Arts

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'The Shack' movie cometh, but mainstream reporters miss the real religion issues

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I first heard of William Young’s “The Shack” in 2008, about a year after it came out. I knew it was an indie book set in the Pacific Northwest and, as it turned out, one of the main characters was kidnapped at an eastern Oregon campground that I’d once frequented. When the father of the victim wanders about the wilderness near Hell’s Canyon trying to find his daughter –- or at least her body -– I knew exactly where he was driving.

The book got a very mixed reception due to its unorthodox theology, but when I traveled to Oregon in the summer of 2009 for vacation –- and to interview the author -– I found him a likable, unassuming man. Despite the fact that he was now worth millions, he was plainly dressed and we met in a coffeeshop near his home in Gresham, a suburb east of Portland.

So it’s no surprise that 10 years after the initial 2007 release date, this story has been turned into a major movie. A writer for the Washington Post previewed it in a piece under a headline touting God as a "curvy black woman." Here's how that starts:

In the coming film adaptation of “The Shack,” a fictional book by William P. Young about a father’s path to renewed faith and healing after his young daughter’s murder, the character of God -- as depicted in the novel -- is portrayed as a curvy, maternal black woman. ...
At issue is Young’s characterization of the Holy Trinity, seen through the eyes of the story’s main character, who on the four-year anniversary of his daughter’s brutal killing is mysteriously invited by someone named “Papa” -- his wife’s affectionate name for God -- to the abandoned shack in the Oregon woods where the girl died.
He goes, reluctant and angry, unsure if he’ll be met by his daughter’s murderer.
Instead, he finds this: a Middle Eastern, Jewish carpenter named Jesus; the Holy Spirit embodied in a wispy Asian woman who loves to garden and God (played by “The Help” star Octavia Spencer) as the very opposite of the Gandolf-like grandpa figure modern society is used to seeing.
This depiction -- God as a woman despite its gender-less designation in the Bible -- has some critics incensed.

Whoa –- wait –- God in the Bible is genderless?


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Fine Washington Post story about Dolly Parton (but try to guess what part got left out)

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Quite some time ago, the world-weary team of journalists at Entertainment Weekly produced a surprisingly serious and well thought out list of the most important women in the history of the American entertainment business.

I wish I could give you a URL for that article, but I have never been able to figure out that magazine's approach to digital content. 

Anyway, my memory is that Lucille Ball was No. 1, in large part because of her revolutionary role in managing her own career options. Oh, and she was a brilliant comic actress.

Dolly Parton was No. 2 for pretty much the same reason. Bluntly stated, she was and is a brilliant businesswoman who has opened all kinds of doors for other women in Nashville and the entertainment biz, period. She is also one of the most underrated songwriters, and stage performers, of all time.

I bring this up for a simple reason. Dolly is always news here in East Tennessee, where she is to our culture sort of what the Queen is to England -- only Parton has tons of business clout to go with all of her earth mama of the Smokes symbolism.

Now Dolly has gone and done something really important linked to the wildfires that ravaged our region a few weeks ago. You may have seen one or two short items about that on the national news. Maybe. For elite media, this was kind of like the Louisiana floods 2.0, as in something going on in red-state land that really didn't matter that much. Maybe if Donald Trump had paid a visit?

Parton has pledged, through her foundation, to give every family that lost a home -- 700 homes and businesses were destroyed -- $1000 a month for six months to help get them back on their feet. Her do-it-yourself TV telethon raised about $9 million to help out, too.

You can imagine the local coverage here in East Tennessee. However, Dolly's crusade also caught the eye of editors at The Washington Post, which printed nice, long, highly detailed feature on her. However, anyone want to guess what part of Parton's story the Post pretty much ignored?


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Nashville's Christian hip hop music scene is now under The Tennessean's microscope

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Hip-hop and its cousin, rap, is stuff I won’t let my kid listen to on the car radio because I never know what weird thing is going to come out of the speakers. Which is why I was interested to see the Tennessean announce that Christian hip hop has arrived.

When it comes to this kind of music, I’m beyond clueless. But I do know that Nashville is as close as you can get to not only being the go-to place for country music but is also the national capital for contemporary Christian music. There’s a reason why CCM Magazine is based there.

So I appreciate it when a secular publication tries to explain the genre to us great unwashed in the peanut gallery.  Here's what ran Tuesday:

The audacious Christian hip-hop movement, which to this point has been spearheaded mostly by independent artists and record labels, has made its way to Music Row with Word Music’s launch of a hip-hop imprint called 4 Against 5.
The new imprint is headed by Joseph Prielozny, the producer and artist development executive who helped guide the career of Christian hip-hop’s flag bearer, Lecrae.
Prielozny likens the rising popularity, word-of-mouth marketing and do-it-yourself ethos of the Christian hip-hop movement to rap music’s emergence into the mainstream in the 1990s. Obviously, the message of Christian rappers like Lecrae is different than Easy E, but the ethos is the same. Something fresh, something resonating is happening with Christian hip-hop and now Word, the genre’s oldest label, is buying in.

