Music

U2 is 'secretly Christian'? Say what? How long must we sing this song?

It's not a news piece, but there is a lot of chatter out in mainstream media right now about that Joshua Rothman essay in The New Yorker that ran under the headline "The Church of U2."

I'll be honest. I have no idea what that piece is trying to say, just in terms of the on-the-record facts about the band's history. It's like the last three or four decades of debate about what is, and what is not, "Christian" music never happened. It's like Johnny Cash, Bruce Cockburn, T-Bone Burnett, Mark Heard, Charlie Peacock, etc., etc., never happened. 

Here are the opening paragraphs, including the buzz term that everyone is discussing -- "secretly Christian."

A few years ago, I was caught up in a big research project about contemporary hymns (or “hymnody,” as they say in the trade). I listened to hundreds of hymns on Spotify; I interviewed a bunch of hymn experts. What, I asked them, was the most successful contemporary hymn -- the modern successor to “Morning Has Broken” or “Amazing Grace”? Some cited recently written traditional church hymns; others mentioned songs by popular Christian musicians. But one scholar pointed in a different direction: “If you’re willing to construe the term ‘hymn’ liberally, then the most heard, most successful hymn of the last few decades could be ‘I Still Haven’t Found What I’m Looking For,’ by U2.”

Click pause for a moment. 


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Covering Cat Stevens/Yusuf Islam: How peaceful is his 'Peace Train'?

Cat Stevens soothed ears and gained fans with his boyish grin, light humor and lyrical songs like Moonshadow, Wild World and Peace Train. At least until 1977, when he converted, renamed himself Yusuf Islam and dropped out of popular music.

But over the last decade, he's eased back into performance and has just announced a new musical tour, "Peace Train ... Late Again," in North America and Europe. The coverage thus far is not quite a train wreck, but it does miss a chance to examine the freight: the intolerance that once prodded him to recommend Salman Rushdie's death.

Most news media have seemed to rely on the Associated Press story, which deals mostly with Stevens' "unhurried music career." They note his induction into the Rock and Roll Hall of Fame this spring, as well as his upcoming blues album, his first studio album in five years.

They tend to sidetrack Cat's Islam-carnation, preferring to play up his witty, cheery ballads. The BBC notes that he even popularized a "Christian hymn," Morning Has Broken.

Among the few stories that even hint at controversy is the Washington Post's version of the AP story:


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Religion beat: Hillsong rocks the evangelical world, and the New York Times' front page

A photo of a crowd at what appears to be a rock concert dominates the front page of today's New York Times.

No, the image has nothing to do Apple's U2 album giveaway, although the Irish rock band makes a cameo appearance at the end of the Times'  Page 1 feature on a "megachurch with a beat."

I'll make a few constructive criticisms (that's why they pay me the big bucks, after all), but it's a solid story overall with a terrific, colorful lede:

LOS ANGELES — A toned and sunburned 32-year-old Australian with the letters F-A-I-T-H tattooed onto his biceps strode onto the stage of a former burlesque theater here and shouted across a sea of upstretched hands and uplifted smartphones: “Let’s win this city together!”
The crowd did not need much urging. Young, diverse and devoted to Jesus, the listeners had come to the Belasco Theater from around the city, and from across the country, eager to help an Australian Pentecostal megachurch that is spreading worldwide establish its first outpost on America’s West Coast.
The church, Hillsong, has become a phenomenon, capitalizing on, and in some cases shaping, trends not only in evangelicalism but also in Christian youth culture. Its success would be rare enough at a time when religion is struggling in a secularizing Europe and North America. But Hillsong is even more remarkable because its target is young Christians in big cities, where faith seems out of fashion but where its services are packing them in.
Powered by a thriving, and lucrative, recording label that dominates Christian contemporary music, it has a vast reach — by some estimates, 100,000 people in the pews each weekend, 10 million followers on social media, 16 million albums sold, with its songs popping up in churches from Uzbekistan to Papua New Guinea


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Why did Washington Post run a vague musician profile? It's, well, complicated

Musician Michael Taylor has a "complicated faith," the Washington Post says. He can slide chords and sing about quests for meaning. Just don’t pin him down.

And the Post's  profile feature on him doesn't try. It collects a lot on the music, family and lifestyle of the indie artist who calls himself Hiss Golden Messenger. His spiritual beliefs, not so much, even though the newspaper headline it "Complicated faith: Searching for God in the songs of Hiss Golden Messenger."

The story reads rather fast despite its 1,600 words. It tells of Taylor's journey from a Southern California upbringing to his current home in Durham, N.C. -- a musical trek from punk to folk-rock to "still-water folk" (a term, however, that isn't defined).

Richards praises Taylor's new album, Lateness of Dancers, though he has trouble pinning down its virtues: "The songs on it feel both ambiguously sweet and deeply personal, but ultimately confident in their own vagueness."


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Latin Mass: Why did The New York Times avoid rite's liberal enemies?

There is this old, old, old saying that you will often hear quoted in discussions of worship trends in the modern and postmodern Catholic church. It goes like this.

Question: What is the difference between a liturgist and a terrorist?

Answer: You can negotiate with a terrorist.

Now, you either get that joke or you don't. If you get that joke, then you probably are the kind of person who cares a whole lot about discussions of why Catholics can't sing anymore, why so few men go to Mass and why it matters whether people are allowed to kneel when receiving Holy Communion. On that latter subject, I once wrote:

While it is hard to explain to outsiders, one of the most fascinating battles in the American Catholic church today is the one that pits the kneelers vs. the non-kneelers. I refer, of course, to the issue of whether bishops should -- bowing to the modernization of ancient rites -- attempt to prevent the faithful from kneeling before the altar as they receive Holy Communion during the Mass.

