Pop Culture

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Memory eternal, C.S. Lewis: Another story on Nov. 22 that might be worth some ink

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Here in the United States of America, Nov. 22 will always mean one thing on the news calendar. That's especially true in Texas and for folks like me who are natives of Dallas.

As you would expect, there was some mainstream coverage of the fact that today is the 53rd anniversary of the assassination of President John F. Kennedy. I expect some second-day coverage of events linked to the anniversary, as well.

However, on the other side of the Atlantic, this day also marks the 53rd anniversary of the death of another famous man -- a scholar and popular writer whose works are just as influential today as they were on the day he died. We're talking about C.S. Lewis.

I know that I am biased -- "The Great Divorce" is my favorite book -- but I am thinking that many Americans would want to know if there are any events on the other side of the pond, even coverage after the fact, marking this event. This 2013 story from The Independent -- timed for the 50th anniversary -- contains plenty of information to serve as a starting point.

CS Lewis: In the shadow of JFK's death...
The author of the 'Narnia' children's books, died an hour before Kennedy. His stepson recalls the day

The stepson is Douglas Gresham, known to some Americans for his role in promoting the work of Lewis and for playing a role in turning some of the Narnia books into mainstream movies. That series will be rebooted with the release of "The Silver Chair," which is expected in 2018.

This passage from the earlier story provides all the context that journalists would need:


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Red counties and blue collars: As it turns out, folks in America's heartland still exist

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Help me out here, readers.

I have been traveling so much in the past few weeks that lots of things I have read and heard have merged into a kind of fever dream in my 60-something brain. Somewhere out there I saw an advertisement for a last-moment fundraiser by liberal comedians who described their program as "like the Blue Collar Comedy tour," only for "smart, moral people" -- or words to that effect.

Did I just dream that? It's a perfect statement of half of what happened last night and this morning. In the end, Hillary Clinton did not get enough votes from blue-collar Democrats and lots of other people who used to be in the old Democratic Party coalition that included the Midwest and large parts of the Bible Belt.

When I wrote my Election Day post about the religion and culture angles hidden in Tennessee's rural vs. urban divide, I didn't realize that I was, in effect, writing about the whole United States. Click here for a final NPR verdict on the numbers, with rural areas going 62-34 percent for Donald Trump and cities voting for Hillary Rodham Clinton to the tune of 59-35 percent.

City people are happy with America, just like London people were happy with life trends in the European Union. The people in depressed towns and smaller cities? Not so much. The 2016 election map, broken down by counties, is going to be Jesusland: The Sequel.

As the exit poll numbers roll out, we are going to find out all kinds of religion-angle things that we already knew.


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Mel Gibson and his 2016 multi-media tour: Can this fallen star ever repent enough?

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Mel Gibson, for years one of the most despised men in Hollywood, appears to be back on top with the release of a new film “Hacksaw Ridge.” This has brought together a delightful brew of movie reviews, Gibson gossip fests and interminable articles on how this industry pariah and renegade Catholic is trying to redeem himself, through a marathon of interviews in news and entertainment media.

There is valid religion-beat news here. It’s impossible to sidestep the faith factor in the story of how the maker of“The Passion of the Christ” has now come out with a movie about a Seventh-day Adventist conscientious objector who survives one of World War II’s bloodiest battles without so much as a gun by his side.

In one of those journalistic mixes of opinion and fact that are all too common in newspapers these days, the Los Angeles Times expounds on all this.

 At the recent Academy premiere of "Hacksaw Ridge," there was a 10-minute standing ovation.
Not terribly surprising, except it was for Mel Gibson.
Ten years ago, Gibson was the most hated man in Hollywood. First, during a DUI arrest,  he verbally assaulted police officers using anti-Semitic and sexist language. Then he was caught on audiotape threatening his then-girlfriend with rape and other physical abuse as well as dropping the N-word.
Forget standing ovations; many believed he would never work again.
But forgiveness, like everything else, has always followed a hierarchy in Hollywood. The elite — those who've won awards, broken box office records, sold successful franchises — are often welcomed back even as newbies like Nate Parker or middlings like Lindsay Lohan are cut loose. 


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Larger story behind the headlines: Why people keep fighting about Amy Grant's music

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Larger story behind the headlines: Why people keep fighting about Amy Grant's music

So why do people, decade after decade, keep arguing about the music and life of Amy Grant?

