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What a world we live in: 'Reality Criticized For Not More Clearly Distinguishing Itself From Satire'

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What a world we live in: 'Reality Criticized For Not More Clearly Distinguishing Itself From Satire'

During this week’s “Crossroads” podcast — click here to tune that in — host Todd Wilken and I talked about the ongoing war between The Babylon Bee, a conservative Christian news satire site, and the progressive fact checker squad at Snopes.com.

Oh, and as often happens in discussions of religion and public life, the threat that (trigger warning) Chick-fil-A seems to pose to American civilization ended up in the mix.

Here’s a typical question from the discussion: Is it satire to satirize contemporary satire by pretending to think that the satire is actual real news?

Or something like that.

The bottom line is that real news is starting to sound like satire. As the Bee said the other day: “Reality Criticized For Not More Clearly Distinguishing Itself From Satire.” At the same time, lots of satire is starting to sound like subtle (or not so subtle) forms of real — or some would say “fake” — news. Take the top of this New Yorker piece for example:

Customers across the nation who turned out for Chick-fil-A Appreciation Day were in for a surprise, as the chicken restaurant chose today to launch a new product, Hate Sauce.

Delighted customers mobbed the restaurants to try the zesty new sauce, with many chicken fanciers ordering their sandwiches with extra hate. “It’s so spicy it makes your mouth feel like it’s on fire — like a gay couple in hell,” said Harland Dorrinson, who sampled the sauce at a Chick-fil-A in Orlando.

That’s pretty blunt and, thus, it’s easy to assume that it’s satire (which it is).

But how about the quotes in the following story about a Chick-fil-A war at the University of Kansas?

“KU granted Chick-fil-A, a bastion of bigotry, a prime retail location in the heart of our campus,” KU’s Sexuality & Gender Diversity Faculty and Staff Council said in a letter sent this week to Chancellor Doug Girod, the provost’s office and the athletic department.


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Is 'Queer Eye' more Christian than most Christians? Some folks say yes

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The last time I wrote about “Queer Eye for a Straight Guy” had to do with their lone Muslim cast member and what might be his fate were he living in a majority Muslim society.

Since then, the show has become simply “Queer Eye,” a Netflix reboot and a “spiritual” icon for today’s America. Several media have taken up the idea that the gay quintet’s accepting and gracious demeanor is very much like what Jesus might look like if he was here. At the current rate, these guys are going to outdo Oprah in the spiritual force department.

This recent New York Times piece by Amanda Hess piece notes that the show’s makeovers, redecorating and shopping have become the new chic form of expressing repentance and beginning a new life. Born again?

Every episode is the same. Five queer experts in various aesthetic practices conspire to make over some helpless individual. Tan France (fashion) teaches him to tuck the front of his shirt into his pants; Bobby Berk (design) paints his walls black and plants a fiddle-leaf fig; Antoni Porowski (food) shows him how to cut an avocado; Jonathan Van Ness (grooming) shouts personal affirmations while shaping his beard; and Karamo Brown (“culture”) stages some kind of trust-building exercise that doubles as an amateur therapy session. Then, they retreat to a chic loft, pass around celebratory cocktails and watch a video of their subject attempting to maintain his new and superior lifestyle. The makeover squad cries, and if you are human, you cry too.

Van Ness, by the way, with his long brown hair and beard, is a dead ringer for many of the cinematic depictions of Christ over the past 50 years.

The reporter then packs a masterful punch in What It All Means.

Because “Queer Eye” is not just a makeover. As its gurus lead the men (and occasionally, women) in dabbing on eye cream, selecting West Elm furniture, preparing squid-ink risotto and acquiring gym memberships, they are building the metaphorical framework for an internal transformation. Their salves penetrate the skin barrier to soothe loneliness, anxiety, depression, grief, low self-esteem, absentee parenting and hoarding tendencies. The makeover is styled as an almost spiritual conversion. It’s the meaning of life as divined through upgraded consumer choices.

Hess’ article is dripping with spiritual lingo and is a delight to read.


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Bob the Journalist has the scoop: 'VeggieTales' is coming back (for those wondering, it did leave)

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“Are you watching VeggieTales?” asked my wife, sounding surprised as cartoon vegetables sang in our living room.

“I’m watching the trailer,” I said. “It’s coming back.”

“Did it ever leave?” she replied.

For those wondering — including parents such as my wife and me whose now-grown children were raised on Bob the Tomato, Larry the Cucumber and friends — actually it did leave.

Bob (the journalist, not the tomato) has the intriguing, behind-the-scenes story for Religion News Service.

Before I get much deeper into this post, I should point out that I have a history with this story. Back in 2002, while serving as religion editor for The Oklahoman, I interviewed Mike Nawrocki, the squeaky voice of Larry the Cucumber and a co-creator of “VeggieTales" and Big Idea Productions.

