Music

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'Happy Holidays Charlie Brown'? So what happened in that Kentucky play?

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So what happened? What did Linus van Pelt say?

I am referring, of course, to the controversy that unfolded this past week in Johnson County, Ken., where school officials -- after receiving complaints from some in their community -- removed the speech by Linus at the pivotal moment in an elementary school production of "A Charlie Brown Christmas." Click here for the previous GetReligion post focusing on the Lexington Herald-Leader coverage of this Christmas wars showdown.

Here was my main point in my previous post: If Linus could not recite the key lines from the Gospel of St. Luke -- in response to Charlie Brown's anguished cry of "Isn't there anyone who knows what Christmas is all about?" -- then what was Linus going to say? It appeared, in previous coverage, that no one asked that question.

In the comments on that previous post, several readers tipped us off to what happened. So here is an update from the Herald-Leader, to stay with the same news source used before.

Though Johnson County school officials deleted a Bible passage from a student production of A Charlie Brown Christmas despite protests, several adults in the audience at Thursday’s performance recited the lines normally spoken by the character Linus, a video shows.
The scene at W.R. Castle Elementary School followed a firestorm of controversy in Johnson County this week.

And there is more information later:

Castle Elementary principal Jeff Cochran said in an interview Thursday that as instructed by school officials, no student in the play performed the scene in which Linus recites the passage from the Bible in explaining the meaning of Christmas:
“Ye shall find the babe wrapped in swaddling clothes lying in the manger. And suddenly, there was with the angel a multitude of the heavenly host, praising God and saying, ‘Glory to God in the highest, and on Earth peace, good will toward men.’ ”


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Final questions: Who wrote the New Testament's Book of Revelation?

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Final questions: Who wrote the New Testament's Book of Revelation?

JOHN (the perfect name for this question) ASKS: 

I thought the John of Revelation was the Beloved Disciple. The sermon today tried to disabuse me of that notion. What do we know about this?

THE RELIGION GUY’S ANSWER: 

One cherished Christmas tradition is dramatic presentation of the story of Jesus via Handel’s “Messiah,” the most-beloved, most-performed musical setting of Bible verses ever composed.  This 1742 oratorio concludes with a stirring chorus taken from the Book of Revelation 5:9,12-14 in the King James Version:

“Worthy is the Lamb that was slain and hath redeemed us to God by his blood, to receive power, and riches, and wisdom, and strength, and honor, and glory, and blessing…. Blessing and honor, glory and power, be unto him that sitteth upon the throne, and unto the Lamb, for ever and ever…. Amen.”

Who received this book’s elaborate vision and wrote it down? That’s among many mysteries about Revelation, a.k.a. the Apocalypse, along with what its many lurid symbols mean, and whether it addresses 1st Century persecution, church struggles throughout history, future culmination in the end times, or some combination. The early church, especially in the East, was reluctant and late in deciding this unusual book belonged in the New Testament.

The text names the writer as a “John” who lived on the island of Patmos off the coast of Asia Minor (present-day Turkey) due to “tribulation” and testimony to Jesus Christ, indicating he was in forced exile. There is early and strong tradition that this was John, the “beloved” apostle among the Twelve chosen by Jesus, though the text doesn’t say so.


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Oh my God, NBC News needs to print correction about story on U2's return to Paris

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Picky, picky, picky.

Guilty as charged, especially when it comes to the details of life on the religion beat. Anyone who knows about the day-to-day work done by journalists know that when it comes to writing, editing and the Associated Press Stylebook, we think that God is in the details. You could also say that the gods are in the details, if you wish to do so.

Yes, it's that time again. Time for another look at that journalism trend that your picky GetReligionistas have discussed quite a bit (click here for a classic Bobby Ross, Jr., post) in recent years -- the strange tendency for some journalists to ignore AP style when it comes to references to God.

So let's head right over to the journalism bible (lower-case "b") where we find this:

gods and goddesses
Capitalize God in references to the deity of all monotheistic religions. Capitalize all noun references to the deity: God the Father, Holy Ghost, Holy Spirit, Allah, etc. Lowercase personal pronouns: he, him, thee, thou.
Lowercase gods and goddesses in references to the deities of polytheistic religions. Lowercase god, gods and goddesses in references to false gods: He made money his god.

So with that in mind, let's look at a strange passing reference in an NBC News report about the return of U2 to Paris, for concerts that were cancelled amid safety concerns after the recent massacre there.


