen culture?

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'Naughty' list mass media: Should religious leaders help parents fight screen culture?

Parents in pews rarely turn to Rolling Stone for advice about pop-culture morality.

But the magazine's expose about "The Idol," a summer HBO series about a romance between a pop starlet and an edgy cult leader, produced waves of viral quotes. Production staffers called it a "rape fantasy" that verged on "sexual torture porn." One said the series about a young woman "finding herself sexually" evolved into "a show about a man who gets to abuse this woman, and she loves it."

The network cancelled "The Idol," even though a public-relations statement cited "strong audience response" to "one of HBO's most provocative" dramas.

Thus, HBO landed on the Parents Television and Media Council "naughty list" for 2023. The citation noted: "HBO has led the charge towards marketing explicit, adult content to children and teens, introducing the sexually explicit The Idol to viewers this past summer, quietly adding Naked Attraction featuring uncensored fully naked contestants, and extending teen-targeted Euphoria for another season of drugs and depravity."

National Public Radio hailed "Euphoria" as "thrilling, daring, disquieting and compelling," as well as "a parent's worst nightmare" with its focus on high-school students who have "problems handling an excess of drugs, drink and sex" and "always seem to make the worst choices."

While stressing that PTMC is secular, it's obvious that today's digital screen culture -- delivered through smartphones, tablets, laptops and, every now and then, televisions -- is raising issues that religious leaders cannot ignore, said Melissa Henson, the organization's programming director.

"Unquestionably, COVID accelerated a shift in media consumption patterns. … We're not talking about the end of traditional television, but there is no question that the audience is becoming more and more fragmented," said Henson, in a telephone interview.

"This is making it harder for parents to be aware of what their children are watching, of course. Also, the online world isn't controlled by the kinds of forces that affected TV or even cable TV, such as the desires of advertisers."


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What would Seinfeld say? Concerning people without Christian beliefs who celebrate Christmas

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What would Seinfeld say? Concerning people without Christian beliefs who celebrate Christmas

QUESTION:

Should people who’ve shed Christian beliefs celebrate Christmas anyway?

THE RELIGION GUY’S RESPONSE:

The quandary above is not posed by The Guy himself but by Keith Giles in a December 5 piece titled “Deconstructing Christmas,” one of his Progressive Christian columns for the multi-faith site Patheos.com. Giles departed from his career as the pastor of a conventional church and now participates in an anonymous  “house church” with no salaried staff.

For purposes of this article, what’s pertinent about the writer is his vocation of encouraging people in the process of deconstructing their past Christian faith the way he himself has done, as expressed in his patheos columns, with “Heretic Happy Hour” podcasts, and in his books that include “Jesus Unbound: Liberating the Word of God from the Bible.”

So, what does a deconstructed Christmas look like these days? Giles is well aware from his past that in Christmas, believers are celebrating that the baby Jesus, born in Bethlehem, was God the Son come from heaven whose ultimate death brought salvation to humanity. That’s apparently at the heart of what “progressive” people shed,  the story as woven into those familiar carols that everybody sings (alongside all the Rudolph and Frosty and Santa tunes).

Think Charles Wesley’s 1739 phrases fused with Felix Mendelssohn’s 1840 music: “Veiled in flesh the Godhead see; Hail the incarnate Deity, pleased as man with man to dwell; Jesus our Emmanuel. . . Mild he lays his glory by, born that man no more may die, born to raise the sons of earth, born to give them second birth.”

For Giles, “almost everything about the Christmas story is worth deconstructing” and the result is that “many of us wrestle with celebrating Christmas,” which “can be a difficul time” for those who follow their newly deconstructed religion. Perhaps the family “puts pressure on us to go along with something we no longer believe in.” Or perhaps a progressive still wants to celebrate the day yet will “feel weird doing so” because people know the celebrant has left behind the beliefs involved.


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Norman Lear: An iconic mass-media seeker who evolved past secularism

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Norman Lear: An iconic mass-media seeker who evolved past secularism

Early in the premier of Norman Lear's sit-com "Sunday Dinner," the beautiful environmentalist T.T. Fagori raised her eyes to heaven and, with a sigh, entered a spiritual minefield.

"Chief?", she asked God. "You got a minute?"

In addition to praying out loud in prime time, this character offered a theological reverie at dinner while meeting the family of her fiancé, a 56-year-old widower nearly three decades her elder. The problem: His granddaughter heard Fagori mention God during a science lecture.