Let me explain: If people are allowed to kneel, that would mean that the Latin Mass is coming back and the next thing you know the pope will be seeking draconian student-life codes on Catholic campuses that prevent student funds from being used for activities that directly attack Catholic doctrine. It would be like the reforms of the Second Vatican Council never happened (or the spirit of the council has been quenched or something like that). Horrors.

Yes, note the reference to the Latin Mass.

You see, there are millions of Catholics who really, really, really hate the modern, post-Vatican II rite that is used in the vast majority of Catholic parishes. I am serious about the word "hate."

At the same time, there are plenty of Catholics wearing Roman collars -- some of them professional liturgists in dioceses across America and around the world -- who really hate (I think "distrust" is too mild a word) the many Catholics who love very traditional forms of liturgy and, especially, the traditional Tridentine Mass. It also annoys these Catholic professionals that so many of the Latin lovers are older Catholics with checkbooks and a fierce dedication to sacramental life. Period.

With all that in mind, please consider the recent New York Times report -- OK, it has been in my guilt file for some time -- that ran under this double-decker headline:


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So, are there unique Episcopal saints or not?

Noticing some fair-haired children in the slave market one morning, Pope Gregory, the memorable pope, said (in Latin), “What are those?” and on being told that they were Angels, made the memorable joke — “Non Angli, sed Angeli” (“not Angels, but Anglicans”) and commanded one of his saints called St Augustine to go and convert the rest. W.C. Sellar and R.J. Yeatman, 1066 and All That (1930)

The Durham Herald-Sun reports on celebrations of a local woman who has been made a saint by the Episcopal Church.

Is that right? Do Episcopalians have their own saints?


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The Washington Post: Avoiding Maya Angelou's soul, if at all possible

In the world of political, cultural and social studies theory there is a term — “civil religion” — that scholars have been arguing about for decades. You can talk about Rousseau and you can dig into Tocqueville and travel on to Martin Marty, but sooner or later you end up with the 1967 Robert Bellah essay entitled, “Civil Religion in America,” written by Robert Bellah in Daedalus in 1967. As the Encyclopedia of Religion and Society notes: Bellah’s definition of American civil religion is that it is “an institutionalized collection of sacred beliefs about the American nation,” which he sees symbolically expressed in America’s founding documents and presidential inaugural addresses. It includes a belief in the existence of a transcendent being called “God,” an idea that the American nation is subject to God’s laws, and an assurance that God will guide and protect the United States. Bellah sees these beliefs in the values of liberty, justice, charity, and personal virtue and concretized in, for example, the words In God We Trust on both national emblems and on the currency used in daily economic transactions. Although American civil religion shares much with the religion of Judeo-Christian denominations, Bellah claims that it is distinct from denominational religion.

Back in by Church-State Studies days at Baylor University, I wrote my thesis on a topic linked to all of this, a 290-page work called “A Unity of Frustration: Civil Religion in the 15 October 1969 Vietnam War Moratorium.” Amazingly enough, you no longer have to go to my office or to the main campus library in Waco, Texas, to read it (although I have been pleased at how many researchers have used it through loaner programs). Now Google Books has made it available (sort of).

Anyway, while most people look at civil religion as something rooted in the belief of a great, unified, majority, I argued — with extensive material from interviewing Marty (key: a community of communities) — that some minority religious or semi-religious movements have, over time, been absorbed into the majority and thus into the civil religion.


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Shock: Russian Orthodoxy gives drag queen thumbs down

Some of you wrote to say that you wanted to know what I thought of the whole Conchita Wurst episode, referring to the drag queen — the term used in mainstream media reports — who won the recent Eurovision Song Contest. In particular, a few of you want to know what I thought of the coverage of the fact that Russian Orthodox Church leaders have condemned this minor earthquake in popular culture. People, people, are you surprised that Eastern Orthodox Christian bishops do not think highly of modern trends in sexuality? Remember the case of the Russian bishop who had a church torn down because its priest — apparently he had been drinking — performed a same-sex union rite at its altar? The priest was defrocked and, if I recall correctly, the local bishop had the rubble from the building burned and workers then salted the ground? (I’m trying to find a URL for that old story.)

I am also not surprised that recent statements by the Russian Orthodox hierarchy have received some mainstream media attention, in the wake of events in Ukraine, the Winter Olympics, the media superstar status of the Pussy Riot activists, etc., etc. I mean, how often do you get to put “Russian,” “Orthodox,” “Patriarchate” and “drag queen” into the same news story or even in one spectacular headline?

Here at GetReligion, of course, we are more interested in the news coverage of the event than we are with the event itself. The link several people have shared is for a story by Sophia Kishkovsky, carried by Religion News Service. Readers may also know her byline from work published by The New York Times. Here is a key chunk of it:


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Neon Trees rocker says he's gay — and still Mormon

At some point, coming-out stories about faith-claiming celebrities, musicians, politicians — anyone in the public eye — will cease to be newsworthy. Until then, we put up with the half-written attempts by news outlets and magazines to tell their stories. I say half-written because rarely do these pieces come close to a proper attempt at reconciling the subjects’ claims of sexual orientation with their faith backgrounds in any meaningful way. (For the record, that includes comment from someone representing the denomination with which the newly heralded LGBT identifies himself/herself.)

The latest example is Rolling Stone’s narrative on alternative rock group Neon Trees’ lead singer Tyler Glenn. Glenn, a lifelong member of the the Church of Jesus Christ of Latter-day Saints, tells the magazine he is gay and has known since he was 6 that he was attracted to men. He also describes his first date with another man, indicating he will pursue that type of relationship in the future.

Glenn also says that he still considers himself a Mormon, although the church’s doctrinal position on homosexuality is clear: Sexual activity should only occur between a man and a woman who are married.


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