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Washington Post misses multiple hints about faith in Eagles of Death Metal story

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Washington Post misses multiple hints about faith in Eagles of Death Metal story

I’m not really a heavy metal fan but when I saw this piece posted in the Washington Post about the band that was playing during the terror attacks at the Bataclan concert hall in Paris, I had to take a second look.

I was swimming through this longish piece when I began noticing all sorts of hints about faith being dropped by Jesse Hughes, the lead singer of Eagles of Death Metal. Anyone who’s been in a Christian subculture could pick them up instantly. I am not sure the reporter was attuned to this at all, unfortunately, and Hughes wasn't really big on the God talk but he kept dropping hint after hing. It's obvious this man is one mixed-up guy, albeit quite entertaining.

Anyway, this piece has more ghosts (places where the reporter should have picked up on the spiritual element) than a Hogwarts Halloween party. Here’s how it started:

From head to toe, the Eagles of Death Metal lead singer is like a neon sign advertising the trappings of American rock. Tight jeans. Bright tattoos. Bold views. Wild hair. Several stints in drug rehab. And above all: sexually charged lyrics.
On Nov. 13, Hughes was belting those sexually suggestive lyrics on stage when three members of the Islamic State forced their way into the Bataclan concert hall in Paris. Hughes managed to escape but scores of his fans did not. Strapped with suicide vests and armed with Kalashnikovs, the gunmen slaughtered 89 people at the Bataclan. Across the city, coordinated attacks claimed 41 more lives.
In a statement, the Islamic State tried to paint the concert hall as a hedonistic pleasure palace “where hundreds of pagans gathered for a concert of prostitution and vice.”


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Nostalgia time for the Religion Guy, with observations from an American town

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Nostalgia time for the Religion Guy, with observations from an American town

This Memo, more personal than others posted by the Religion Guy, scans a nostalgia-drenched week that demonstrated several American trends.

First, hundreds of alums marked the end of the Time and Life Building as the Time Inc. magazines move to lower Manhattan, due to cost-cutting that afflicts all print media. 

Then there was a visit to hometown Endicott, New York, for the 100th anniversary of Union-Endicott High School. This American village of 13,392 typifies the hollowing out of U.S. industry, and religious phenomena seen elsewhere. 

Background: The Endicott Johnson Corporation, now defunct, was once the nation’s biggest or one of its biggest shoe manufacturers. E.J. fended off union organizers with medical services and other remarkable “square deal” benefits given line workers, many of them Americanizing immigrants from Italy and Eastern Europe. International Business Machines, all but vanished locally, originated in Endicott and had major operations there through much of the 20th Century.

Endicott was incorporated in 1906 and later absorbed the older town of Union. The reigning Johnson family gave the land for First Methodist Church to build in 1902, the Religion Guy’s own First Baptist Church in 1905, and the original Catholic parish, St. Ambrose, in 1908. The Johnsons also donated the Baptists’ pipe organ, still in use, and provided many other community services.

The Guy’s boyhood village was roughly half Catholic and half Protestant, with a high invisible wall between. The ecumenism fostered soon afterward by the Second Vatican Council was virtually non-existent.


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It's already time for Christmas Wars! So, journalists, who you gonna call?

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Here they come again -- the Christmas Wars.

No, I am not talking about Fox News specials on whether cashiers in megastores should be forced by their employers to say "Happy Holidays" to customers instead of "Merry Christmas." We have to wait until Halloween for those stories to start up. I'm talking about actual church-state battles about religion in the tax-dollar defined territory in the public square.

Public schools are back in session, so it's time for people to start planning (cue: Theme from "Jaws") holiday concerts. This Elkhart Truth story -- "Concord Community Schools sued in federal court over live Nativity scene in high school's Christmas Spectacular play" -- has all the basics (which in this case is not automatically a compliment). Here's the lede:

DUNLAP -- Two national organizations Wednesday filed a federal lawsuit against the Concord Community Schools over a live Nativity scene that has been part of the high school’s Christmas Spectacular celebration for decades.

You can see the problem looming right there in the lede. It's that number -- two.

Anyone want to guess which two organizations we are talking about? I'll bet you can if you try.

