Ever taste only part of a good meal? An article on an art exhibit on Muslim women in the Tampa Bay Times feels like that.
The Times raises several tantalizing questions about Muslim women – their garb, their self-image, their public image – but doesn't follow up most of them. The result reads less like dinner and more like a canape.
It's a timely and urgent topic because traditional Muslim women face more profiling than so Muslim men. With headdresses variously covering their hair, or wrapping around their necks as well, women are instantly identifiable as non-Jews or non-Christians – and non-secular people, for that matter. So "Loud Print," the show at the Carrollwood Cultural Center, has the potential to open some eyes.
The artist, Ameena Khan, seems acutely aware of the issues herself:
Khan uses her artwork to initiate conversations about Muslim women. Her paintings portray a diverse group of women wearing hijabs, a cloth wrapped around their heads. One of the most striking paintings shows a woman struggling to keep her head up because her yellow hijab is so big. It's meant to represent the struggles Muslim women face wearing a hijab in public.
Meant to keep Muslim women hidden, the hijab seems instead to draw unwanted attention and sometimes hateful comments, Khan said.
"You have this burden that you're carrying around," she said. "That's all people see."
Sounds pretty evocative, but it stops short. If a woman's most prominent garb is a symbol of her religion, and if a hijab is meant to keep women hidden, how are people to see the individual underneath? How is she to express herself otherwise? The Times doesn't say.
It does explain the idea of starting a conversation about Muslim women – partly. Interestingly, the artist did it via social media: