Death & dying

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Inspiring Easter feature idea sent aloft by (what are the odds?) producers at MSNBC

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Inspiring Easter feature idea sent aloft by (what are the odds?) producers at MSNBC

Most media consumers will think of MSNBC as a heavy-breathing, politically and socially liberal cable television news operation — 24/7/365. Nor, so far as The Guy knows, has it shown much interest in religion coverage.

So it was quite the eyebrow-raiser when the March 11 edition of "Morning Joe" aired a relatively long and serious discussion of a theme that journalists may want to grab if they're looking for a promising Easter feature idea.

Adding to the surprises, MSNBC located and featured two intelligent evangelical Protestant leaders of the sort who all too rarely get air time on cable news networks, whether liberal or conservative.

One of this era's most successful pastors, the Rev. Timothy Keller of New York City, appeared to chat about his newly released book "Hope in Times of Fear: The Resurrection and the Meaning of Easter" (Viking). Joining him was journalist-attorney David French of TheDispatch.com, booked this time not as a #NeverTrump scribe but to undergird Keller's case for why modern people can believe in Jesus Christ's literal resurrection and what this means for them.

Adding to the drama, Keller mulled his simultaneous publication of one of those must-read articles, a very personal account for The Atlantic about writing an objective book on life and death during a year when he was coping with his own fatal diagnosis of pancreatic cancer.

As Keller confesses, it's one thing for a pastor to try to help parishioners face terminal illness and quite another for the pastor himself to face the same. In Keller's case, it took months for questions to give way to an even sweeter appreciation of life and of faith.


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Spot the theology issue: Top hymns of a year in which COVID-19 touched everything

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Spot the theology issue: Top hymns of a year in which COVID-19 touched everything

It's a hymn that the faithful start singing whenever a Baptist church organist plays the opening chords -- because everyone knows it by heart.

All together now: "When peace like a river attendeth my way. When sorrows like sea billows roll. Whatever my lot, Thou hast taught me to say. … It is well, it is well, with my soul."

Chicago attorney Horatio Spafford wrote those words after losing his son to scarlet fever and then, a few years later, all four of his daughters in an 1873 shipwreck. His wife, Anna, survived and her telegram home from England began: "Saved alone. What shall I do?"

No one should be surprised that worship leaders frequently turned to "It Is Well With My Soul" as their people wrestled with the coronavirus pandemic, said the Rev. Roger O'Neel, who teaches in the worship and music program at Cedarville University in Ohio.

"People were feeling their way in 2020," he said. "It wasn't just the pandemic and people being locked down worshipping in (online) streamed services. We were also facing all the bitter political conflicts in our nation and the racial divisions that we were experiencing. …

"People were trying to find hymns that would speak to all of that, to the pain that everyone felt last year."

Faithlife, a Bellingham, Wash., company that publishes online worship and Bible study tools, recently released a report covering 2020 trends spotted in its Proclaim software. "It Is Well With My Soul" topped the hymns list, with usage increasing 68% after the pandemic hit.

The classic hymn "Great Is They Faithfulness" came next, with a 64% increase. It begins: "Great is Thy faithfulness, O God my Father, there is no shadow of turning with Thee; Thou changest not, Thy compassions, they fail not. As Thou hast been, Thou forever wilt be. Great is Thy faithfulness! … Morning by morning new mercies I see; All I have needed Thy hand hath provided -- great is Thy faithfulness, Lord, unto me."


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New podcast: There's more to Lent 2021 than virtual-ash selfies and giving up (fill in the blank)

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New podcast: There's more to Lent 2021 than virtual-ash selfies and giving up (fill in the blank)

It happened every year that I worked in a mainstream newsroom. Apparently, there was a law somewhere that official newsroom “advance calendars” should include a note about the beginning of Lent.

Thus, an editor would ask me a question that sounded something like this: “So where are we sending a photographer this year on Ash Wednesday?”

This was, you see, the official way to handle Lent and it would be followed, of course, by some kind of sunrise-and-lilies photo when Easter rolled around. There might be an Easter story of some kind, but that was always a problem since the goal was to have the story in print on that Sunday, which meant the story and photograph needed to be done early. It’s so hard to cover a holy day that hasn’t happened yet.

But Ash Wednesday photographs, backed with a sentence of two about Lent, seem to be a news-culture tradition. That reality was the hook — sort of — for this week’s “Crossroads” podcast (click here to tune that in).

