Entertainment

Why are 'Christian movies' so bad? Talking about Jolie, Zamperini, 'Unbroken' and wisdom from Robert Duvall

Why are 'Christian movies' so bad? Talking about Jolie, Zamperini, 'Unbroken' and wisdom from Robert Duvall

It's a question I have puzzled over throughout my career as a journalist and as a mass-media professor: Why are "Christian movies" so bad?

Yes, there need to be quotes around the term "Christian movies." We are not talking about movies that are made by talented Christians who work in mainstream film. We're not talking about Frank "It's a Wonderful Life" Capra in the past or Scott "The Exorcism of Emily Rose" Derrickson in the present.

No, we're talking about, well, you know -- "Christian movies." The kinds of movies that resemble fundraising letters aimed at people in niche pews. Yes, Hollywood makes some preachy movies, too. That's a topic for another day, another podcast.

But why are those "Christian movies" so bad? Another Christian in the Hollywood mainstream, David "Home Improvement" McFadzean once offered up this brutal quote: The typical "Christian movie" is very similar to a porno movie. "It has terrible acting. It has a tiny budget. And you know exactly how it's going to end."

Ouch.


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Turn, turn, turn: What is Buddhism's appeal for contemporary Americans?

Turn, turn, turn: What is Buddhism's appeal for contemporary Americans?

DANIEL ASKS:

What aspects attract the many religious Americans that convert to Buddhism?

THE RELIGION GUY RESPONDS:

Before discussing what “attracts” let’s consider how “many” Americans have adopted this venerable faith. The over-all U.S. context is a deep divide between native-born converts (presumably Daniel’s interest) and Asian immigrants, also American Buddhists but not new “converts.” Richard Hughes Seager of Hamilton College calls this split “the most prominent feature of American Buddhism” during recent decades.

Due to the 1965 liberalization of U.S. immigration law, Asian-Americans dominate U.S. Buddhism.

As with Islam, it’s hard to pin down the numbers. The religion has no U.S. umbrella organization to represent its myriad branches and issue headcounts. The American Religious Identity Survey in 2001 sampled 50,000 Americans and projected there were 1.1 million adult Buddhists, and later added children for an estimated 1.5 million. The “World Christian Encyclopedia” (second edition, 2001) listed 2.45 million U.S. Buddhists including children but didn’t count “new religions” like Japan’s Soka Gakkai that others consider Buddhist. Experts have said Asian-American immigrants are something like three-fourths of U.S. Buddhists, and by outdated guesses there may be as few as 100,000 non-immigrant converts or as many as 800,000.

What aspects attract?

Meditation is certainly the key.


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Concerning 'holiday movies,' 'Christmas movies' and the civil religion found in shopping malls

Concerning 'holiday movies,' 'Christmas movies' and the civil religion found in shopping malls

It was one of quieter moments in the Christmas classic "Home Alone," tucked in between the church-pew chat with the scary next door neighbor and the open warfare between young Kevin McCallister and the "wet bandits." Do you remember the line?

Bless this highly nutritious microwavable macaroni and cheese dinner and the people who sold it on sale. Amen.

As prayers go, it wasn't much. However, this iconic moment also featured an heroic America child making the sign of the cross as he blessed his food. That's not your typical Hollywood gesture, either.

It caught my attention and it also intrigued the conservative Jewish film critic Michael Medved, especially when the film became a (surprise!) runaway hit with a US box-office gross the came close to $300,000,000.

I talked to Medved about the film back in 1991 -- pre-WWW, so no URL to that full column -- and he told me that "Home Alone" was a perfect example of a typical "holiday movie" that, with just a few nods of respect for faith and family, turned into a box-office smash that is also known as a true "Christmas movie."

I've been interested in this phenomenon ever since and, this week, that served as the hook for the latest GetReligion "Crossroads" podcast. Click here to tune that in.

Now, there is much that can be said about that "holiday movie" tag.


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Fa la la la la, la la la la -- 'Tis the season (as always) for 'news' reports that debunk the Gospels

Fa la la la la, la la la la -- 'Tis the season (as always) for 'news' reports that debunk the Gospels

“Hail the new, ye lads and lasses. Fa la la la la, la la la la,” says that old carol. The journalism angle in that?

During the Christmas and Easter seasons, journalists have come to expect -- and perhaps to hail --  new, sensationalized and commercialized bids to debunk the New Testament Gospels, the earliest and best source we have about Jesus’ life. The Religion Guy himself has played that game, hopefully with some balance and accuracy.

The most lucrative example by far was “The Da Vinci Code,” an odd novel issued for Holy Week of 2003. In 2014 that  fictional tale about Jesus marrying his disciple Mary Magdalene has been supplanted by alleged non-fiction. Before Easter, a Harvard University press release announced: “Testing Indicates ‘Gospel of Jesus’s Wife’ Papyrus Fragment to be Ancient.”  To the contrary, the testing showed this fragment wasn’t “ancient” but dates from the 7th or 8th Century A.D., and as for the “wife” business, see below.

Then, timed for Christmas the media have publicized a book entitled “The Lost Gospel: Decoding the Ancient Text that Reveals Jesus’ Marriage to Mary the Magdalene.”


