Over the weekend, I did a post titled “Another one-sided AP same-sex marriage story.”
Another one-sided AP same-sex marriage story
The Associated Press has decided, apparently, that stories need to include only side. Stories about same-sex marriage, that is.
Pod people: Facts are your friends, journalists
Mormons softening opposition to homosexuality ... or not
If you enjoy quality journalism, feel free to skip an Associated Press story out today on Mormons challenging their church’s stance on homosexuality.
When religious liberty clashes with gay rights
Ghost in that New York Times Justice Kennedy hagiography
It’s time for a quick dip into my unusually thick GetReligion folder of guilt, that place where I stash stories that I know deserve a bite of criticism, but more pressing matters (think Syria) keep pushing them back in the cyber-queue.
Guess which sin makes church discipline newsworthy?
Every week, in churches around the world, Christians engage in a peculiar practice in which they confront and correct fellow believers on a range of issues, which are often lumped into a general category called âsins.â The process for this practice was first outlined by a popular religious leader named Jesus and recorded in a book known as the Gospel of Matthew:
The moral (and news) authority of Desmond Tutu
An article at BBC.com on the launch of a United Nations-backed campaign to promote gay rights in South Africa is a perfect example of the kinds of difficulties that mainstream journalists face when reporting on world figures who have left the public eye.
Gay rights, street preachers, and narrative preferences
When I was 12-years-old I developed an unhealthy addiction to Choose Your Own Adventure novels. Perhaps due to my own lack of imagination, I became hooked on the books where an author would frame a story in which I was the hero. (In case youâre too old or too young to remember this Gen-X genre favorite: each story is written from a second-person point of view, with the reader assuming the role of the protagonist and making choices that determine the main character’s actions and the plot’s outcome.) Although each book could have up to forty possible endings — some were âgoodâ (e.g., I save the day) and some âbadâ (e.g., I die an ignoble death) — the only endings I considered to be ârealâ were the ones that aligned with what Iâd call my ânarrative preferenceâ (i.e., Iâm a hero).