Arts

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Plug-in: Trump vs. Biden -- four months before Election Day and religion angles abound

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President Donald Trump came to my home state of Oklahoma last weekend, and I kept my social distance (read: stayed in my living room).

I followed developments via social media, including tweets by my son Keaton Ross, a reporter for Oklahoma Watch. The president even gave Keaton — and all of the news media — a shoutout.

As you may have heard, the symbolic relaunch of Trump’s re-election campaign drew an underwhelming crowd of about 6,200 to a Tulsa arena.

Already, some are pointing to polls that show Trump trailing former Vice President Joe Biden by a wide margin. Honk if that sounds familiar. With Election Day four-plus months away, religion angles — no surprise! — abound.

Among the most interesting pieces of the last week:

• Gabby Orr, White House reporter for Politico, writes that Trump allies “see a mounting threat: Biden’s rising evangelical support.”

• Isaac Chotiner, staff writer for The New Yorker, interviews Albert Mohler about “How the head of the Southern Baptist Theological Seminary came around to Trump.”

• Jeff Sharlet, in a piece for Vanity Fair, goes inside what the magazine characterizes as “the cult of Trump,” where “his rallies are church and he is the Gospel.”

• Milwaukee Journal Sentinel writers Bill Glauber, Molly Beck and Annysa Johnson report on Vice President Mike Pence’s focus on religious faith in a campaign stop in battleground Wisconsin.

• Nicholas Casey, a national politics reporter for the New York Times, travels to Alabama to highlight a Baptist church touched by differing opinions over the Trump era. (Be sure to read, too, Terry Mattingly’s GetReligion analysis of this story, making the case that the Times ignores doctrine to focus on politics.)


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Calling BS on NC-17

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The Ringer has published an odd report by Keith Phipps that traces the doomed path of the NC-
17 rating in a time when streaming TV has eclipsed the importance of films. Its headline is an
engaging two-sentence summary: “Thirty Years Ago, Hollywood Won the Battle Against the X
Rating. But It Lost the War.”

Phipps devotes nearly 2,600 words to this topic.

You just know that simple-minded religious people play a major role in this drama. His one reference to cultural conservatives (“a religious right eager to protest whatever they [sic] felt to be an affront to their values”) is as predictable as a media release from Americans United. He adds this:

“They didn’t lack targets and, in fairness, those targets felt closer at hand thanks to neighborhood video stores with curtained ‘adults only’ sections and scandalous music videos just a click away on cable.”

That’s as far as the fairness extends, though. This isn’t hard-news journalism, of course. Still, it would have been nice — interesting even — to see some serious discussions of the views of people on both sides of this issue. Diversity is often interesting.

Phipps makes no effort to demonstrate such eagerness or easily affronted values, but simply notes
these factors as though they were universally established realities.

But here comes an informative turn, as Phipps presents a few examples of films that were
harmed by the dreaded adjective controversial:

Though ultimately more talked about than seen, Jean-Luc Godard’s 1985 film Hail Mary — featuring a modern day retelling of the nativity story — earned protests and the condemnation of Pope John Paul II. But that was a mere prelude to what greeted Martin
Scorsese’s The Last Temptation of Christ in 1988. …


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No think piece this weekend! Time to take some virtual tours of stunning religion sites

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Enough thinking, especially about the coronavirus crisis.

This is especially true for those of us who are Eastern Orthodox. Today is our Easter — Pascha — on the ancient Christian calendar.

So rather than a lengthy “think piece” to read on this Sunday — as is the norm at this blog — I would like to give readers a chance to do something relaxing and a bit inspiring.

My colleague Clemente Lisi of The King’s College in New York City has created a small collection of Internet links to virtual tours of several important religious sites and regions around the world. Thus, he writes, in a feature for Religion Unplugged:

With most of the world’s population stuck at home in an effort to stem the spread of the coronavirus, travel has come to a standstill. Springtime, and the approaching summer, are typically a time to take a flight and explore another part of the world.

Since most of us are inside and waiting for this pandemic to subside, you can still visit places virtually — with the help of your computer — from the comforts of home. Religious sites and museums, popular with pilgrims and tourists alike, are very popular this time of year.

Staying home doesn’t mean you can’t travel digitally. It is also a chance to research places you’d like to visit once normalcy resumes.

Amen. How else are you going to get to visit the Vatican, the Middle East, important mosques around the world and Westminster Abbey.

But since this is Pascha, allow me to start Lisi’s virutal here — in Hagia Sophia.


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An Easter think piece: What happens when movie-makers talk to scribes who 'get' religion?