I kept wondering what 4 Against 5 meant, but the article never said. Thank goodness for online searches and YouTube. The story continues:


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Memory eternal, C.S. Lewis: Another story on Nov. 22 that might be worth some ink

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Here in the United States of America, Nov. 22 will always mean one thing on the news calendar. That's especially true in Texas and for folks like me who are natives of Dallas.

As you would expect, there was some mainstream coverage of the fact that today is the 53rd anniversary of the assassination of President John F. Kennedy. I expect some second-day coverage of events linked to the anniversary, as well.

However, on the other side of the Atlantic, this day also marks the 53rd anniversary of the death of another famous man -- a scholar and popular writer whose works are just as influential today as they were on the day he died. We're talking about C.S. Lewis.

I know that I am biased -- "The Great Divorce" is my favorite book -- but I am thinking that many Americans would want to know if there are any events on the other side of the pond, even coverage after the fact, marking this event. This 2013 story from The Independent -- timed for the 50th anniversary -- contains plenty of information to serve as a starting point.

CS Lewis: In the shadow of JFK's death...
The author of the 'Narnia' children's books, died an hour before Kennedy. His stepson recalls the day

The stepson is Douglas Gresham, known to some Americans for his role in promoting the work of Lewis and for playing a role in turning some of the Narnia books into mainstream movies. That series will be rebooted with the release of "The Silver Chair," which is expected in 2018.

This passage from the earlier story provides all the context that journalists would need:


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Mel Gibson and his 2016 multi-media tour: Can this fallen star ever repent enough?

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Mel Gibson, for years one of the most despised men in Hollywood, appears to be back on top with the release of a new film “Hacksaw Ridge.” This has brought together a delightful brew of movie reviews, Gibson gossip fests and interminable articles on how this industry pariah and renegade Catholic is trying to redeem himself, through a marathon of interviews in news and entertainment media.

There is valid religion-beat news here. It’s impossible to sidestep the faith factor in the story of how the maker of“The Passion of the Christ” has now come out with a movie about a Seventh-day Adventist conscientious objector who survives one of World War II’s bloodiest battles without so much as a gun by his side.

In one of those journalistic mixes of opinion and fact that are all too common in newspapers these days, the Los Angeles Times expounds on all this.

 At the recent Academy premiere of "Hacksaw Ridge," there was a 10-minute standing ovation.
Not terribly surprising, except it was for Mel Gibson.
Ten years ago, Gibson was the most hated man in Hollywood. First, during a DUI arrest,  he verbally assaulted police officers using anti-Semitic and sexist language. Then he was caught on audiotape threatening his then-girlfriend with rape and other physical abuse as well as dropping the N-word.
Forget standing ovations; many believed he would never work again.
But forgiveness, like everything else, has always followed a hierarchy in Hollywood. The elite — those who've won awards, broken box office records, sold successful franchises — are often welcomed back even as newbies like Nate Parker or middlings like Lindsay Lohan are cut loose. 


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Latest Amy Grant controversy: This tale has a new chapter that some have missed

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Baby, baby, how long have I been writing about controversies involving Amy Grant and fights about what is and what is not Christian music?

Well, so long that I cannot link to the "On Religion" column I wrote about the topic a quarter of a century ago. You see, the World Wide Web didn't really exist at the time for normal people -- so that column isn't stored anywhere online, at least not where I can get to it.

But back in 1991, people started worrying about whether Grant's "Heart in Motion" album (containing "Baby, Baby," which led to that controversial music video) was "too secular" and part of the "crossover" trend that would undercut Grant's public witness, etc., etc.

Well, now Grant is back in the news and, alas, it appears that some people have not noticed that lots of water has gone under the bridge and there are new issues in play. This brings us to the top of the story in the singer's local paper, The Tennessean:

LifeWay Christian Resources will not be selling Amy Grant's new Christmas album this year, and the manager for the Nashville-based singer says it's because it's not Christian enough for the Southern Baptist retailer.
Manager Jennifer Cooke said in an opinion piece for the Washington Post that LifeWay's decision not to carry "Tennessee Christmas" reignites a debate about how Christian a product needs to be in order for Christian retailers to sell it.
"'Is it Christian enough for Christian retail to support?' LifeWay Christian Resources, the large Southern Baptist retailer, decided it was not. It’s their choice, and it’s okay," said Cooke, in the column posted Tuesday.
LifeWay, the publishing arm of the Southern Baptist Convention, confirmed its retail stores are not carrying the album, but would not comment on the reasons for the decision.

Of course, the Southern Baptist Vatican, as the locals call it, is in Nashville, so this is a local story on every possible level.


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Why don't men like church? Sometimes a story is hard to see because it's just too common

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Why don't men like church? Sometimes a story is hard to see because it's just too common

This week's "Crossroads" podcast is rather different from the norm. Please allow me to explain why.

You see, this podcast is not about a story that is in the news. It's a discussion of a larger trend that I am convinced is helping shape some major trends -- in culture, in the church and, yes, often in the news.

Like what? Well, it is relevant to the rise of the "nones," especially the departure of young men from pews. It's also, I have long been convinced, linked to several hot-button debates about the Catholic priesthood. You could make a case that this trend -- centuries old, actually -- is helping fuel the decline of liberal Protestantism in the West, while also causing problems (to a lesser degree, statistically) in evangelical and Pentecostal sanctuaries.

Oh, and then there is that whole "Jesus is my boyfriend" issue in modern church music, in megachurch Protestantism and even in some liturgical circles.

We are talking about the fact that lots and lots of men just don't want to go to church. Go to most churches -- especially struggling churches -- and look around. What is the ratio of women to men?

I wrote a pair of columns about this and, frankly, I have been getting some interesting feedback from readers. People are not neutral on this subject, for sure. They either think this problem is real or they think that people who want to discuss the issue are (a) way too liberal, (b) way too conservative, (c) anti-women, (d) anti-Catholic tradition or some combination of the above (and I could have added lots of other factors that folks put in that mix.)

The columns were based on a series of lectures by the conservative Catholic writer Leon Podles, author of the controversial 1999 book "The Church Impotent: The Feminization of Christianity," that were delivered recently at Mount Calvary Catholic Church in downtown Baltimore. In a way, Podles -- a former federal investigator with a doctorate in English -- was updating the work in that book.


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Tricky journalism question: How do you describe miracles in a secular newspaper?

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Tricky journalism question: How do you describe miracles in a secular newspaper?

As an introduction to this week's "Crossroads" podcast (click here to tune that in), let's take a short true-or-false test about religion and journalism.

(1) True or false: The Jewish Messiah will, at the end of all things, appear in Jerusalem and rebuild the Temple.

(2) True or false: Jews believe that their Messiah will, at the end of all things, appear in Jerusalem and rebuild the Temple.

(3) True or false: Some Jews believe that the Messiah will appear in Jerusalem, etc., etc.

(4) True or false: Some Jews believe their Messiah will appear in Jerusalem, etc., etc., but when they make that statement it serves as a kind of metaphor about the role of hope and faith in the lives of mature, nuanced believers who read The New York Times.

OK, that last little bit was a bit snarky, but you get the idea.

So what was the point of this exercise?

Let's say that you are writing a piece for The New York Times about the city of Jerusalem and you need to describe its importance in Jewish life, culture, art and faith. Which of these statements would be accurate, as a statement of facts that can be trusted by journalists?


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Testaments Old and New? Bob Dylan's story is baptized in all of that, chapter and verse

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Want to watch a really interesting fight?

Put a bunch of Bob Dylan fans -- true believers -- in a room with a really good sound system. Make sure the flock includes old-guard Rolling Stone subscribers, a couple of academics with doctorates in literature, some born-again Christians and some Jews -- cultural Jews and Jews who practice the faith.

Ask this question: Is Bob Dylan (a) a Jew, (b) a Christian, (c) some other brand of believer, (d) a mystic who has faith in faith, period, or (e) all of the above.

Each person gets to play three songs to help make his or her case. Let the arguing commence. Yes, the arguments will only get louder after Dylan the poet receives his Nobel Prize.

I'll state my prejudice right up front. I have never interviewed Dylan, but I have talked to people close to him (including a family member) and here is what I think: I see no evidence has Dylan has lost faith in God. I see no evidence, in this public remarks, that he has lost faith in Jesus. I see lots of evidence that he has lost faith in Bob Dylan.

How do you write about Dylan without exploring the religious themes in his work? Beats me, but here is a New York Times super-short summary of his art, in a hard-news story about the Nobel Prize announcement:

Within a few years, Mr. Dylan was confounding the very notion of folk music, with ever more complex songs and moves toward a more rock ’n’ roll sound. In 1965, he played with an electric rock band at the Newport Folk Festival, provoking a backlash from fans who accused him of selling out.
After reports of a motorcycle accident in 1966 near his home in Woodstock, N.Y., Mr. Dylan withdrew further from public life but remained intensely fertile as a songwriter. ...
His 1975 album “Blood on the Tracks” was interpreted as a supremely powerful account of the breakdown of a relationship, but just four years later the Christian themes of “Slow Train Coming” divided critics. His most recent two albums were chestnuts of traditional pop that had been associated with Frank Sinatra.

Christian themes? That's it? What about the Jewish roots of much of his art?


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