I asked hard-hitting questions befitting a serious journalist, as I noted at the time:

For example, my first question: "Can you please sing me a Silly Song?"

"I'm taking requests," Nawrocki joked.

Wonderful! How about "The Water Buffalo Song," "The Hairbrush Song" and "I Love My Lips?"

I also pried into Nawrocki's eating habits. "I'm a big vegetable fan, as long as they're not talking," he told me.


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Yo, MSM: Anyone planning to stalk Jesusland religion ghosts lurking in 'The Hunt' movie?

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What a country we live in, these days. If you have been following the controversy surrounding the now-delayed movie “The Hunt,” you know that this is — according to mainstream media reports — yet another controversy about politics, anger, guns, violence and America’s Tweeter In Chief.

Oh, and there is no way to avoid the dangerous word “elites” when talking about this Hollywood vs. flyover country saga. However, if you probe this media storm you will find hints that religion ghosts are hiding in the fine print — due to the movie’s alleged references to “deplorables” and “anti-choice” Americans.

But let’s start with a minimalist report at The Washington Post that ran with this headline: “Universal cancels satirical thriller about ‘elites’ hunting ‘deplorables’ in wake of shootings.” Here’s the overture:

Universal Pictures has canceled its plan to release “The Hunt,” a satirical thriller about “elites” hunting self-described “normal people,” amid a series of mass shootings and criticism that the film could increase tensions.

“We stand by our filmmakers and will continue to distribute films in partnership with bold and visionary creators, like those associated with this satirical social thriller, but we understand that now is not the right time to release this film,” Universal said in a statement.

The studio already had paused its marketing campaign for the R-rated movie, which was slated for release on Sept. 27. … “The Hunt,” directed by Craig Zobel (“Z for Zachariah”) and produced by Blumhouse Productions, follows 12 strangers who are brought to a remote house to be killed for sport. 

Everything in this media-drama hinges on how this movie is alleged to have described the beliefs and behaviors of these “normal” Americans — who are stalked by rich, progressive folks defined by high-class culture and political anger issues. The elites are led by a character played by Oscar-winner Hilary Swank.

If you are looking for facts in this oh so Donald Trump-era mess, journalists at The Hollywood Reporter claim to have details deeper than the innuendoes glimpsed in the hyper-violent trailers for the movie (trailers that appear to be vanishing online). Here is a chunk of that story, which is referenced — aggregation style — in “news” reports all over the place.


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What is 'purity culture'? Why is this term in the news right now?

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What is 'purity culture'? Why is this term in the news right now?

THE QUESTION:

What is “purity culture,” and why is it in the news?

THE RELIGION GUY’S ANSWER:

This was a particular U.S. Protestant campaign born in the 1990s that sought to urge teens and young adults to follow the age-old Christian (also Jewish, Muslim, etc.) teaching against sexual relations before marriage.

Outsiders and opponents called this the “purity culture” movement, and it’s currently in the news and the subject of intense online debate.

That “purity” label is confusing because critics of the phenomenon are not just secularists or those who scoff at old-fashioned morality. Conservatives who likewise advocate the sexual “purity’ taught in Christian tradition raise some of the most pointed objections to this movement’s specific theology, techniques and claims.

The cause originated in 1993 with sex education materials under the “True Love Waits’ banner issued by the publishing arm of America’s largest Protestant denomination, the Southern Baptist Convention. Within just one year of existence a Washington, D.C. rally drew 25,000 youths and displayed 210,000 sexual abstinence pledge cards on the National Mall.

The movement appealed to many moms and dads who were wounded by the sexual libertinism that began in the 1960s and wanted more wholesome relationships for their own children, fretting over increases in sexually transmitted disease, unwed pregnancy and divorce. The pledges of abstinence until marriage were reinforced by wearing rings popularized from 1995 onward by The Silver Ring Thing organization, reconfigured last year as Unaltered Ministries. Instead of high school proms, some churches held “purity balls” where dads escorted daughters.

The movement is back in the news due to its primary celebrity guru, Joshua Harris, who at a tender age 21 wrote “I Kissed Dating Goodbye.” This 1998 book eventually sold nearly a million copies and fused the effort with a highly influential how-to methodology.


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Hey, team CNN: Isn't there some Catholic DNA linked to Halloween being on Oct. 31?

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It’s hard to understand what happens in American life, and when it happens, without understanding what I like to call the “liturgical calendar of the shopping mall.”

The best example? That would be the locked-solid fact that the cultural steamroller called “Christmas” now begins somewhere around the start of the National Football League schedule and it kicks into high gear with Black Friday after Thanksgiving. Forget that whole holy season called Christmas, as in the 12 days after Dec. 25.

Oh, and when is Thanksgiving? That was a question for the U.S. Congress and the Chamber of Commerce, as well.

