Entertainment

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Beauty and the Beast: Why aren't we told why Malaysia doesn't want it?

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Like almost every other parent of a child or pre-teen in America, I’m hoping to take the kiddo to “Beauty and the Beast” this weekend at some nearby theater. The Disney Channel, to which my daughter is glued every afternoon, advertises the movie during nearly every ad break, so there are probably few Americans under 13 who don’t know about its release.

Of course there’s been blowback about the “gay moment” in B&B, which apparently comes rather late in the film (after a few hints early on). So, we’ll see if my almost 12-year-old picks up anything different in that I’ve not breathed a word to her about the issue.

Meanwhile, we’ll see if I pick up anything. There were a few things said about a same-sex couple in “Finding Dory,” but they were only on for a few nanoseconds and you had to be looking for it. Also I’m hoping this PG-rated movie stays PG. I'm not looking forward to it for other reasons. Disney has a way of overloading a simple fairy tale and I've been hearing that it's overblown and overdone. 

Some folks overseas have an even different read on the movie, according to the Los Angeles Times, which ran this piece:

When Disney's live-action "Beauty and the Beast" debuts worldwide Thursday, Malaysia will no longer be among the invited guests.
The Associated Press reported Tuesday that the company had shelved its plans for Malaysian release after film censors there approved the film after cutting out its so-called "gay moment."
According to the chairman of the Film Censorship Board in Malaysia, Abdul Halim Abdul Hamid, scenes promoting homosexuality are banned in the country.
"We have approved it, but there is a minor cut involving a gay moment. It is only one short scene but it is inappropriate because many children will be watching this movie," Abdul Hamid told the Associated Press.

This is confusing. The film board censored the film to match up with local sensitivities, then banned it nonetheless? Odd. Why is this happening?


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Hey, Los Angeles Times: GOP'ers aren't the only conservatives living under cover in Hollywood

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Conservatives in Hollywood are like male calico cats: You know they exist, but they’re tough to find.

The Los Angeles Times recently came out with a piece on what it’s like to be Republican in Hollywood and how -- even during this Era of President Donald Trump -- GOP'ers must remain undercover. You’d think things would be different in 2017. After all, liberals in cinema circles were anything but hidden during the Barack Obama administration.

But Hollywood wanted Hillary; they got The Donald and so there’s still a lot of wrath in La La Land. And so the Times set out to find the folks who are swimming upstream, as it were. Did they see any "religion ghosts"? We will come back to that question.

As an Academy Award-winning producer and a political conservative, Gerald Molen has worked in the entertainment business long enough to remember when being openly Republican in Hollywood was no big deal.
“In the ’90s, it was never really an issue that I had to hide. I was always forthright,” recalled the producer, whose credits include “Schindler’s List” and two “Jurassic Park” movies. “It used to be we could have a conversation with two opposing points of view and it would be amiable. At the end, we still walked away and had lunch together.”
Those days are largely gone, he said. “The acrimony — it’s there. It’s front and center.”
For the vast majority of conservatives who work in entertainment, going to set or the office each day has become a game of avoidance and secrecy. The political closet is now a necessity for many in an industry that is among the most liberal in the country.

The article then touched on Friends of Abe, a conservative organization whose membership of some 2,500 persons is secret because getting outed is a career killer.

Leaders of Friends of Abe said its members have sharply divergent views on the current president.
“There are very conservative people in FOA who are troubled by his rhetoric,” said executive director Jeremy Boreing, a filmmaker and self-described Trump skeptic. “There are others who are very gung-ho and supportive of him. There are people who are cautiously optimistic and others who are just cautious.”
He said it was too early to tell how Trump will affect the organization, but “if Hollywood continues to overreact to Trump and toxify people’s professional lives, FOA will grow. We got started under [George W.] Bush, not under Obama. Hollywood was a more pleasant place for conservatives during Obama’s tenure because Hollywood was in a good mood.”

The reason I’m commenting on that piece for this column is because a lot of conservatives are people of faith, yet religion isn’t mentioned at all.


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Visiting 'The Shack' -- Media pros should bone up on some theology before doing so

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By this time, “The Shack,” a movie based on the best-selling novel of the same name, has been out a week. It has received lackluster reviews so far, even though it has Octavia Spencer playing God. Can’t get much better than that.

We don’t cover reviews here at GetReligion, since our focus is on news. However, I do wish to suggest that if mainstream media reviewers are going to critique a religious film, they should at least bone up on basic Christian doctrines or find a copy editor who has.

For those who need some background on the film, they could read an actual news report on issues raised in the film. Here's what Religion News Service led with:

(RNS) The 15 copies William Paul Young made at Office Depot did everything he had hoped they would do.
And more.
Young fulfilled a promise he’d made to his wife to write something down for their six children that captured the way he viewed God, and the 15 copies were given to his family and friends as Christmas gifts. ...
After it was rejected or ignored by 26 publishing companies, (author) Wayne Jacobsen and his friend Brian Cummings set up a small company to publish the story themselves. And Windblown Media sold nearly 1.1 million copies out of Cummings’ garage in just over a year.
Now Young’s best-selling book “The Shack” is completing its decade-long journey from the page to the screen in a Hollywood film opening this weekend (March 3), starring Octavia Spencer and Sam Worthington.

