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Looking ahead to Justice Scalia's funeral, with a flashback to wisdom from his son, the priest

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Looking ahead to Justice Scalia's funeral, with a flashback to wisdom from his son, the priest

So what mattered the most in the end, the contents of Justice Antonin Scalia's heart or his head?

Where did the work of the Catholic believer (some journalists called him a "fundamentalist") end and the fierce advocate of Constitutional "originalism" begin?

At mid-week, when host Todd Wilken and I recorded or next "Crossroads" podcast -- click here to tune that in -- I was still wrestling with the following quote from Notre Dame University law professor Richard Garnett, which was featured in a Time magazine think piece about Scalia's impact on American law and culture.

“A big part of his legacy will be how navigated the relationship between one’s deeply held faith commitments and one’s role as a judge,” Garnett, of Notre Dame, says. “For him, the way to navigate that relationship, it was not to compromise one’s religious faith or water it down, it was to distinguish between the legal questions the judge has the power to answer and the religious commitments that a judge has the right to hold, just like all of us do.”

In other words, something like this? "Render therefore unto Caesar the things which are Caesar's; and unto God the things that are God's." That is never an easy task.

While the news media remains focused on the political fallout after Scalia's death, I think it will be interesting to note the fine details of what is sure to be a grand funeral service in the Basilica of the National Shrine of the Immaculate Conception. We know that President Barack Obama will be missing, but how many bishops, archbishops and cardinals will find their way into the "choir"? To what degree will the service -- as the justice desired -- focus on basic Christian beliefs about eternity, as opposed to hints about legal wars in the here and now?


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New York Times (#saywhat) interrupts papal tour for a dash of 'Da Vinci Code'

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After a shallow and at times confusing dip into church history and the theological clout of Vladimir Putin -- coverage of the summit of Pope Francis and Patriarch Kirill of Moscow -- the mainstream press has returned to its comfort zone with full-scale papal tour coverage.

As always, most journalists seem to think that the key to covering a papal tour, especially during the Francis era, is to stress whatever the pope says about social justice and politics, while ignoring almost everything he says about Christian faith on other topics. Thus, the papal tour is all about immigration and the need for Catholic bishops to face the real lives of the poor and these important and valid themes are not framed -- in Francis style -- with appeals for confession, repentance, mercy, evangelization and truly radical grace.

In other words, journalists tend to offer wall-to-wall social gospel with as little Gospel as possible. Pope Francis, of course, is a both-and kind of spiritual father.

However, in one of these stories -- "Francis Admonishes Bishops in Mexico to ‘Begin Anew’ " -- the news team at the New York Times decided to push beyond this kind of ordinary papal tour editing and add a dash of actual heresy.

First, ponder this question: What does the Catholic Church teach about Mary, the mother of Jesus? This is a huge subject and one that confuses many people, both inside and outside the church. When in doubt, check the Catechism.

Suffice it to say, there are people who -- hearing phrases such as "Mother of God" (a statement supporting the divinity and humanity of Jesus) -- accuse the ancient churches of trying to edit Mary into a new wing of the Holy Trinity, turning her into some kind of goddess. With that in mind, ponder this passage in that Times report:


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Rolling Stone searches for theological cornerstone in X-Files and, alas, drops the ball

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I was never addicted to the X-Files back in its classic era, but I was almost always aware of what was going on in the series because of updates from my Milligan College students -- especially in my "Exegete the Culture" senior seminar on faith and mass media.

Religious issues kept showing up in the show's believer-doubter format, with plots built on a never-ending search for the supernatural. One semester, a bright youth-ministry major wrote a brilliant paper -- the curricula for a weekend retreat for high-schoolers -- based on three X-Files episodes that focused on prayer, healing and life after death. The show was asking lots of interesting questions, which had to be coming from somewhere.

So I wasn't surprised that the recent Rolling Stone profile of X-Files creator Chris Carter (linked, of course, to the six-episode Fox reboot) explored some religious themes. I was also -- alas -- not surprised when a key religion fact got mangled. More on that in a minute.

But, for starters, wouldn't you like to know more about the roots of the Amazon project mentioned in this section of the story?

Though Carter doesn't admit this, his return to Hollywood (not counting a second X-Files film he wrote in 2007) must have been disappointing for the man who ruled the medium a decade earlier. A series about the Salem witch trials that he created for Showtime never made it to air. Same with an Area 51 drama he worked on for AMC. And ditto for a conspiracy thriller, Unique,which he developed at Fox.

