Mel Gibson

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Peter J. Boyer: Charged with covering faith for The New Yorker, I found GetReligion

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Peter J. Boyer: Charged with covering faith for The New Yorker, I found GetReligion

It was a piece of great luck for me that the “publish” button was clicked on the new GetReligion blog in 2004 just before I received the unlikeliest assignment of my career — the faith beat at The New Yorker.

I had been writing for the magazine for more than a decade, following my fancy on subjects ranging from politics and war to horse racing and hurricanes. I was a generalist, with the blessed (to me) freedom of

thoroughly exhausting my interest in a particular subject and then, once my piece was published, leaving it behind forever.

This suddenly changed in November 2004, with the re-election of President George W. Bush. The election had been a Republican wipeout, with Bush not only retaining the White House but Republicans strengthening their hold on the House and Senate — the biggest across-the-board GOP sweep since Ronald Reagan’s blowout in 1980.

The result, to say the least, had come as a shock to many in the news business, including (perhaps especially) those populating the corridors of The New Yorker. The magazine had claimed a stake in the election, having published an endorsement of a presidential candidate — the Democrat John Kerry — for the first time in its 80-year history. The lengthy editorial framed the Bush presidency as a creature of a Supreme Court “fiat,” and decried its “record of failure, arrogance and … incompetence.”

To his credit, editor David Remnick thought our readers deserved an explanation of the unexpected (to them) Republican wave. Polling suggested that Republicans owed their victory to a cohort that the media quickly labeled “values voters,” people who supported the War on Terror and believed that John Kerry and the Democrats didn’t represent their values.

At the core of this group, of course, were people of faith who regularly attended worship services. My assignment: Go out among these voters, and explain their motivations to the insular world the New Yorker represents.

I used to joke that I was assigned the faith beat because I was the guy at the New Yorker who’d been to church, and I am, indeed, a believer. But I was anything but an expert on religion, and I quickly learned that very few (of any) reporters in the mainstream media were.

Happily, I quickly discovered GetReligion.org, a website founded on the recognition that the mainstream press didn’t “get” religion.


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Some 'Father Stu' coverage misses real-life redemptive message while shooting at actors

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Some 'Father Stu' coverage misses real-life redemptive message while shooting at actors

Easter weekend has become secular enough over the past few decades where many Americans use the holiday weekend to go to the movies.

It’s a trend that started with the summer blockbuster during the Fourth of July holiday and subsequently by Hollywood with premieres on Christmas Day. While COVID-19 put some of that on hold as audiences streamed movies at home, it seems to be making a comeback with the easing of the pandemic.

The gently gay-friendly Fantastic Beasts: The Secret of Dumbledore won the box office this past weekend, while the religiously-inspired film Father Stu finished a respectable fifth. It wasn’t a bad finish for a film that doesn’t feature a Marvel superhero and may find an audience in Western-rite Christians who were otherwise at church and with family this past Sunday.

Of course, this is a film that features a superhero of a different kind.

Father Stu is the true story of Stuart Long, an amateur boxer who eventually moves to Los Angeles in order to pursue an acting career and along that journey he becomes a Catholic priest. That’s the simplest way to put it without giving away too much of the plot for those who are planning to see it in the coming days.

The two-hour film, featuring Mark Wahlberg as the main character, gets a Rotten Tomatoes score of 45% based on 75 reviews by critics, but a 95% from verified users from the general audience. It shouldn’t surprise me that there is a divergence between media-market critics and the audience when it comes to movies that glorify faith. I found the story compelling, despite the vulgar language, but it is worth seeing.

I get that reviewers are entitled to their opinions. After all, that’s the job of a critic. But the coverage around the film, however, has been framed in a certain way, offering up lopsided and negative takes among many mainstream news sites.

This isn’t a traditional news-coverage question, but it’s appropriate to ask: What’s going on here?


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Plug-In: The top religion-beat stories of 2022? Here are some likely scenarios

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Plug-In: The top religion-beat stories of 2022? Here are some likely scenarios

What stories will religion reporters be chasing in 2022?

Veteran Godbeat pro Kimberly Winston asked a handful of national journalists — myself included — that question on Interfaith Voices’ “Inspired” radio show.