To understand these news stories, it really helps to connect them to other headlines linked to religious believers whose talents allow them to work in mainstream culture. Think about all those debates about the lives of Christian football players, such as Tim Tebow and Russell Wilson. Think about what happens when religious believers, left and right, produce bestselling novels. Think about all those news stories about what is and what is not a "Christian" film. Do the Christians who work at Pixar (and they are part of the mix) make "Christian" movies?

But if you really want to understand this week's Crossroads podcast (click here to tune that in), then I'd like you to take part in a little exercise that I have used for more than a decade in lectures on faith and popular culture.

Step 1: Watch the video at the top of this post, which is Faith Hill's stunning performance of "There Will Come A Day" during the "Tribute to Heroes" special a week after 9/11, a fundraising effort that was carried on just about every single television channel in existence.

Step 2: Now read the lyrics to this song, especially the triumphant final verse and chorus:

There's a better place, Where our Father waits, and every tear, He'll wipe away
The darkness will be gone, the weak shall be strong
Hold on to your faith, there will come a day ...

Song will ring out, down those golden streets
The voices of earth, the angels will sing
Every knee will bow, sin will have no trace
In the glory of His amazing grace ...
There will come a day ... I know there's coming a day

Step 3: Now ask yourself this question: Is this a "Christian" song, in terms of the marketplace of American music? That leads to another question: Is Faith Hill a "Christian" artist, in terms of the marketplace of American music?


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Latest Amy Grant controversy: This tale has a new chapter that some have missed

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Baby, baby, how long have I been writing about controversies involving Amy Grant and fights about what is and what is not Christian music?

Well, so long that I cannot link to the "On Religion" column I wrote about the topic a quarter of a century ago. You see, the World Wide Web didn't really exist at the time for normal people -- so that column isn't stored anywhere online, at least not where I can get to it.

But back in 1991, people started worrying about whether Grant's "Heart in Motion" album (containing "Baby, Baby," which led to that controversial music video) was "too secular" and part of the "crossover" trend that would undercut Grant's public witness, etc., etc.

Well, now Grant is back in the news and, alas, it appears that some people have not noticed that lots of water has gone under the bridge and there are new issues in play. This brings us to the top of the story in the singer's local paper, The Tennessean:

LifeWay Christian Resources will not be selling Amy Grant's new Christmas album this year, and the manager for the Nashville-based singer says it's because it's not Christian enough for the Southern Baptist retailer.
Manager Jennifer Cooke said in an opinion piece for the Washington Post that LifeWay's decision not to carry "Tennessee Christmas" reignites a debate about how Christian a product needs to be in order for Christian retailers to sell it.
"'Is it Christian enough for Christian retail to support?' LifeWay Christian Resources, the large Southern Baptist retailer, decided it was not. It’s their choice, and it’s okay," said Cooke, in the column posted Tuesday.
LifeWay, the publishing arm of the Southern Baptist Convention, confirmed its retail stores are not carrying the album, but would not comment on the reasons for the decision.

Of course, the Southern Baptist Vatican, as the locals call it, is in Nashville, so this is a local story on every possible level.


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Halloween church show: Washington Post peeks at the trend without passing 'judgment'

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I don’t usually jump into a story without an intro, but the Washington Post's lede on Judgement House is pretty vivid:

SOUDERTON, Pa. — She stepped into the pitch-dark room, illuminated only by eerie flames, as the sound of moans and shrieks rose over the ominous music. A hooded figure, dressed in black, leapt from the darkness to hiss in her ear.
Shadeilyz Castro burst into tears.
When the shaken 10-year-old left the room, clinging to her aunt, she was not talking about witches or goblins — she was talking about the Bible. "I have to read it more," Shadeilyz said. "With my brother. I have to talk to him. He doesn’t read it much."
Judgement House did its job.

The Post, in turn, does a more-than-decent job of telling the literally torturous story of Judgement House programs -- "all sorts of earthly tortures (kidnapping, child abuse, drug abuse, a hidden pregnancy)" -- through the lens of Immanuel Leidy’s Church, near Philadelphia. It's intense, maybe shocking -- and a bit flawed -- but not cynical.

The last is not unimportant: This topic is ripe for ridicule, if the reporter is so inclined. But WaPo tells the story, quotes the people on their feelings, and rejects the usual "trip to the zoo" contempt of many secular media:


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AP turns anti-Catholic superstar Jack Chick into an all-purpose fundamentalist hero

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This will be risky, but I'd like to talk about Adolf Hitler and religion for a moment.