"You see, I talk about extending 'love thy neighbor' to include animals, plants, stuff like that. I say that the natural world is the largest sacred community to which we all belong," Fagori explained. "I talk about cosmic piety because the same atoms that form the galaxies are in all of us and it's the universe that carries the deep mysteries of our existence within itself.

"You see how all that sounds pretty spiritual. … So, when the kids hear me say these things, some of them think they hear the word 'God,' but they don't. I don't actually mention it. Interesting, huh?"

This 1991 comedy flopped, but it was an important statement from Lear, whose December 5 death at 101 years of age closed his career as lightning rod in popular culture and politics.

For decades, Lear described himself as a cultural Jew who didn't practice any traditional form of faith. He also founded People for the American Way, an old-school liberal advocacy group on church-state issues. But this television icon became more and more intrigued with religious faith, both as a force in American life and as a topic ignored by Hollywood.


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Thinking about an ancient question that's back in the news: 'Terrorist' or 'freedom fighter'?

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Thinking about an ancient question that's back in the news: 'Terrorist' or 'freedom fighter'?

What we have here is a news-you-can-use explainer on a controversial topic that comes from a source that, for some readers, will automatically be controversial.

The headline: “Why terrorists aren’t freedom fighters.” The source is the Ethics and Religious Liberty Commission of the Southern Baptist Convention, America’s largest non-Catholic religious body.

Ah, but if you follow SBC politics, you know that many on the political and cultural right now believe that the ERLC is kind of “woke” when it comes to issues of this kind. For other readers, the SBC is the SBC and that is that. I would suggest that it helps to contrast the ERLC staff’s material with, let’s say, “just war” thoughts from the Catholic left (care of the Jesuits at America magazine).

Also, the “one person’s terrorist is another’s freedom fighter” debate looms over the results of this year’s “top stories” poll from the Religion News Association (Bobby Ross, Jr., summary here).

Here a view clips from the ERLC thinker. It’s always interesting when Southern Baptists get involved in debates that include Latin terms (“jus ad bellum”). Thus, let’s jump down to the section on the “moral requirements for going to war.” This isn’t the whole list of conditions, of course:

The primary difference is how they align with the criteria of the just war tradition. First, let’s measure them against the jus ad bellum, the moral requirement for going to war:

1. Just Cause: Like nation-states, non-state actors may have just and proper reasons for going to war. For example, they may be acting in self-defense to prevent genocide or acting to restore human rights wrongly denied.

2. Proportionate Cause: Again, like established nation-states, non-state actors could go to war to prevent more evil and suffering than their warfare is expected to cause.

3. Right Intention: Non-state actors may also have the right intentions for going to war. They could, for instance, be motivated by Christian love and pursuit of justice instead of an illegitimate intention to go to war, such as revenge.


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It's hard to avoid the theology in 'A Christmas Carol,' but some movies do just that

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It's hard to avoid the theology in 'A Christmas Carol,' but some movies do just that

On his way to becoming a Hollywood superstar, Bill Murray demonstrated great skill at delivering rants that blurred the line between lunacy and pathos.

In the 1988 flick "Scrooged," he belted out lessons learned from visits with the ghosts of Christmas past, present and future, as well as occupying his own coffin in a crematorium.

"I'm not crazy. It's Christmas Eve. It's the one night when we … share a little more. For a couple of hours, we are the people we always hoped we would be. It's really a miracle because it happens every Christmas Eve," proclaimed Murray's character, a greedy, arrogant TV executive.

"If you waste that miracle, you're gonna burn for it. I know. … There are people that don't have enough to eat and who are cold. You can go and greet these people. Take an old blanket out to them or make a sandwich and say, 'Here!' l get it now. … I believe in it now."

"Scrooged" is a fascinating Tinseltown take on the Charles Dickens novella "A Christmas Carol" because of what the film contains and what it leaves out, said English literature professor Dwight Lindley of Hillsdale College in Michigan.

This dark comedy contains miracles, ghosts, angels, sin, judgment, penance, purgatory, damnation, the Grim Reaper and eternal life. What it lacks is any meaningful role for God or a Holy Babe in a manger.

"Scrooged" is as "far as some people in Hollywood can go with Dickens," by "domesticating his message and making it more comfortable," said Lindley, who is teaching a six-lecture online course about this 1843 text.

