Pop Culture

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U2 is 'secretly Christian'? Say what? How long must we sing this song?

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It's not a news piece, but there is a lot of chatter out in mainstream media right now about that Joshua Rothman essay in The New Yorker that ran under the headline "The Church of U2."

I'll be honest. I have no idea what that piece is trying to say, just in terms of the on-the-record facts about the band's history. It's like the last three or four decades of debate about what is, and what is not, "Christian" music never happened. It's like Johnny Cash, Bruce Cockburn, T-Bone Burnett, Mark Heard, Charlie Peacock, etc., etc., never happened. 

Here are the opening paragraphs, including the buzz term that everyone is discussing -- "secretly Christian."

A few years ago, I was caught up in a big research project about contemporary hymns (or “hymnody,” as they say in the trade). I listened to hundreds of hymns on Spotify; I interviewed a bunch of hymn experts. What, I asked them, was the most successful contemporary hymn -- the modern successor to “Morning Has Broken” or “Amazing Grace”? Some cited recently written traditional church hymns; others mentioned songs by popular Christian musicians. But one scholar pointed in a different direction: “If you’re willing to construe the term ‘hymn’ liberally, then the most heard, most successful hymn of the last few decades could be ‘I Still Haven’t Found What I’m Looking For,’ by U2.”

Click pause for a moment. 


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Covering Cat Stevens/Yusuf Islam: How peaceful is his 'Peace Train'?

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Cat Stevens soothed ears and gained fans with his boyish grin, light humor and lyrical songs like Moonshadow, Wild World and Peace Train. At least until 1977, when he converted, renamed himself Yusuf Islam and dropped out of popular music.

But over the last decade, he's eased back into performance and has just announced a new musical tour, "Peace Train ... Late Again," in North America and Europe. The coverage thus far is not quite a train wreck, but it does miss a chance to examine the freight: the intolerance that once prodded him to recommend Salman Rushdie's death.

Most news media have seemed to rely on the Associated Press story, which deals mostly with Stevens' "unhurried music career." They note his induction into the Rock and Roll Hall of Fame this spring, as well as his upcoming blues album, his first studio album in five years.

They tend to sidetrack Cat's Islam-carnation, preferring to play up his witty, cheery ballads. The BBC notes that he even popularized a "Christian hymn," Morning Has Broken.

Among the few stories that even hint at controversy is the Washington Post's version of the AP story:


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Doughnut holes: Story on Christians targeting Naughty Girls pastries is all sugar and no spice

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In the northwestern corner of Virginia — about 70 miles west of Washington, D.C. — the Naughty Girls Donut Shop is making headlines with accusations of harassment by conservative religious types.

Among other media outlets, Fox News 5 in the nation's capital picked up the tantalizing story.

Likewise, the Northern Virginia Daily ate up the story like a tasty pastry:

FRONT ROYAL -- Tiana Ramos, 17, said she opened Naughty Girls Donut Shop to give all outsiders a place to go. But not everyone is happy with her message.
Tiana and her mother, Natalie Ramos, have dealt with backlash from some members of the community claiming the business promotes promiscuous behavior.
Natalie Ramos issued a news release Tuesday in which she referred to Front Royal as "the Footloose town." The release stated "a strong Conservative Alliance group" in the community was protesting Naughty Girls' name, calling the shop a "bikini barista."
"I wanted the chance for Tiana to be able to defend herself," Natalie Ramos said Wednesday. "It's becoming too much. It's time for her to say, 'listen, this is what I'm doing, this is what I stand for, these are who we stand for, and we want your support."
Natalie Ramos said the harassment has been an ongoing issue.


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Religion beat: Hillsong rocks the evangelical world, and the New York Times' front page

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A photo of a crowd at what appears to be a rock concert dominates the front page of today's New York Times.

No, the image has nothing to do Apple's U2 album giveaway, although the Irish rock band makes a cameo appearance at the end of the Times'  Page 1 feature on a "megachurch with a beat."

I'll make a few constructive criticisms (that's why they pay me the big bucks, after all), but it's a solid story overall with a terrific, colorful lede:

LOS ANGELES — A toned and sunburned 32-year-old Australian with the letters F-A-I-T-H tattooed onto his biceps strode onto the stage of a former burlesque theater here and shouted across a sea of upstretched hands and uplifted smartphones: “Let’s win this city together!”
The crowd did not need much urging. Young, diverse and devoted to Jesus, the listeners had come to the Belasco Theater from around the city, and from across the country, eager to help an Australian Pentecostal megachurch that is spreading worldwide establish its first outpost on America’s West Coast.
The church, Hillsong, has become a phenomenon, capitalizing on, and in some cases shaping, trends not only in evangelicalism but also in Christian youth culture. Its success would be rare enough at a time when religion is struggling in a secularizing Europe and North America. But Hillsong is even more remarkable because its target is young Christians in big cities, where faith seems out of fashion but where its services are packing them in.
Powered by a thriving, and lucrative, recording label that dominates Christian contemporary music, it has a vast reach — by some estimates, 100,000 people in the pews each weekend, 10 million followers on social media, 16 million albums sold, with its songs popping up in churches from Uzbekistan to Papua New Guinea


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Why did Washington Post run a vague musician profile? It's, well, complicated

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Musician Michael Taylor has a "complicated faith," the Washington Post says. He can slide chords and sing about quests for meaning. Just don’t pin him down.