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When I first met Dwight Longenecker in 1999 I already thought his life story was unique.

The setting was an international journalism conference in Chichester, England. Longenecker was working in journalism at the time, after studying theology at Oxford University. He had already been ordained as an Anglican priest, but then saw the writing on the ancient church walls and swam the Tiber to Roman Catholicism.

But here’s the biographical detail that grabbed me. I was fascinated that, after growing up evangelical in Pennsylvania, he had done his undergraduate work at Bob Jones University in Greenville, S.C. — America’s famous campus that proudly embraces the loaded term “fundamentalist.”

From BJU to England and on to Rome! What a journey, I thought. And people said my pilgrimage from Southern Baptist preacher’s kid to Eastern Orthodoxy was unusual.

But there was one more remarkable shoe to drop in the Longenecker story. In 2006 he returned to America with his wife and four children and — taking the Pastoral Provision door opened by Pope John Paul II (now a saint) — Longenecker was ordained as a Catholic priest.

So where is he now? He is the pastor of Our Lady of the Rosary Catholic Church in — wait for it — Greenville, S.C., a few miles from his old BJU stomping grounds. So the Catholic priest who is “in charge” of Bob Jones territory (long ago, the founder called Catholicism a “Satanic cult”) is a BJU graduate.

Now, I offered all of that as an intro to our think piece for this Easter Sunday (for Western churches). It’s a blog post by Longenecker entitled “The Passion of the Christ, me and Mel Gibson” that includes a fascinating detail about what many consider the most beautiful image in that controversial movie (click here for his “Standing on my head” website).

The key: Longenecker, as a journalist, did quite a bit of writing about film. Thus, he ended up in one of those famous advance screenings with Gibson — who showed a rough edit to a variety of religious audiences while raising money to independently release the film. After showing this early version of his movie, Gibson came out to take questions from the small crowd. Then this happened:


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Time capsule as Italy approached edge of cliff: Rome and art in the time of coronavirus

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EDITOR”S NOTE: This weekend’s think piece is a kind of time capsule, written and published earlier this month as the coronavirus crisis appeared on the horizon in the city of Rome.

This piece was written by the veteran religion writer previously known as Roberta Green, best known for her work at The Orange County Register. She was living in Rome for several months, as she will explain, while researching and writing a book on art, faith and the importance of beauty. That’s the kind of topic that sends a writer to Rome. She returned to the United States on one of the last flights out.

This was published on March 9th at Religion Unplugged. I have made no attempt to update it, in terms of the COVID-19 statistics. I find it kind of sobering to read this essay and then think of all that has happened in the relatively short time that has passed since this was written. (tmatt)

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ROME — When my husband and I decided to move to Rome for the first half of this year to escape distractions and try to write books we’ve been working on for years, we had no idea that we’d be living in one of the centers of a global epidemic.

At the time we left California in January, coronavirus had surfaced in China and the World Health Organization was yet to name the disease it caused COVID-19. We didn’t expect to encounter it in Rome. But we did.


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'The Two Popes' movie gets rave reviews and a good amount of fact checking, too

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The Christmas season is a time for both religious introspection and, of course, consumerism.

It’s also the time families go to the movies, which is why lots of them are released at this time of year.

Among the smorgasbord of films to open in the days before Thanksgiving was “A Beautiful Day in the Neighborhood,” the Fred Rogers bio-pic featuring Tom Hanks. That film is of particular interest because of its religion connections. See this recent tmatt post: “Podcast thinking: Fred Rogers, Tom Hanks, the Good Samaritan and the ties that bind.”

The only movie to open last week on the day before Thanksgiving was “The Two Popes.” I gave the flick a bad review over at Religion Unplugged, arguing that it needed a reality check. However, there are issues here that journalists will want to think about, as well. Here’s the key paragraph:

Where does the movie go wrong? Benedict did summon Bergoglio to Rome after the Argentine cardinal had resigned, as is custom when someone in that position turns 75. No one knew at the time how the cardinals would vote, except maybe former Cardinal Theodore McCarrick. Therefore, the movie imagines what a dialogue between Benedict and Francis would be like. In taking us behind the secrecy of the Vatican, Meirelles creates a work of fiction.

“Change is compromise,” Benedict tells Bergoglio. 

“Nothing is static in nature,” Bergoglio replies.

Benedict, in response, argues: “God is unchanging!” 

The invented dialogue, like in the example above, aims at trying to convey the doctrinal divide that exists between these two men.