Some people would argue that “The Holidays” — at the level of candy, music and decorations — now start after Halloween. And when is Halloween? At the moment, Halloween is on October 31. Why is that?

That question brings us to an interesting, and rather hollow, CNN story with this headline: “A petition to move Halloween to the last Saturday of October nears 100,000 signatures.” Here is the overture:

There are lots of reasons to hate holidays: traffic, awkward family reunions, expensive gifts that would wring a tear from anyone's wallet. But if there's one celebration absent from all of this holiday drama, it's Halloween.

It's too bad that, more times than not, the sugar-laden holiday is set right in the middle of the week, when would-be revelers have to get to bed early.

But there's a petition aiming to change that. … It’s lobbying to bump Halloween from October 31 to the last Saturday of the month.

The petition, launched last year by the nonprofit Halloween & Costume Association, argues that moving the date of Halloween will lead to a "safer, longer, stress-free celebration."

Wait a minute. A “safer, longer, stress-free celebration” of WHAT, precisely? What is Halloween and why is it observed on October 31?


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Yo, Los Angeles Times: Crystal Cathedral's architecture raised all kinds of Catholic questions

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If you have ever been part of a well-researched tour of a great cathedral, then you know one thing — these sanctuaries are packed with symbolism. Almost everything in these buildings has some connection to centuries of Christian tradition.

The biggest symbol is the shape of the cathedral itself. It’s all about processions (think pilgrimages) through the cross to reach the high altar.

This brings me to the Los Angeles Times coverage of the transformation of the iconic Crystal Cathedral — an soaring version of a Protestant megachurch — into Christ Cathedral, the spiritual home of the Roman Catholic Diocese of Orange.

Here’s the key: The late Rev. Robert Schuller made an important request when he asked the legendary architect Philip Johnson to design the Crystal Cathedral — build a church that is also a giant television studio.

That’s precisely what Johnson did. Thus, ever since the Orange diocese bought Schuller’s masterwork, I have been waiting to read a Times story explaining how this giant symbol of TV Christianity could be turned into a cruciform Catholic sanctuary. Here is the top of the recent story that ran under this headline: “Crystal Cathedral, the original evangelical megachurch, has a conversion to Catholicism.”

… The former Crystal Cathedral, a Southern California landmark that has long stood at the intersection of kitsch and postmodernism just three miles from Disneyland, was officially rededicated by the most unlikely of saviors: the Catholic Church.

When the soaring Philip Johnson-designed megachurch opened in 1980, the Crystal Cathedral was, strictly speaking, neither crystal (the structure is composed of more than 10,000 rectangular panels of glass) nor a cathedral (it housed a televangelist, not a Catholic bishop).

That televangelist — late pastor Robert Schuller — once called the compound a “22-acre shopping center for God.”

This short feature — there’s no real coverage of the dedication rites — focused on how Schuller symbolized a shiny era of Southern California, offering drive-in church services during the “same year Disneyland opened its doors and Ray Kroc launched his first McDonald’s restaurant.”

The text is snappy and packed with details — about Schuller. The new Christ Cathedral? Not so much.


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Childless sex in the city? No doubt about it: America's supercities will impact religion news

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Childless sex in the city? No doubt about it: America's supercities will impact religion news

A quarter of a century ago, I started teaching journalism in big American supercities — first in Washington, D.C., and now in New York City.

From the beginning, I heard students (most from Christian liberal arts colleges) asking poignant, basic questions about the impact of journalism on their future lives, in terms of job stress, economics and, yes, marriage and family life. These questions were often asked in private. Needless to say, these questions have continued, and intensified, with the ongoing advertising crisis that is eating many newsrooms.

I continue to urge my students to talk to real New Yorkers (or Beltway folks) who are living the realities — rather than accepting stereotypes. It’s crucial to talk to married folks with children and discuss the communities and networks that help them thrive or survive. The challenges are real, but the stereotypes are — in my experience — flawed and shallow.

These subjects hovered in the background as we recorded this week’s Crossroads podcast (click here to tune that in). This podcast digs into the implications of my earlier GetReligion post — “Think like a reporter: What kind of American cities are booming? Any impact on religion news?” — about an Axios story on the economic and political clout of American super-cities.

If you want a deep dive into the marriage and family issue, check out the stunning essay at The Atlantic by staff writer Derek Thompson that just ran with this dramatic double-decker headline:

The Future of the City Is Childless

America’s urban rebirth is missing something key — actual births.

The opening anecdote will cause a shudder (perhaps of recognition) among many New Yorkers that I know:

A few years ago, I lived in a walkup apartment in the East Village of New York. Every so often descending the stairway, I would catch a glimpse of a particular family with young children in its Sisyphean attempts to reach the fourth floor.


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