But the toughest hit was his 2014 Amazon pilot, The After, a Sartre-meets-Dante serial drama set in the intersection of Los Angeles and Hades.


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What would Rene Russo do? Los Angeles Times punts when dealing with Hollywood and faith

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What would Rene Russo do? Los Angeles Times punts when dealing with Hollywood and faith

On one level, this week's "Crossroads" podcast (click here to tune that in) is about a very shallow, quickie feature that The Los Angeles Times published the other day about a fledgling ministry that is trying to help -- using a very expensive set of weekend seminars -- Christians break into the movie business.

Apparently, the editors who handled this story did not know that the Times had, in the past, actually done solid news features that talked about some of the complex issues linked to religious faith in Hollywood. They even quoted some of the academic and artistic leaders who have been doing this kind of work, as I kept stressing, for decades. It's like some editors in the Los Angeles Times newsroom are not that familiar with, well, Los Angeles.

Maybe there is a reason for that. Thus, on another level, this podcast focused on a problem -- a loss of institutional memory -- that is plaguing the news business right now as so many veteran journalists are being pushed out of newsrooms. Why is that? Well there is a major crisis in journalism, in case you haven't noticed, linked to falling ad revenues and the harsh reality that no one has discovered a solid Internet news business model that will support diverse newsrooms that retain experienced reporters and editors.

Then again, maybe there is a third level to this discussion. You see, there are quite a few people of faith in Hollywood and -- you may need to sit down -- they don't all agree with one another about lots of tough issues. Some of their programs even compete with one another, if you want to know the truth. They take different approaches. Really!

Can you imagine that? Not all Christians agree with one another when it comes time to wrestle with tough, complex issues linked to art, ministry, money, storytelling and many other realities in Hollywood. Should all movies be "evangelistic"? Should they all be "safe" and "clean"? Can Christians work in movies that are not "Christian"? Come to think of it, what does the adjective "Christian" mean when parked in front of the word "movie"?


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Los Angeles Times: Christians finding totally cool new ways to learn Hollywood stuff!

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Let's say you wanted to write a newspaper piece about a big, complex topic, maybe something like Christians trying to find doorways into work in Hollywood. There are two responsible ways to do this kind of news story.

You could take a comprehensive approach and attempt to update the status of the full story, backing up several decades and demonstrating that this is not a new story. You would contact the key players, old and new, and go for a real update on the big picture.

Second, you could do a modest piece that looks at a new institution that is getting into this field, a new school or a new professional program that claims to have a fresh approach. Then you briefly -- three to four paragraphs or so -- mention that there are a host of other people who have been doing this work for (that word again) decades. Perhaps you ask the veterans to critique the current state of this work and evaluate this newcomer in their home turf.

But here is what you do not do, especially if you are writing the The Los Angeles Times, for heaven's sake, which is supposed to "get" Hollywood. You do not write a shallow, barely researched piece about a newcomer on the block and then proceed to ignore all of the professionals who have been working in this field (one more time) for decades.

Alas, this third option is precisely what the Times offered the other day, under this snippy headline: "Selling Stardom: A Christian path to Hollywood."

The story focuses on a program called "Actors, Models & Talent for Christ," which grew out of a talent-search company in Atlanta. Readers are told that it jumped into this new line of work when "owner Carey Lewis became a religious Christian." Here is what passes for the thesis and summary material in this story:


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Spiritual leaders we lost in 2015: Comparing the coverage at RNS and NPR

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Want a sense of time passing?

Read some of the many lists of "famous dead" cranked out this week. The Religion News Service does its part with a brisk list of 23 spiritual leaders who departed in 2015. Let's see how well they did.

RNS opens with a nice, measured lede:

They preached and inspired. They wrote and taught. Some lobbied in the halls of government. Others toiled to protect the environment and educate the young. Several died at the hands of persecutors.
Here is a list of notable faith leaders — and a champion of secularism — who left us in 2015.

From there, the list goes by date of death, rather than alphabetical order. First is Andrae Crouch, who merged several musical genres -- gospel, rock, country, even Hawaiian -- to electrify crowds and get even secular people to listen. As RNS reports, Crouch's songs not only found a home in hymnals, but won Grammys.

RNS seems to have taken care for broad religious representation. I count four Catholics, two Muslims and two United Methodists. I also see one each of several others -- Jewish, Baptist, Buddhist, Hindu, Episcopalian, Church of Christ, African Methodist Episcopal.

The list includes a brief rundown on each person, which is a service even for readers like myself, who are more than casually interested in religion. Some of the names make you go "Oh, yeah, I remember him!" People like:


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So is the fallen Mark Salling of 'Glee' a 'Christian' songster or an ex-Christian songster?

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Once again, it's time to venture into the sad world of mainstream media cranking out click-bait pop news in search of social-media action.

On top of all that, this "Morning Mix" mini-feature at The Washington Post -- which appears to involve zero original reporting -- is topped by a headline that doesn't even match the contents of its quickie, URL-driven text.

We will get to the headline. But first, the "news."

It should be said right away: Mark Salling, the former “Glee” cast member arrested on child pornography charges in Los Angeles on Tuesday, has not been convicted of a crime. That, however, did not prevent legions on social media from dissecting the 33-year-old’s career as though it were little more than a fresh corpse just arrived at the morgue. ...
Crime Watch Daily, which broke the story of his arrest, said police used a battering ram to break down Salling’s door and found hundreds of images. Salling has yet to comment on the arrest.

Then a key early hint of what is to come:

... The list of celebrities who recover from child porn scandals is not long. And it’s worth remembering that Salling, a Christian musician who once rocked in the name of the lord, wasn’t even supposed to be here.


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GQ presents nuanced view of Hillsong, Justin Bieber and the cool cult of celebrity

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Does Justin Bieber actually have a church?

Several readers dropped the GetReligion team notes that GQ just came out with a l-o-n-g feature on the Australian-based Hillsong Church and its Manhattan branches. As the prelude says:

“It’s where the cool kids spend Sunday morning after Saturday night at the club. For ye of little faith, it’s hard to make sense out of Hillsong. Is it legit? Is it a hipster cult? And why’s everyone wearing Saint Laurent? GQ’s Taffy Brodesser-Akner joins the flock to find out if Christianity can really be this cool and still be Christian.”

Who would not read this story after such an intro? Turns out that Brodesser-Akner is Jewish and visiting Hillsong, to her, is like covering life on Jupiter. But she does so nonetheless in a breathless, first person, words-piled-on-words style that somehow works in this quasi-novel of a piece. And atop it she asks the pertinent question: "What would cool Jesus do?"

We’re not sure how to answer that after finishing the piece, but we do know this:

About five years ago, Pastor Carl got a phone call. Carl is one of the lead pastors at Hillsong NYC, a mega-church so reputedly, mystifyingly cool that cable-news outlets cover its services like they’re Kardashian birthday bashes at 1 Oak. On the other end of the line was one of Carl’s best friends, Judah Smith, another mega-pastor who also happens to be the chaplain for the Seattle Seahawks. “I need you to help me with a young man,” Pastor Judah said, and Pastor Carl rushed to agree, because helping is Carl’s thing, and the young man was, yes, Justin Bieber …


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Christmas season think piece: Why pass on the beloved lie that is Santa Claus?

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It happens almost every year during the week before Christmas.

Someone sends an email to a list of friends (usually veteran parents and grandparents), or posts an item on Facebook that raises this old question: Is anyone else getting uncomfortable with the whole Santa drama?

There is always a second question that flows naturally out of that: What is the purpose of this elaborate and dramatic lie? What are we trying to teach our children by doing this and what do we say to them once the charade is up? After all, in families with many children the old ones have to help sustain the lie for the little folks.

A confession from me: My wife and I, even before converting to Eastern Orthodoxy, decided -- primarily based on my work in mass-media studies, with a lot of reading about advertising -- to skip Santa Claus and tell our children that St. Nicholas of Myra -- as in the 4th-century bishop -- was a real person. The also noted that people have long honored him on his feast day (Dec. 6th on the Gregorian calendar) with gift-giving traditions that eventually, in culture after culture, morphed into something else. We told them not to play that game with other kids, but not to mock them or, well, tell them the truth, either. The key: In our faith, saints are real.

Journalists, if this subject interests you -- especially the secular, materialistic side of this equation -- then you should read and file an essay at The Atlantic by Megan Garber that ran with the loaded headline:

Spoiler: Santa Claus and the Invention of Childhood
How St. Nick went from “beloved icon” to “beloved lie”


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