The class, he added, was created for "anyone who loves the story, but doesn't know how to dig deeper into it than what they have seen in the somehow superficial versions that are around. … Some people have a sense that there is something deeper, something moving underneath the surface."

For many, watching "A Christmas Carol" on video is a holiday ritual. These movies usually include the basic story, while ignoring the narration in which Dickens frames his parable.


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Podcast: Norman Lear's America was liberal, but not totally secular (correction)

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Podcast: Norman Lear's America was liberal, but not totally secular (correction)

In 2021, the Fellowship For Performing Arts in New York City — which produces “theatre and film from a Christian worldview” — released an ambitious movie with a title that made no attempt to hide its religious content.

To no one’s surprise, “The Most Reluctant Convert: The Untold Story of C.S. Lewis” was popular with the vast audience that reads and supports the work of the Oxford don who was one of the 20th Century’s most influential Christian apologists.

However, FTA founder Max McLean — who played the older Lewis in the film — also received support from a source that many would consider surprising. Here’s a key quote:

“God knows we need more intriguing, faith-oriented films like this. Noble is the right word; I would also add courageous and powerful. Thank you for all you do and bravo! You are a true artist.”

The email came from Hollywood legend Norman Lear and his wife, Lyn.

Lear’s death at age 101 has received waves of mainstream news coverage, all of it deserved. The question, explored in this week’s “Crossroads” podcast (CLICK HERE to tune that in), was whether this coverage explored Lear’s complex relationship with the role that religion plays in American life and culture.

Lear considered himself a cultural Jew with no ties to the practice of a traditional religious faith. In response to the rise of the Religious Right, he also founded People for the American Way — a liberal think tank and advocacy group on church-state issues.

However, in the final decades of his long life and career, Lear wrestled with the powerful role that religion played in mainstream American life and was intrigued with the fact that faith issues and stories seemed to be anathema to the powers that be in mass media.

In other words, Lear was an unbeliever who was both appalled and intrigued with people of faith and he wrestled with why liberal forms of faith seemed to have little appeal with ordinary Americans. These tensions could be seen in one of his final, failed attempt at a new sit-com, the six episodes of “Sunday Dinner.” Hold that thought.

This matters, in large part, because the legend of Norman Lear is based on the valid praise he received for dragging real-life issues into American entertainment, especially with his trailblazing TV comedies.


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When you 'Wish' upon a sermon: Is there a religion ghost in the latest Disney flop?

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When you 'Wish' upon a sermon: Is there a religion ghost in the latest Disney flop?

Anyone who has been paying attention to the pop-culture marketplace during 2023 knows that even the most secular business analyst would be tempted to think that the Walt Disney Company has done something to provoke the wrath of whatever Supreme Being the Mouse lords are willing to acknowledge.

Marvel at this Inside the Magic headline, if you will: “Disney Chief Predicts Total Disaster for Studio Before End of Year.”

That’s a take that will awaken even the most woke studio boss.

This brings is the the latest Disney box-office flop — “Wish.” At the time I wrote this post, I could not even get any of the “Wish” links to work at the Rotten Tomatoes website — which is never a good sign. If you’re interested in the tomato-past details, see this story at Screen Rant: “7 Reasons Wish's Rotten Tomatoes Score Is So Divisive.”

Is there a “religion ghost” in this drama? Not if you read Variety. This latest Disney nightmare is simply another example of Disney+ being overextended and the American movie audience suffering from lingering COVID-19 fears. Here’s that headline: “Disney’s Bleak Box Office Streak: ‘Wish’ Is the Latest Crack in the Studio’s Once-Invincible Armor.”

Hold that “religion ghost” thought for a moment. Here is the stunning overture of the Variety piece, showing the wider context of the “Wish” crash:

“Wish” misfired in its opening weekend, extending Disney‘s bleak box office fortunes.

The animated musical fable, about the Wishing Star that so many Disney characters have wished upon over the studio’s century-long history, failed to become the de facto choice for families around Thanksgiving. “Wish” opened in third place with a dull $31.7 million over the five-day holiday, a far cry from Disney’s past Turkey Day feasts. Perhaps King Magnifico, the movie’s villain (voiced by Chris Pine), is holding hostage the wishes of Disney executives?

Instead of recapturing the studio’s magic, “Wish” joins a long list of its underperforming 2023 tentpoles, such as “The Marvels,” “Indiana Jones and the Dial of Destiny,” “The Haunted Mansion,” and “Ant-Man and the Wasp: Quantumania.”


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