The article then summarizes the plot and some of the opposition to the film, which presents a multi-ethnic Trinity in the form of a black woman, an Israeli man and a Japanese woman.


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Religion & Ethics Newsweekly: Sharing a few big ideas in a long goodbye

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How do you telescope nearly 20 years of a show about religion into an hour or two?

Religion & Ethics Newsweekly, the PBS news magazine that made television religion-coverage history, announced late last year that it was ending its long run in mid-February of this year. It used its last two episodes to sum up the changes and trends the show has covered since its debut in September 1997.

Meanwhile, erstwhile funder, the Lilly Endowment, is sinking its money into another venture involving religion and ethics. More on that in a moment.

R&EN took awhile to wrap up what’s been an impressive haul of stories. Here’s a show that sent correspondents to cover the faith community’s help in cleaning up after Hurricane Katrina; the work of Catholic Relief Services after the 2004 tsunami that devastated parts of southeast Asia and the deaths and elections of Pope John Paul II, Benedict XVI and the current Pope Francis.

Their Rome coverage alone was amazing considering they had not nearly the budget nor personnel as did the larger TV networks.

This month, the show’s correspondents each focused on a different aspect of the show’s coverage as well as which of the many things they covered still stands out. Judy Valente chose programs on America’s poor: 

JUDY VALENTE, correspondent: In my years reporting for Religion & Ethics, I interviewed many people who not only had compelling stories to tell, but ended up deeply touching my own life. One of those unforgettable people lived in tiny Pine Apple, Alabama, a place so poor many residents still get their water from outdoor spigots. Dr. Roseanne Cook cared for the poorest of Pine Apple’s poor. Not known to most of her patients, she also happens to be a Sister of St. Joseph, a Catholic nun. She told one story I will never forget, about being robbed on a secluded road.

Kim Lawton focused on the show’s interfaith coverage and the growth of the “nones.”


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New Washington Post shocker: Christian bookstore chain wants CDs with 'clean' language! Film at 11

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You can imagine that when one of we happy, few Get Religionistas writes a snarky headline, there's more to follow.

Thus, I trust you won't be disappointed as we join the Washington Post on a voyage of discovery. The find? The shocking development here: Folks who run Christian bookstores respond quickly when customers complain about the content of a product they're selling.

(Your correspondent has direct, personal experience in this matter. I'll get to that in a moment.)

Here, now, the "news." Sho Baraka is an African-American hip-hop artist with a highly creative mind, and a love for Jesus. He's been popular in Christian circles after finding faith a few years back, and his latest album, "The Narrative" (promotional video above) hit the shelves at LifeWay Christian Bookstores, a chain owned by the Southern Baptist Conventions. Then, it appears, some folks listened to the songs, which then alarmed those hearers.

Take it away, Washington Post:

Popular hip-hop artist Sho Baraka has taken aim at Southern Baptist retailer LifeWay Christian Stores for dropping his album for including the word “penis,” a move that shows a growing tension between the black artist and his white evangelical fans.
A spokesman for LifeWay confirmed the retailer’s decision, saying in an email that customers complained about the language, but the representative declined to provide further details.
Christian bookstores don’t usually place rap albums by black activist artists front and center on their shelves. But in recent years, white evangelicals have embraced several black hip-hop artists such as chart-topping rappers Lecrae and Trip Lee, whose albums are sold on LifeWay’s website. Baraka, who was once part of Lecrae’s Reach Records label, said he upset LifeWay customers by including the anatomical reference in his album.

Here's a stunner, right?


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Religion news on TV: A not-quite post mortem on Religion & Ethics Newsweekly

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Late last year, a story broke about the impending demise of Religion & Ethics Newsweekly, the almost 20-year-old PBS show that is unique in American journalism. No other network has mounted such an ambitious effort to cover faith and ethics with Washington-based talent and staff.

Those of us on the religion beat were amazed when the show began in September 1997. Imagine, a TV news magazine about ethics (unheard of) and religion (nearly unheard of). Instead of the obnoxious religious TV that constantly hit you up for contributions, R&E had enough funding from the Lilly Endowment to keep those telephones quiet. WNET, whose head office is in New York, produced the show and PBS distributed it.

It also had star power behind it in the person of Bob Abernethy, a widely traveled NBC news correspondent who in his retirement years (age 69) started the show. The show set up shop in offices on H Street, borrowed studio space from Reuters and took off.

Religion News Service told us how it’s all ending two decades later:


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Alternate facts: New York Times posits 'Jediism' as actual religion in credulous feature

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Pardon the trite expression, but I just got sick, a little. I got my nausea through The New York Times.

The newspaper once positioned as America's "newspaper of record," the one whose slogan, "All the News That's Fit to Print" might well have been carved in stone, that newspaper has just served up a positive puff piece positioning a group of "Star Wars" movie aficionados as a religion.