Thus, it was easy to anticipate this COVID-19 era variation on a familiar theme, care of Religion News Service: “Celebrating Ash Wednesday in a pandemic? There’s an app for that.”

There are filters that blur “imperfections” in photos and filters that turn lawyers into cats on Zoom.

Now there are filters to help Christians safely display the very visible Ash Wednesday mark on social media.

Many Catholic and other liturgical churches observe Ash Wednesday by smudging ashes on congregants’ foreheads as a sign of repentance and a reminder of one’s mortality. That practice presents a problem during a season when health experts fighting COVID-19 have advised people to avoid touching their faces or coming in close proximity to others. …

In a year when so much of life has been lived virtually, Catholic prayer and meditation app Hallow has also taken the tradition online with an “AshTag” photo filter on both Facebook and Instagram.

That’s a valid story, even if it does fit a now familiar pandemic pattern — lots of coverage of virtual faith in these troubled times, as opposed to a few stories about the creative efforts of analog people to observe their traditions within the parameters of social-distancing guidelines.


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It was hard to edit God out of Cicely Tyson's epic story, but some journalists gave it a try

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It was hard to edit God out of Cicely Tyson's epic story, but some journalists gave it a try

It was hard to listen to Cicely Tyson talk about her life without recognizing the strong undercurrent of Christian faith in her words, deeds and also in her art. While remaining a proud, private, dignified woman, her faith was not something that she tried to hide.

The question here at GetReligion, of course, was whether any of that imagery and information would make it into the news coverage surrounding her death at the age of 96.

The answer was, of course, “yes” and “no.” Many of the obituaries mentioned her Tony-winning return to Broadway in 2013, at the age of 88, to play the unstoppable matriarch in Horton Foote’s classic, faith-driven play, “The Trip to Bountiful.” The show-stopping moment, night after night, was when Tyson would sing — joined by many in the audience — the classic hymn “Blessed Assurance.” It’s hard to avoid the content of lyrics such as these:

Blessed assurance, Jesus is mine; Oh, what a foretaste of glory divine!
Heir of salvation, purchase of God; Born of His Spirit, washed in His blood.

This is my story, this is my song, Praising my Savior all the day long.

If you were looking for the faith-free version of Tyson’s life, the natural place to turn was The New York Times.

This story did a great job of capturing her impact on American culture, especially in terms of the sacrifices she made to portray African-American life with style, power and dignity. Here are two crucial summary paragraphs on that essential theme:

In a remarkable career of seven decades, Ms. Tyson broke ground for serious Black actors by refusing to take parts that demeaned Black people. She urged Black colleagues to do the same, and often went without work. She was critical of films and television programs that cast Black characters as criminal, servile or immoral, and insisted that African-Americans, even if poor or downtrodden, should be portrayed with dignity.

Her chiseled face and willowy frame, striking even in her 90s, became familiar to millions in more than 100 film, television and stage roles, including some that had traditionally been given only to white actors. She won three Emmys and many awards from civil rights and women’s groups, and at 88 became the oldest person to win a Tony, for her 2013 Broadway role in a revival of Horton Foote’s “The Trip to Bountiful.”

But the only reference to her Christian faith — negative, of course — came in this bite of biography:


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Inauguration Day showdown: U.S. Catholic bishops remain divided on 'McCarrick doctrine'

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Inauguration Day showdown: U.S. Catholic bishops remain divided on 'McCarrick doctrine'

Speaking to an Italian family association in 2018, Pope Francis compared the abortion of children with genetic problems to "what the Nazis did to purify the race. Today, we do the same thing but with white gloves."

A year later, Francis bluntly asked a journalist from Mexico if it's "fair to eliminate a human life in order to solve a problem? The answer to which is, 'No.' Second question: Is it fair to pay a sniper to solve a problem? No. Abortion is not a religious problem. … It is a problem of eliminating a human life. Period."

But the pope was careful in his Inauguration Day message to America's second Catholic president, assuring Joe Biden that he would "pray that your decisions will be guided by a concern for building a society marked by authentic justice and freedom, together with unfailing respect for the rights and dignity of every person, especially the poor, the vulnerable and those who have no voice."

The pope's text was examined closely after reports that the Vatican -- on behalf of progressive American bishops -- tried to stop the circulation of a sobering statement from the president of the U.S. Conference of Catholic Bishops. The letter from Archbishop Jose Gomez of Los Angeles addressed the challenge, and blessing, of working with "our first president in 60 years to profess the Catholic faith."

Clearly, Biden's piety had offered "solace in times of darkness and tragedy," said Gomez, leader of America's largest diocese and a crucial voice among Hispanic Catholics. He also praised Biden's "longstanding commitment to the Gospel's priority for the poor."

Nevertheless, Gomez noted that "our new President has pledged to pursue certain policies that would advance moral evils and threaten human life and dignity, most seriously in the areas of abortion, contraception, marriage, and gender. Of deep concern is the … the freedom of believers to live according to their consciences."

Cardinal Blasé Cupich of Chicago fired back on Twitter, attacking this "ill-considered statement on the day of President Biden's inauguration" while claiming "there is seemingly no precedent" for this action by Gomez.

The Pillar, a Catholic news website, reported that the Vatican Secretariat of State intervened to "spike" the statement from the U.S. bishops after objections from Cupich, Cardinal Joseph Tobin of Newark and some other bishops.


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New York Times digs into 'The Messiah' and finds emotions, art, politics and very little Christianity

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Gentle readers, please allow me a second moment of reflection on the challenges of secular journalists attempting to cover news stories centering on great works of sacred choral music. I have, after all, been a choral musician since I was 6-years-old and I didn’t jump into journalism until I discovered that it’s hard to major in music at a major university if one cannot play the piano.

The other day, I took a look at a New York Times feature about the unsuccessful efforts at the KIng’s College at Cambridge University to carry on — damn the coronavirus, full speed ahead — with its world-famous Christmas Eve performance of “The Festival of Nine Lessons and Carols.”

As you can tell from my snarky headline, I thought it was strange that the Times team didn’t include anything about the contents of this Anglican worship service, including the fact that the “lessons” are, in fact, lengthy passages of scripture. Thus, the headline: “New York Times asks: Did COVID shut down live festival of content-free lessons and carols?”

I didn’t expect a religion-beat story. However, I still thought it was strange (or, alas, not so strange) to completely skip over the religious intent and message of a worship service held in a chapel. After all, as noted in this Cambridge essay about the rite:

Wherever the service is heard and however it is adapted, whether the music is provided by choir or congregation, the pattern and strength of the service, as Dean [Eric] Milner-White pointed out, derive from the lessons and not the music. ‘The main theme is the development of the loving purposes of God ...’ seen ‘through the windows and words of the Bible’. Local interests appear, as they do here, in the bidding prayer, and personal circumstances give point to different parts of the service. Many of those who took part in the first service must have recalled those killed in the Great War when it came to the famous passage ‘all those who rejoice with us but on another shore and in a greater light’. The centre of the service is still found by those who ‘go in heart and mind’ and who consent to follow where the story leads.

So might these Bible passages about life, death, suffering and new hope have been relevant during the COVID-tide of 2020? Apparently, that is not a topic one could expect to read about in The New York Times.

But what about the even more famous scripture passages, images and themes in “The Messiah” by George Frideric Handel?

Surely the Times team couldn’t produce a feature story — “Meet the People Who Can’t Bring You ‘Messiah’ This Year” — about why this work is so important to listeners and performers without discussing the content of this sacred classic? Maybe a tiny splash of digital ink, like one or two paragraphs?


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Trump calls COVID-19 vaccine 'medical miracle;' some religious believers remain skeptical

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“A medical miracle.”

In a Friday night video, that’s how President Donald Trump characterized the first COVID-19 vaccine approved by the U.S. government.

“We have delivered a safe and effective vaccine in just nine months,” Trump said. “This is one of the greatest scientific accomplishments in history.”

But as the New York Times’ Simon Romero and Miriam Jordan note, “A vast majority of people will need to be vaccinated to create a decisive decline in infections.”

However, “only about half of Americans are ready to roll up their sleeves when their turn comes,” report The Associated Press’ Lauran Neergaard and Hannah Fingerhut.

What’s religion got to do with it? (A lot, actually.)

The Times article features a Mississippi pastor named Adam Wyatt who enrolled in a vaccine trial after one of his congregants died of the virus:

Mr. Wyatt views hospital visits as one of his most important obligations as a pastor, and recalls feeling helpless as he gathered with the congregant’s family in a hospital parking lot, barred from entry by pandemic precautions.

But Mr. Wyatt, 38, did not tell many people about his decision afterward to enroll in the trial in Hattiesburg, about an hour’s drive west of his small town. “You hear, ‘This vaccine is the mark of the beast, don’t get this, it’s Bill Gates’s population control, you’ll get the microchips in you,’” he said. “A lot of my folks probably won’t get it.”

