GetReligion
Monday, March 31, 2025

Mel Gibson

Mel Gibson and his 2016 multi-media tour: Can this fallen star ever repent enough?

Mel Gibson, for years one of the most despised men in Hollywood, appears to be back on top with the release of a new film “Hacksaw Ridge.” This has brought together a delightful brew of movie reviews, Gibson gossip fests and interminable articles on how this industry pariah and renegade Catholic is trying to redeem himself, through a marathon of interviews in news and entertainment media.

There is valid religion-beat news here. It’s impossible to sidestep the faith factor in the story of how the maker of“The Passion of the Christ” has now come out with a movie about a Seventh-day Adventist conscientious objector who survives one of World War II’s bloodiest battles without so much as a gun by his side.

In one of those journalistic mixes of opinion and fact that are all too common in newspapers these days, the Los Angeles Times expounds on all this.

At the recent Academy premiere of "Hacksaw Ridge," there was a 10-minute standing ovation.
Not terribly surprising, except it was for Mel Gibson.
Ten years ago, Gibson was the most hated man in Hollywood. First, during a DUI arrest, he verbally assaulted police officers using anti-Semitic and sexist language. Then he was caught on audiotape threatening his then-girlfriend with rape and other physical abuse as well as dropping the N-word.
Forget standing ovations; many believed he would never work again.
But forgiveness, like everything else, has always followed a hierarchy in Hollywood. The elite — those who've won awards, broken box office records, sold successful franchises — are often welcomed back even as newbies like Nate Parker or middlings like Lindsay Lohan are cut loose.


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And this just in: The young, male, video-games crowd doesn't remember the great Ben-Hur

And this just in: The young, male, video-games crowd doesn't remember the great Ben-Hur

First, sorry for the delay on this week's "Crossroads" podcast. We had some technical difficulties, which happens every now and then in the Tower of Babel environment that is the Internet. Every now and then the software gods just don't get along.

The topic of my chat this week with host Todd Wilken (click here to tune that in) was, on one level, the box-office problems of the latest version of "Ben-Hur: A Tale of the Christ." But my earlier post on this topic also focused on the ongoing interest, in the mainstream media, in Hollywood's quest to tap into the "Christian" movie market, in the wake of the $611 million box office haul taken in by Mel Gibson's "The Passion of the Christ."

It's a great story and a very timely one. Basically, the folks behind the new Ben-Hur made a big-budget religion-niche movie, thinking that the young, male, action-movie demographic would show up for the chariot race scene.

What chariot race scene, you ask? Well, the one that movie scholars – but not, it's safe to say, today's video-game fanatics – remember with awe from the 1959 classic.

What were the producers of the new flick thinking?

That would be a great hard-news story, methinks, as opposed to a kind of no-sources analysis thumbsucker like the Atlantic piece I previously discussed.

Well, what do you know? The Los Angeles Times team produced a real news story about this bad, bad summer in Hollywood. The headline: "Hollywood's summer problem? Reboots people don't want."

The opening is pretty brutal:


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Yet another turning point in the search for Hollywood's Christian market?

Yet another turning point in the search for Hollywood's Christian market?

Highly secularized showbiz moguls suddenly realized that religion could pay off when Mel Gibson’s 2004 movie “The Passion of the Christ” posted $370 million in box office. That remains history’s highest domestic take for an R-rated movie and tops for any Christian-themed film, beating out the three C.S. Lewis “Narnia” stories.

Woodenly scripted cheapos like 2001’s “Left Behind” that did poorly ($4.2 million total box office) no doubt dampened studio interest. Even after Gibson, Hollywood seems generally uncertain how to capitalize on this market, and treatments of faith are too often either phony or snarky. Hollywood insiders have struggled to find the magic faith-based niche formula.

But something important may be developing. Note that #5 in the Christian genre’s all-time box office is “War Room,” about the ineffable power of prayer to change lives for the better. It grossed $67.8 million last year. Then there’s the current film “Risen,” timed for the lead-up to Easter. It earned a healthy $11.8 million with its opening last weekend and ranked #3 in the market (all data in this item are from www.boxofficemojo.com).

Both films come from Sony Pictures’ Affirm Films subsidiary, which has received surprisingly scant mainstream media coverage and has obvious potential for a good story.

Sony launched Affirm in 2007 with the mandate of “producing, acquiring, and marketing" films that uplift and inspire. Senior Vice President Rich Peluso, formerly with EMI Christian Music, says Affirm works “the space between faith and entertainment.”


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CNN attempts to bifurcate Jesus

I was reflecting on the interesting election coverage we experienced over the last year(s) and how the religion angles were handled. After 2008, perhaps we can agree that religion angles were handled better in this cycle. Which is not saying much.


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