“Every one of the reporters we asked had a different answer,” Winston noted.

That’s certainly true.

But a few common themes emerged.

The Washington Post’s Michelle Boorstein, The Conversation’s Kalpana Jain and I all mentioned abortion as the U.S. Supreme Court contemplates overturning — or at least severely curtailing — Roe v. Wade.

Other topics cited: the COVID-19’s pandemic ongoing impact on religion and the role of faith and Christian nationalism — so evident in the Jan. 6, 2021, Capitol riot — in the midterm elections.

The Los Angeles Times’ Jaweed Kaleem said he’ll be reporting on religious activism related to the climate and environment. Faithfully Magazine’s Nicola Menzie expects to keep monitoring issues of importance to Christian communities of color, such as mental health.

By the way, the 2022 question was just one part of a fascinating show in which Winston delved into how religion reporters get their stories.

I was truly captivated, except for the parts where I had to listen to my own voice. I’d highly recommend it.

Look for more predictions for the coming year — including a major global story — in this week’s Inside the Godbeat section.


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Was Jesus white and should sacred art that depicts Him in that manner be scrapped?

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Was Jesus white and should sacred art that depicts Him in that manner be scrapped?

THE QUESTION:

Was Jesus white?

THE RELIGION GUY’S ANSWER:

No.

But in these racially anxious times for America, there’s more to be said.

In a biblical dream-vision, presumably not meant to be taken literally in racial terms (Revelation 1:15), the feet of the triumphal Jesus Christ are bronze in color. In terms of actual 1st Century history, it makes the most sense to think that Jesus was neither north European white nor African black. As a man of the Mideast, he’d presumably have had a light brown or olive complexion like today’s Arabs or Sephardic Jews, with a good tan from all those outdoor travels.

Megyn Kelly assured Fox News viewers in 2013 of the “verifiable fact” that “Jesus was a white man.” In recent days, similar racial uproar was generated by Black Lives Matter activist Shaun King. After tweeting that memorials to “despicable” slaveowners George Washington and Thomas Jefferson must come down, he added obliteration of statues of “the white European they claim is Jesus,” seen as “a form of white supremacy.” A further tweet extended the ban to such “racist propaganda” in murals and stained glass of Jesus.

King did not specify that paintings should likewise be removed from display or destroyed, though that seems an obvious implication. Such iconoclasm would denude the world’s museums of countless masterpieces. In one example, so treasured is Leonardo da Vinci’s “Savior of the World” portrait of a Caucasian-looking Jesus that Crown Prince Mohammed bin Salman of Saudi Arabia paid $450 million for it in 2017.

Moving to popular art, should we still watch those movies and TV productions where Jesus looks Caucasian, and more Gentile than Jewish? On that score, Mel Gibson’s film “The Passion of the Christ” (2004) gave Jesus a modest prosthetic nose and colorized the actor’s eyes to darken them.


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An Easter think piece: What happens when movie-makers talk to scribes who 'get' religion?

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When I first met Dwight Longenecker in 1999 I already thought his life story was unique.

The setting was an international journalism conference in Chichester, England. Longenecker was working in journalism at the time, after studying theology at Oxford University. He had already been ordained as an Anglican priest, but then saw the writing on the ancient church walls and swam the Tiber to Roman Catholicism.

But here’s the biographical detail that grabbed me. I was fascinated that, after growing up evangelical in Pennsylvania, he had done his undergraduate work at Bob Jones University in Greenville, S.C. — America’s famous campus that proudly embraces the loaded term “fundamentalist.”

From BJU to England and on to Rome! What a journey, I thought. And people said my pilgrimage from Southern Baptist preacher’s kid to Eastern Orthodoxy was unusual.

But there was one more remarkable shoe to drop in the Longenecker story. In 2006 he returned to America with his wife and four children and — taking the Pastoral Provision door opened by Pope John Paul II (now a saint) — Longenecker was ordained as a Catholic priest.

So where is he now? He is the pastor of Our Lady of the Rosary Catholic Church in — wait for it — Greenville, S.C., a few miles from his old BJU stomping grounds. So the Catholic priest who is “in charge” of Bob Jones territory (long ago, the founder called Catholicism a “Satanic cult”) is a BJU graduate.