The problem with creating a metaphor involving Hitler is that, as journalist Ron Rosenbaum told me long ago (this is a paraphrase): What people say about Hitler usually reveals more about their biases and beliefs than about those of Hitler. (Rosenbaum is the author of an amazing book, "Explaining Hitler: The Search for the Origins of His Evil.")

So here goes. Readers, especially Jewish readers, what would you think if you read a news feature covering the life and legacy of Hitler and, right at the beginning, it stressed that he was known for his oppression of Marxists, Catholics, faithful Lutherans, gays, Jews and gypsies?

On one level, all of that is true. That is an accurate list of groups in Germany, Poland, France and elsewhere that Hitler attacked. But isn't it rather strange to see his war on the Jews turned into a mere bullet item in a list of what appear to be similar offenses?

Now, please hear me say this: I am not about to compare the work of Jack T. Chick with that of Hitler. So what am I attempting here?

I am saying that, when I read the Associated Press obituary for the famous -- many would say "infamous" -- cartoonist the lede struck me as strange. Click here for the version that ran in The Los Angeles Times -- which is symbolic since Chick was based east of LA.

Now, Chick was famous for using his pen to attack lots of different targets. But there is no question that he attacked one body of religious believers more than any other and in ways that were uniquely scandalous. But read the AP lede and try to figure out which body got stabbed the most:

Jack T. Chick, whose cartoon tracts preached fundamentalist Christianity while vilifying secular society, evolution, homosexuality and the beliefs of Catholics and Muslims, has died. He was 92.


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Testaments Old and New? Bob Dylan's story is baptized in all of that, chapter and verse

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Want to watch a really interesting fight?

Put a bunch of Bob Dylan fans -- true believers -- in a room with a really good sound system. Make sure the flock includes old-guard Rolling Stone subscribers, a couple of academics with doctorates in literature, some born-again Christians and some Jews -- cultural Jews and Jews who practice the faith.

Ask this question: Is Bob Dylan (a) a Jew, (b) a Christian, (c) some other brand of believer, (d) a mystic who has faith in faith, period, or (e) all of the above.

Each person gets to play three songs to help make his or her case. Let the arguing commence. Yes, the arguments will only get louder after Dylan the poet receives his Nobel Prize.

I'll state my prejudice right up front. I have never interviewed Dylan, but I have talked to people close to him (including a family member) and here is what I think: I see no evidence has Dylan has lost faith in God. I see no evidence, in this public remarks, that he has lost faith in Jesus. I see lots of evidence that he has lost faith in Bob Dylan.

How do you write about Dylan without exploring the religious themes in his work? Beats me, but here is a New York Times super-short summary of his art, in a hard-news story about the Nobel Prize announcement:

Within a few years, Mr. Dylan was confounding the very notion of folk music, with ever more complex songs and moves toward a more rock ’n’ roll sound. In 1965, he played with an electric rock band at the Newport Folk Festival, provoking a backlash from fans who accused him of selling out.
After reports of a motorcycle accident in 1966 near his home in Woodstock, N.Y., Mr. Dylan withdrew further from public life but remained intensely fertile as a songwriter. ...
His 1975 album “Blood on the Tracks” was interpreted as a supremely powerful account of the breakdown of a relationship, but just four years later the Christian themes of “Slow Train Coming” divided critics. His most recent two albums were chestnuts of traditional pop that had been associated with Frank Sinatra.

Christian themes? That's it? What about the Jewish roots of much of his art?


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Fending off Trump: Where did Nancy O'Dell get the moral spunk?

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When we were all watching the infamous Donald Trump video last week, the first question to pop into many of our minds –- well at least mine –- was: Who was this mystery woman who fended him off? 

Now we know her name is Nancy O’Dell, 50, host of Entertainment Tonight. I began thinking that many women out there might not have said no to Donald Trump and the fact that O’Dell did refuse him might, just might speak to some moral underpinning. 

But do we see this in a ton of pieces out that simply rehash the tape and her part in it? Nope. For example, here's a CNN.com piece that included some bio. 

(CNN) -- Nancy O'Dell is the married woman who rejected Donald Trump's advances, as described in lewd comments he made in a 2005 conversation that surfaced Friday.
"Access Hollywood," the NBC show O'Dell co-anchored in 2005, identified her Friday as the woman Trump vulgarly discussed with Billy Bush, O'Dell's co-host at the time.
Today O'Dell is the co-anchor of CBS's "Entertainment Tonight."

After repeating her public statements about the matter,

O'Dell is an accomplished entertainment journalist and author with a career that includes awards and honors for her work and her beauty.


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