In the process, they offered yet another installment -- is anyone keeping count? -- of how the fabled institution is more tone-deaf on faith than was Ludwig von Beethoven at the end of his life.

Here now, the "news," or perhaps, "alternate facts, faith division":

The makers of the “Star Wars” franchise on Monday [Jan. 23] announced the name of the films’ next installment -- “The Last Jedi” -- just as “Rogue One” hit $1 billion in global box office. Onscreen, it’s a great time to be a Jedi.
But Jedi is also a real-life religion that drew headlines last month when the Charity Commission for England and Wales ruled that it would not grant religious status to the Temple of the Jedi Order, a Jedi church. So, what is Jediism, and who is in the temple? We caught up with some practicing Jedi to find out.
What is Jediism?
Several Jedi communities exist around the world. Some call themselves religions, though others shy away from the word.
Interest in the religious potential in “Star Wars” first bubbled up online in the early 1990s, Michael Kitchen, one of several directors of the Temple of the Jedi Order, said in a recent interview.
The religion exploded into the mainstream in 2001, when fans in several countries listed Jediism as a religion on their local census. Hundreds of thousands did so. For many, it was a joke. But the phenomenon led others who were serious about Jediism to start considering the possibility of full religious status.


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Two final battles for author of 'The Exorcist;' Washington Post buries a key local angle

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Anyone who interviewed William Peter Blatty in the final years of his life knew that there were two major issues that were constantly on his mind.

Both subjects were linked to his Catholic faith and, from his point of view, the reality of evil in the world. Both were linked to his education at Georgetown University.

The first challenge was making sure people really knew what was going on at the end of "The Exorcist," the Hollywood blockbuster that loomed over everything he did in his career as a novelist and screenwriter. This meant tweaking both the movie and the novel, to add a bit of clarity to what was happening between God, a demon and a courageous priest.

The second subject involved Blatty's appeal to the Vatican seeking actions to pull Georgetown into line with the 1990 "apostolic constitution" on the core values of Catholic education issued by St. Pope John Paul II, entitled "Ex Corde Ecclesiae (From the Heart of the Church)." If that failed, Blatty wanted his alma mater stripped of its "Catholic" status.

Blatty could understand why the media was still obsessed with "The Exorcist." He couldn't understand why journalists -- especially in Washington, D.C. -- were not digging into the issues behind his intellectual and spiritual wrestling match with Georgetown.

Now Blatty is gone and, as you would expect, "The Exorcist" dominated the mainstream media features about his life and work. But what did The Washington Post do with the other major Blatty story, right there in its own Beltway backyard? This question takes us -- literally -- the the final lines of the Blatty obituary:

In recent years, Mr. Blatty had a public dispute with Georgetown University, charging that it had abandoned its Catholic heritage. He organized a petition that he sent to the Vatican.
But Mr. Blatty remained inescapably linked with the book and movie that brought him the fame he sought for so long.
“I can’t regret ‘The Exorcist,’ ” he said in 2013. “I always believe that there is a divine hand everywhere.”

That's all there was to it, apparently. Don't you love the word "but" at the start of transition from the brief mention of the Georgetown dispute, back into Exorcist material?


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Bigoted in Seattle? Anschutz-owned festival group blasted by Seattle Weekly

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Seattle’s Bumbershoot Festival is an annual end-of-the-summer party that takes over the area around Seattle Center every Labor Day weekend. It’s mainly art and music and an event my family used to attend before the crowds and traffic pushed us away. But lots of people still go.

It's a gathering free of politics -- or it was until the Seattle Weekly attacked the festival organizer in a recent piece headlined “Bigotry in the Spotlight.” The piece is about how the entertainment group that produces the festival is owned by billionaire Philip Anschutz. And because Anschutz funds conservative causes, he is, of course, anti-LGBT and a bigot.

We’ve written about Anschutz here and here and here. Anschutz is a devout Presbyterian and he’s also funded a lot of faith-friendly projects, such as Walden Media, which produced C.S. Lewis’ The Lion, the Witch and the Wardrobe, which came out as a movie 10 years ago. So here's how he's playing in one Seattle publication:

When Chick-fil-A announced plans for a Seattle store in 2013, mayoral candidates rushed to denounce the chain. Current mayor Ed Murray said he would “push” to keep the company out of town, and then-mayor Mike McGinn called its leader a bigot, due to CEO Dan Cathy’s financial support of groups opposed to same-sex marriage and his statements opposing it.
But a far bigger bankroller of conservative causes—including anti-LGBT groups—already does brisk business in Seattle. His name is Philip Anschutz, and he is the owner of Anschutz Entertainment Group, or AEG. AEG took over local festival Bumbershoot in 2015, which it produces in a multimillion-dollar partnership with the city. The city also handed over large portions of KeyArena’s management to AEG in 2008, splitting the venue’s revenues. That contract was renewed in 2015.

After adding that King County (which surrounds Seattle and its suburbs) is also in business with AEG, and that an AEG subsidiary company in California got reamed by lefty outlets such as Vice and the Huffington Post for not falling in line with LGBT demands, the article continues:


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