Now, I offered all of that as an intro to our think piece for this Easter Sunday (for Western churches). It’s a blog post by Longenecker entitled “The Passion of the Christ, me and Mel Gibson” that includes a fascinating detail about what many consider the most beautiful image in that controversial movie (click here for his “Standing on my head” website).

The key: Longenecker, as a journalist, did quite a bit of writing about film. Thus, he ended up in one of those famous advance screenings with Gibson — who showed a rough edit to a variety of religious audiences while raising money to independently release the film. After showing this early version of his movie, Gibson came out to take questions from the small crowd. Then this happened:


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Faith on film and TV: Five takes on the life of Jesus that you can watch this Easter

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With Easter just ahead and many of us stuck at home during the coronavirus pandemic, there is no better time than now to both watch movies about the life and death of Jesus. You should be able to find several on television this weekend.

Christ has been depicted in a variety of ways on film over the last six decades. Some depictions have been better than others. Some of these movies made headlines and some did not. The debate over which portrayal of Jesus was most realistic, authentic or powerful has raged on for years.

In 1997, James Martin came up with his own list, republished two years ago in America magazine. In it, he made some controversial picks, ones that keep this debate going every Easter. For many, movies about Jesus allowed many people who would otherwise not have an interest in Christianity or faith and awaken some religious curiosity.

Easter — Jesus’ crucifixion and resurrection — is the most significant event of the Bible, one that changed the course of history. There are a number of movies that have captured that moment in both a touching and stirring manner. At the same time, several actors have portrayed Jesus to great public acclaim. The movies, appealing to Christians of all denominations, are a wonderful way to celebrate Easter and educate younger people to the life and times of Jesus.

This list doesn’t consider edgy pop-culture phenomena such as Jesus Christ Superstar or sacrilegious ones like The Last Temptation of Christ, with its mentally unbalanced and rather depressed messiah who calls himself a sinner. Instead, I have focused on serious interpretations through the years of the life of Jesus. As Christians prepare for Easter, here are five movies about Jesus, both in theaters and on TV, that rise above the rest:


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National Geographic: Medieval Peru = child sacrifice + some vague pagan religion thing

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More than a decade ago, Mel Gibson came out with “Apocalypto,” a movie about the bloody pre-Columbian civilizations on our side of the Atlantic. And two months ago, the February issue of National Geographic had a story about a new archeological site — Huanchaquito-Las Llamas — in Peru that bore out the movie’s thesis that Mesoamerica and South America alike were charnel houses of human sacrifice.

More on Gibson in a moment. The National Geographic piece showed that some time in the past few hundred years, a society had carried out a mass orgy of child sacrifices early in the 15th century. The question, of course, is this: What did these rites have to do with religion and faith? We will get to that.

The text from this piece has only gone online recently, hence my delay in posting commentary about it.

THE YOUNG VICTIM lies in a shallow grave in a vacant lot strewn with trash. It’s the Friday before Easter here in Huanchaquito, a hamlet on the north coast of Peru.

The throb of dance music, drifting up from seaside cafés a few hundred yards to the west, sounds eerily like a pulsing heart. It’s accompanied by the soft chuf, chuf of shovels as workers clear away broken glass, plastic bottles, and spent shotgun shells to reveal the outline of a tiny burial pit cut into an ancient layer of mud.

The first thing to appear is the crest of a child’s skull, topped with a thatch of black hair. Switching from trowels to paintbrushes, the excavators carefully sweep away the loose sand, exposing the rest of the skull and revealing skeletal shoulders poking through a coarse cotton shroud. Eventually the remains of a tiny, golden-furred llama come into view, curled alongside the child.

The grim count from this and a second sacrifice site nearby will ultimately add up to 269 children between the ages of five and 14 and three adults. All of the victims perished more than 500 years ago in carefully orchestrated acts of ritual sacrifice that may be unprecedented in world history. …

The Old Testament chronicled child sacrifice, the article says, although the writers didn’t add that God thoroughly detested the practice. Tiny detail, there.

Other than the sacrifice of virgin girls in Minoan Crete to appease demons, the Eastern hemisphere had comparatively little of it compared to the blood baths in the West.