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Kanye West visits Joel Osteen's Lakewood Church for all-day media extravaganza

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There was some good theater in the world of religion this weekend, starting with the David Daleiden/Planned Parenthood verdict in San Francisco on Friday and ending with the Kanye West evening extravaganza at Houston’s Lakewood Church.

The Houston Chronicle set the stage, leading with West’s most inflammable quote during an appearance earlier that day at Lakewood’s main Sunday morning service.

Since his conversion, it was West’s first appearance before a crowd that wasn’t necessarily fans of his music. But there was that spiritual connection.

Kanye West may have found God. But he’s still brandishing his trademark cockiness.

“Jesus has won the victory because now the greatest artist that God has ever created is now working for Him,” West said onstage Sunday at Lakewood Church.

The rapper spoke onstage with Joel Osteen for about 20 minutes, his first of two appearances at the megachurch. …

During the brief, sometimes rambling conversation, West, 42, talked about his battle with the Devil, mental breakdown and subliminal messages in the media. He prayed with Osteen and praised the televangelist’s “anointed words.”

The Chronicle also said the two men were actually friends, which seems like an odd mix, as they run in completely separate circles. I’d like to know what moved Osteen to invite West.

Whatever happened, it turned out to be a brilliant idea, in terms of publicity.

Other than the Chronicle, the major media covering this event were the local networks and TMZ, the Hollywood news-gossip site. The spectacle of the famous rapper joining forces with the leader of America’s largest church was sheer catnip for TMZ, which broke the story of West coming to Lakewood.

(In the years I worked for the Houston Chronicle, Lakewood’s building was known as The Summit, a 16,800-seat concert venue and home of the NBA’s Houston Rockets. Then evangelistic wunderkind Rev. Joel Osteen bought the place in 2010.)

It proved to be a perfect setting for a Kanye concert.


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Might even 'Trump's Court Artist' (per The Atlantic) have a sense of humor?

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Here’s a tug of the LeBlanc beret for Jennifer A. Greenhill for “Trump’s Court Artist” in The Atlantic. Being described as a court anything to President Trump qualifies as apostasy among his snarkiest critics. Consider, for example, historian John Fea’s frequent designation of “court evangelical” on his weblog, The Way of Improvement Leads Home.

Greenhill, professor of art history at the University of Southern California, concentrates her remarks largely on McNaughton’s full-barreled support of Donald Trump and his pointed depictions of Bill and Hillary Clinton, Barack Obama, even Woodrow Wilson.

I have lived through the past several years without realizing that McNaughton does so much to provoke the cultural left, including art critic Jerry Saltz of New York magazine. Saltz, as Greenhill mentions, called one McNaughton painting (of a glowering President Obama holding a burning Constitution) “bad academic derivative realism,” “typical propaganda art, drop-dead obvious in message” and “visually dead as a doornail.” (Props to the TV affiliate CBS DC for seeking his thoughts.)

Greenhill too quickly moves on from McNaughton being a member of the Church of Jesus Christ of Latter-day Saints (his attending Brigham Young University is one clue). This is the one church that teaches the most exalted perspective on the nation’s founding.


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Deja vu all over again: BBC does another fun cathedrals story that skips somber facts (again)

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So here is the journalism question for today: Is the implosion of the Church of England, especially in terms of worship attendance, so common knowledge that it doesn’t even need to be mentioned in a news story linked to this topic?

It was news when attendance slid under 1 million, earlier this decade. Then the numbers kept falling. Here’s a Guardian report from a year or so ago. The big statistic reported in 2018 was that Sunday attendance was down to “722,000 — 18,000 fewer than in 2016.”

The story I want to look at did not run on a small website or in a niche-market newspaper. It was produced by the BBC, one of the top two or three most important news organizations on the planet.

Maybe this subject is too bleak to be mentioned in what is clearly meant to be a fun story? Here’s the headline on this long feature: “Why are cathedrals hosting helter-skelters and golf courses?” And the overture:

From giant models of Earth and the Moon to a helter-skelter and crazy golf course, cathedrals are increasingly playing host to large artworks and attractions. Why are buildings built for worship being used in the pursuit of fun?

Cathedrals might traditionally be viewed as hallowed places meant for sombre reflection and hushed reverence.

Vast, vaulted ceilings soar high over whispering huddles of wide-eyed tourists as robed wardens patrol the pews to silence anything that could detract from the sanctity of worship.

But cathedral chiefs across the country have been keen to shake free from the shushing stereotype.

Let’s see. There is a glimpse of the “why?” in this story. Why are these Anglican leaders so intent on opening the doors to let people have some fun of this kind?


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