Meanwhile, Washington Post religion writer Sarah Pulliam Bailey traveled to Houston to talk to a pastor whose life depends on the vaccine but who faces skeptics within his own church.


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Terrifying statistics from 2019 offer another Groundhog Day jolt for Episcopalians

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Terrifying statistics from 2019 offer another Groundhog Day jolt for Episcopalians

With America facing a bitterly divisive election, Episcopal Church leaders did what they do in tense times — they held a National Cathedral service rallying the Washington, D.C., establishment.

This online "Holding onto Hope" service featured a Sikh filmmaker, a female rabbi from Chicago, the Islamic Society of North America's former interfaith relations director, the female presiding bishop of the Evangelical Lutheran Church in America, a Jesuit priest known for promoting LGBTQ tolerance and former Secretary of State Condoleezza Rice.

"Our ideals, values, principles and dreams of beloved community matter," said Episcopal Presiding Bishop Michael Curry, the church's first African-American leader. "They matter to our life as a nation and as a world. Our values matter!"

This was the kind of rite -- think National Public Radio at prayer -- a church can offer when its history includes 11 U.S. presidents and countless legislators and judges from coast to coast. Episcopal leaders also know President-elect Joe Biden is a liberal Catholic whose convictions mesh with their own.

That's the good news. Episcopalians have also been hearing plenty of bad news about their future.

For example, Curry became a media superstar after his soaring sermon at Prince Harry and Meghan Markle's wedding. But wedding trends in his own flock have been pretty bleak. Ditto for baptisms.

A stunning 2019 report from Episcopal parishes showed 6,484 weddings (down 11.2%). Baptism rites for children fell to 19,716 (down 6.5%) and adult baptisms dropped to 3,866 (down 6.7%). Baptisms are down 50% since 2003.

Office of the General Convention statistics reported 1,637,945 members (down 2.29%) and average attendance fell to 518,411 (down 2.25%). Median attendance dropped from 53 worshippers to 51, while 61% of parishes saw attendance declines of 10% or more.

All of these statistics predate the coronavirus pandemic.

Episcopal News Service offered these blunt words from the Rev. Dwight Zscheile, an expert on church renewal and decline: "The overall picture is dire -- not one of decline as much as demise within the next generation. … At this rate, there will be no one in worship by around 2050 in the entire denomination."


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Chants from the Gulag: Wisdom from suffering saints rings true at Thanksgiving 2020

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Chants from the Gulag: Wisdom from suffering saints rings true at Thanksgiving 2020

There was no way Thanksgiving could be "normal" this year.

This was certainly true wherever Orthodox Christians gathered for what is becoming a Thanksgiving tradition in America, sharing a litany of poetic Russian prayers created during hellish persecution by the Bolsheviks.

Under coronavirus protocols, many sang the "Glory to God in All Things" prayers in outdoor services or in candle-lit sanctuaries containing fewer worshippers than usual. There was no way to ignore the pain of 2020.

Early in the service, a priest chants from the English translation: "Thou hast brought me into life as into an enchanted paradise. We have seen the sky like a chalice of deepest blue, wherein the azure heights the birds are singing. We have listened to the soothing murmur of the forest and the melodious music of the streams. We have tasted fruit of fine flavor and the sweet-scented honey. We can live very well on Thine earth. It is a pleasure to be Thy guest."

Worshippers respond: "Glory to Thee for the new life each day brings."

Imagine chanting those words in Soviet Gulag cells.

Only 25 people could attend at St. Anne Orthodox Church in Corvallis, Ore., but others watched online, said Laura Fear Archer. This was on Thanksgiving morning, before whatever feasts participants could have this year.

"I love this service, particularly for its depth of thanksgiving in the midst of extreme suffering," she said, in an Orthodox Facebook group. "In the midst of our far lesser but still painful suffering this pandemic year, it is a good reminder to give thanks always."

In Russia, some believers connect these prayers with birthdays. But in America the Orthodox know this service as "The Akathist of Thanksgiving," since its themes mesh with this uniquely American holiday. An "akathist" is a service honoring a saint, a holy season or the Holy Trinity.

Many trace this akathist to the scholarly Metropolitan Tryphon, a well-known spiritual father at the height of the persecution. The version of the service used today was found in the personal effects of Father Gregory Petrov, who died in 1940 in a concentration camp.


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