And the Post's  profile feature on him doesn't try. It collects a lot on the music, family and lifestyle of the indie artist who calls himself Hiss Golden Messenger. His spiritual beliefs, not so much, even though the newspaper headline it "Complicated faith: Searching for God in the songs of Hiss Golden Messenger."

The story reads rather fast despite its 1,600 words. It tells of Taylor's journey from a Southern California upbringing to his current home in Durham, N.C. -- a musical trek from punk to folk-rock to "still-water folk" (a term, however, that isn't defined).

Richards praises Taylor's new album, Lateness of Dancers, though he has trouble pinning down its virtues: "The songs on it feel both ambiguously sweet and deeply personal, but ultimately confident in their own vagueness."


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Howdy, partner: In Lone Star State, gospel with a front-page twang

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"Gospel with a little twang" was how The Dallas Morning News billed its front-page Sunday story on cowboy churches.

The writer, Charlie Scudder, had a whole lot of fun with that little bit of twang.

The result: a nice trend feature (accompanied by video interviews and an excellent photo gallery) that took readers inside two western-themed congregations in Fort Worth:

FORT WORTH — At high noon in the Stockyards Station, just after the
longhorn cattle drive down Exchange Avenue and just before the
gunfight show, a congregation comes to worship.

Pastor George Westby has been leading services here at the Cowboy
Church at the Fort Worth Stockyards for 23 years. His services attract
visitors from all over the country as well as a handful of regulars.

But just off Exchange Avenue, down in the old horse-and-mule barn
where there’s real manure and fewer vacationing families, a second
cowboy church is here for the same reason.

The Cowtown Cowboy Church, led by pastor Sonny Miller, started meeting
in spring 2013 on a dirt patch under the vaulted ceilings of the old
stables.

The newer church is part of the Western Heritage Ministry of the Texas
Baptists, a group of more than 200 churches statewide that embrace the
Gospel with a little twang.

Next, the Morning News provides a nut graf designed to put the Fort Worth churches into a larger context.


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Yes, this is The Onion: Why do newspapers publish PR pieces for some churches?

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OK, so the graphic over there is wrong. This is a GetReligion post about an alleged religion "news" item from The Onion.

On one level, that makes no sense. We try to critique the mainstream press, so why bother our readers with an item from a satirical, pretend newspaper?

Well, your GetReligionistas also, from time to time, like to write about op-ed page pieces and commentary essays that are clearly linked to life on the religion-news beat. Most of those are pretty serious.

Obviously, that is not the case this time around.

In fact, I am not sure WHAT is going on in this piece of pseudo-news. But I do have some theories and I'd like to know what GetReligion readers think.


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TGIF: For Friday fulfillment, five female-friendly faith features

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Via a food truck, a Lutheran clergy member delivers hot calzones — and nuggets of Scripture. 

Two Roman Catholics in their 80s provide spiritual care for immigrants facing deportation. An Assembly of God pastor battles prostitution and pimps.

Weeks after contracting the often-deadly Ebola virus, an evangelical Christian missionary leaves the hospital in good health. A Hasidic Jewish rock band tries to reach a broader audience.

What do they have in common?

They're all women. 

For your weekend reading pleasure, here are five compelling religion stories (some pulled from my GetReligion guilt folder) that feature women of faith. No, not those Women of Faith, although I hope they check out the links, too.


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Pod people: Did journalists (and clergy) take Robin Williams seriously?

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Pod people: Did journalists (and clergy) take Robin Williams seriously?

I don't know about you, but I am still thinking about that soft, disturbing voice inside the haunted head of superstar Robin Williams. That's why Todd Wilken were still talking about that topic in this week's "Crossroads" podcast. Click here to tune that in.

As I discussed in my first post on the actor's suicide, Williams was very open -- during his entire adult life -- about the troubling nature of the voices he heard that made his improvisational genius possible, along with the voices that urged him to end it all -- either slowly, through substance abuse, or quickly, through suicide. Remember the quotes that were included in so many of the mainstream obituaries?

"You're standing at a precipice and you look down, there's a voice and it's a little quiet voice that goes, 'Jump!' " he told ABC News.

Or maybe this one:

 "The same voice that goes, 'Just one.' … And the idea of just one for someone who has no tolerance for it, that's not the possibility."

Now, one does not need to leap into religious talk-radio land, where some people oh-so-compassionately suggested that Williams was possessed by demons, to recognize that Williams was being quite candid about the presence of evil and temptation in his life. It appeared that he took that very, very seriously.


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