Until the discovery at Huanchaquito (pronounced wan-cha-KEE-toe), the largest known child sacrifice site in the Americas—and possibly the entire world—was at Templo Mayor in the Aztec capital of Tenochtitlán (modern-day Mexico City), where 42 children were slain in the 15th century.

In Huanchaquito:


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Hey, Los Angeles Times: GOP'ers aren't the only conservatives living under cover in Hollywood

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Conservatives in Hollywood are like male calico cats: You know they exist, but they’re tough to find.

The Los Angeles Times recently came out with a piece on what it’s like to be Republican in Hollywood and how -- even during this Era of President Donald Trump -- GOP'ers must remain undercover. You’d think things would be different in 2017. After all, liberals in cinema circles were anything but hidden during the Barack Obama administration.

But Hollywood wanted Hillary; they got The Donald and so there’s still a lot of wrath in La La Land. And so the Times set out to find the folks who are swimming upstream, as it were. Did they see any "religion ghosts"? We will come back to that question.

As an Academy Award-winning producer and a political conservative, Gerald Molen has worked in the entertainment business long enough to remember when being openly Republican in Hollywood was no big deal.
“In the ’90s, it was never really an issue that I had to hide. I was always forthright,” recalled the producer, whose credits include “Schindler’s List” and two “Jurassic Park” movies. “It used to be we could have a conversation with two opposing points of view and it would be amiable. At the end, we still walked away and had lunch together.”
Those days are largely gone, he said. “The acrimony — it’s there. It’s front and center.”
For the vast majority of conservatives who work in entertainment, going to set or the office each day has become a game of avoidance and secrecy. The political closet is now a necessity for many in an industry that is among the most liberal in the country.

The article then touched on Friends of Abe, a conservative organization whose membership of some 2,500 persons is secret because getting outed is a career killer.

Leaders of Friends of Abe said its members have sharply divergent views on the current president.
“There are very conservative people in FOA who are troubled by his rhetoric,” said executive director Jeremy Boreing, a filmmaker and self-described Trump skeptic. “There are others who are very gung-ho and supportive of him. There are people who are cautiously optimistic and others who are just cautious.”
He said it was too early to tell how Trump will affect the organization, but “if Hollywood continues to overreact to Trump and toxify people’s professional lives, FOA will grow. We got started under [George W.] Bush, not under Obama. Hollywood was a more pleasant place for conservatives during Obama’s tenure because Hollywood was in a good mood.”

The reason I’m commenting on that piece for this column is because a lot of conservatives are people of faith, yet religion isn’t mentioned at all.


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Hollywood discovers God! Again! Seriously, this New York Times piece is worth reading

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I've been around the Godbeat scene so long that I can remember the days when journalists would wait four of five years before they would write the same Big Trend Story all over again.

You know the ones I'm talking about. Things like the whole "Death of the Religious Right" story or the latest update on "Why megachurches are getting bigger." And did you know that interfaith marriages are a big deal in modern Judaism?

Another one of the standards has been the "Hollywood discovers that religious people watch movies" story. Because of my longstanding interest in this topic (hint, hint), I have been watching journalists discover this trend over and over ever since "Field of Dreams" and  "Home Alone." Hey, do you remember Michael Medved? Then in 2009, The Los Angeles Times even interviewed me about the roots of this trend behind the hit movie, "The Blind Side."

You can blame Mel Gibson and "The Passion of the Christ," of course, but there is more to this evergreen story than one or two big-ticket items.

Still, I was cynical when I saw this New York Times headline the other day: "Secular Hollywood Quietly Courts the Faithful." I expected another quick-turn news feature about this "hot topic."

In this case I was wrong. The basic message of this in-depth business feature was that this is a topic that is not new and that it is not going away, in part because Hollywood has entered an era in which making profitable niche-market films is almost as important as making special-effects blockbusters. And then there is the trend of evangelical churches adding massive video screens to their sanctuaries, so that preachers can spice up their sermons with video clips.

Instead of settling for shallow coverage of the latest wrinkle in this old story, this Times piece went for the deep dive. Here is the overture:

The Rev. Roderick Dwayne Belin, a senior A.M.E. Church leader, stood before a gathering of more than 1,000 pastors in a drafty Marriott ballroom in Naperville, Ill., this month and extolled the virtues of a Hollywood movie.


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