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The real 'Exodus': media coverage that goes beyond the dollar signs

Ridley Scott mustered $140 million for Exodus, his epic on the biblical Passover story, only to see it reap a mediocre $24.5 million last weekend. But the real-life plagues struck media reports: plagues of blindness and deafness to the religious and spiritual causes for the tepid opening receipts.

But we'll start with the two bright spots I saw.

To my surprise, the best report appears in Variety, not your typically spiritual journal. Its 500-word story reads like an indepth, but refreshingly without blatant opinion or obvious attempts to steer our viewpoint. Its three expert sources prove the points of the article.

Noting that this was supposed to be "the year that Hollywood found religion," writer Brent Lang traces the uneven record for faith-based films in 2014. Big-budget spectacles, like Exodus and Noah, have stumbled, while smaller films like God's Not Dead and Heaven is for Real have triumphed. And Lang asks his sources why:

With 77% of Americans identifying as Christians, Hollywood sees a big audience for these kind of films.
“The Bible is a hot commodity,” said Jeff Bock, a box office analyst with Exhibitor Relations. “The secret is to start small, keep the budget manageable and get into grassroots marketing.”

Nor is this a new trend. Variety notes that The Passion of the Christ, Mel Gibson's 2004 film, grossed $612 million on a $30 million budget. And its opening weekend reaped $83.8 million.

Again, an expert source explains:


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Memory eternal: Editing out P.D. James the believer and the mystery of the human heart (and soul)

If asked to name the work of new fiction (in other words, as opposed to Jane Austen) that I have read in the past few decades that moved me the most, I would without hesitation say "The Children of Men" by P.D. James.

No, I have not seen the movie that is allegedly based on the book because friends who are fierce James fans warned me not to. Why? They said the team behind the movie ripped out the book's gripping Christian foundation, which I have heard referred to as a sci-fi take on the "Culture of Death"  theme in the work of Saint John Paul II.

Here is the last sentence of the book, in which an underground (and very fragile and flawed) circle of Christian believers fight to bring life back into a world that has mysteriously gone sterile: "It was with a thumb wet with his own tears and stained with her blood that he made on the child's forehead the sign of the cross."

Now, we are watching a similar editing process take place in some -- repeat some -- of the mainstream media obituaries for one of the most important English writers of the past half a century.

C.S. Lewis said the world didn't need more "Christian writers," it needed Christians who were willing to do the hard work of writing for everyone. That was P.D. James. The great Dorothy L. Sayers considered murder mysteries the perfect form of writing for Christians because they open with an act of undeniable evil (evil exists) and then someone goes into the world seeking concrete evidence of truth (truth exists) in order to produce justice (it is possible to do good in the real world). That's P.D. James, as well.


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Modern Girl Scouts for a modern age: What about God, country and great outdoors?

The red numbers in a recent Associated Press report on the life and health of the Girl Scouts are pretty blunt. It's rare, these days, to see these kinds of crunch paragraphs right at the top of a report -- literally.

For the second straight year, youth and adult membership in the Girl Scouts has dropped sharply, intensifying pressure on the 102-year-old youth organization to find ways of reversing the trend.
According to figures provided to The Associated Press, the total of youth members and adult volunteers dropped by 6 percent over the past year -- from 2,994,844 to 2,813,997. Over two years, total membership is down 11.6 percent, and it has fallen 27 percent from a peak of more than 3.8million in 2003.
While the Girl Scouts of the USA have had an array of recent internal difficulties -- including rifts over programming and serious fiscal problems -- CEO Anna Maria Chavez attributed the membership drop primarily to broader societal factors that have affected many youth-serving organizations.

In other words, how do you keep them down on the farm (or at a campground) digging in the dirt (even when the goal is to earn environmental badges) after they have seen edgy fashion sites on their smart phones and tablet computers? 


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U2 is 'secretly Christian'? Say what? How long must we sing this song?

It's not a news piece, but there is a lot of chatter out in mainstream media right now about that Joshua Rothman essay in The New Yorker that ran under the headline "The Church of U2."

I'll be honest. I have no idea what that piece is trying to say, just in terms of the on-the-record facts about the band's history. It's like the last three or four decades of debate about what is, and what is not, "Christian" music never happened. It's like Johnny Cash, Bruce Cockburn, T-Bone Burnett, Mark Heard, Charlie Peacock, etc., etc., never happened. 

Here are the opening paragraphs, including the buzz term that everyone is discussing -- "secretly Christian."

A few years ago, I was caught up in a big research project about contemporary hymns (or “hymnody,” as they say in the trade). I listened to hundreds of hymns on Spotify; I interviewed a bunch of hymn experts. What, I asked them, was the most successful contemporary hymn -- the modern successor to “Morning Has Broken” or “Amazing Grace”? Some cited recently written traditional church hymns; others mentioned songs by popular Christian musicians. But one scholar pointed in a different direction: “If you’re willing to construe the term ‘hymn’ liberally, then the most heard, most successful hymn of the last few decades could be ‘I Still Haven’t Found What I’m Looking For,’ by U2.”

Click pause for a moment. 


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