The suit by the Freedom From Religion Foundation and the American Civil Liberties Union alleges that the Christmas Spectacular -- which ends with a scriptural reading from the Bible as religious figures such as Mary, Joseph and the wise men act out the scene -- endorses religion in a manner that is illegal in a public school.
The complaint, filed on behalf of a Concord student and his father, asks the U.S. District Court to instruct school officials not to present the live Nativity scene in 2015 or  in the future. The complaint also seeks nominal damages of $1 and legal fees, as well as “other proper relief.”

Now, let me stress that the problem with this story is NOT that it quotes the Freedom From Religion Foundation and the ACLU.


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Famous church choirmaster and organist dies and, oh yeah, faith helped shape his work

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Let me confess, straight off, that this post is personal for me. I have, you see, been a church musician longer than I have been a journalist -- dating back to singing soprano in a classical boys choir. In college I was blessed to sing under the great Anglican choirmaster Robert H. Young (yes, at Baylor University) in his classical touring choir and I missed only two rehearsals in six years of undergraduate and graduate work. There is no way to express what sacred choral music means to me.

Thus, I know first hand the tensions that exist between the standards of classical performance and the singing done by normal church sanctuary choirs. I have known my share of elite choir snobs. At one point I was an elite choir snob.

So I read with great interest the New York Times piece on the recent death of the great organist and choirmaster John Scott, an Anglican who most recently was director of music at St. Thomas Episcopal Church on Fifth Avenue in New York City.

The article -- as it should -- emphasized his achievements as a performing artist on both sides of the Atlantic. He had just returned from recitals in Europe and was poised to begin the second leg of that tour. His second wife is expecting their first child in a few weeks. There is much to report about his life and career:

Mr. Scott played at the Boston Early Music Festival in June. His last American appearance was a Bach recital at St. Thomas on June 20.


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Yo, New York Times: Does everyone agree as to why all those Catholic parishes are closing?

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Faithful GetReligion readers know that, in the past, we have praised the New York Times Metro desk team for its coverage of the painful wave of Catholic church closings and parish mergers that has hit the Archdiocese of New York.

However, there has been a rather ironic subplot running through some of the coverage.

You know how your GetReligionistas are always complaining that mainstream reporters always find a way to find each and every possible political thread in religion-news stories, even if there are doctrinal themes that are much more central to the event? Think coverage of papal tours, for examples.

Now, the irony is that the Times team -- when covering these parish mergers and closings -- seems almost completely tone-deaf to some pretty obvious elements of Catholic politics (and real-estate business) linked to this story, elements that are pretty easy to tune in online.

I know that the Times folks know these elements are there, because they have seen them in the past and I praised them for it:

So implied issues of ethnicity, history, economic justice, liturgical style and theology. I've heard of churches exploding in fits of bitterness over the changing of hymnals and stained-glass windows. Imagine closing 50 churches in a city as complex as New York -- with all of the economic questions raised by locations of these facilities.
Air rights? How about prime land in a city with a real-estate and building boom that is almost out of control. For Cardinal Timothy Dolan, there are no easy financial and spiritual decisions here.

But the latest story is totally centered on people and emotions -- which are crucial elements of the story, of course. But there are other layers worth pursuing, especially linked to liturgy and tensions in the church. Oh yes, and demographics loom in the background, once again. 


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With Irish friars, New York Times finds yearning for tradition, community and even faith?

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Here we go again, yet another positive GetReligion post about an elite newsroom's coverage of a religious issue on foreign soil. I hope that readers won't hold all of these positive vibes against me, especially since, in this case, we're talking about The New York Times.

But first, do you remember the semi-shock felt by many traditional Catholics when National Public Radio did that glowing report on the Dominican sisters in Nashville? That was the report that opened like this:

For the most part, these are grim days for Catholic nuns. Convents are closing, nuns are aging and there are relatively few new recruits. But something startling is happening in Nashville, Tenn. The Dominican Sisters of St. Cecilia are seeing a boom in new young sisters: Twenty-seven joined this year and 90 entered over the past five years.
The average of new entrants here is 23. And overall, the average age of the Nashville Dominicans is 36 -- four decades younger than the average nun nationwide.
Unlike many older sisters in previous generations, who wear street clothes and live alone, the Nashville Dominicans wear traditional habits and adhere to a strict life of prayer, teaching and silence.

Now the Times has gone to Cork, Ireland, and discovered a very similar story focusing on a house of Dominican friars. The narrator, in the beginning, is recruiter Father Gerard Dunne and the topic is the medieval habit and rosary that, in a significant way, symbolize this order's approach to the faith.

Spot any themes that are similar to the earlier NPR piece?


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