Clock keeps ticking: Will Turkey dare to turn Hagia Sophia into a mosque -- again?

Art historian Andrew Gould had studied many copies of the exquisite mosaic of Jesus found high in Istanbul's 6th Century Hagia Sophia cathedral.

But that didn't prepare the architect and sacred artist for what he felt when he stood under the icon, illumined by the soaring windows in the south gallery that overlooks the main floor, under the central dome that is 184 feet high and 102 feet in diameter.

The Deesis ("supplication") icon -- at least twice the size of life -- shows the Virgin Mary and St. John the Baptist with their heads bowed, framing an image of Christ Pantocrator ("enthroned"). The glass mosaic cubes were set at angles to create a shimmering effect across the gold background and the many-colored images, whether viewed in daylight or with lamps and candles.

Much of this icon was destroyed a century ago as workers probed to find priceless mosaics under layers of plaster and paint added through the centuries after 1453, when the Ottoman armies of Mehmed II conquered Constantinople.

Now, Turkish leaders want to convert Hagia Sophia -- a museum for decades -- back into a mosque.

"There is no more refined icon of Christ anywhere," said Gould, of the New World Byzantine Studios in Charleston, S.C. "Just in terms of information, we have copies we can study. … But visiting Hagia Sophia and seeing this icon under natural light, seeing it in the context of the sanctuary, was crucial to the development of my whole understanding of Orthodox art."

If the "Deesis" is covered again, along with other icons, "this is not something that can be replaced with photographs in art books," he said. "It would hurt artists and believers around the world in so many ways."

The current controversy is rooted in politics, more than lingering tensions between Muslim leaders and Turkey's tiny Christian minority, which has little power other than through ties to Greece, Europe and the United States.

Hagia Sophia became a museum in 1934, a symbol of Mustafa Kemal Ataturk's drive to build a modern, truly secular state. Now, President Recep Tayyip Erdogan has sent many signals that he wants Turkey to return to Islamic principles.

Debates in Turkish media have swirled around whether modern leaders retain the "right of the sword" to reclaim Hagia Sophia, noted Mustafa Akyol, a Turkish journalist and author of the book "Islam Without Extremes: A Muslim Case for Liberty."

News? Religious communities build new sanctuaries, and repair old ones, for lots of reasons

There were a lot of different subjects swirling around during this week’s “Crossroads” podcast, so I don’t know exactly where to start. (Click here to tune that in or head over to iTunes.)

On one level, host Todd Wilken and I talked about church buildings and sacred architecture. You know, the whole idea that church architecture is theology expressed in (List A) stone, timber, brick, stucco, copper, iron and glass.

Ah, but is the theology different if the materials being used are (List B) sheetrock, galvanized steel, plastic, concrete, rubber and plywood?

What if you built a Byzantine, Orthodox sanctuary out of the materials in List B and accepted the American construction-industry norms that a building will last about 40-50 years? Contrast that with a church built with List A materials, using many techniques that have been around for centuries and are meant to produce churches that last 1,000 years or more.

These two churches would look very similar. The provocative issue raised by church designer and art historian Andrew Gould — of New World Byzantine Studios, in Charleston, S.C. — is whether one of these two churches displays a “sacred ethos” that will resonate with the teachings of Eastern Orthodox Christianity, while the other may be both modern and more temporary.

Here’s another question along those same lines: Why did farmers, merchants and peasants in places like Greece, Russia, Serbia and Romania for many centuries insist on building churches that would last for generation after generation of believers? Also, why are the faithful in many modern, prosperous American communities tempted to build churches that may start to fall apart after a few decades?

Here’s the end of my “On Religion” column about Gould and his work, based on a lecture he gave at my own Orthodox home parish in Oak Ridge, Tenn. — which is poised to build a much-needed new sanctuary.

“If you build something that looks like a Byzantine church, but it isn’t really built like a Byzantine church, then it isn’t going to look and sound and function like a Byzantine church — generation after generation,” said Gould.
“The goal in most architecture today is to create the appearance of something, not the reality. ... When you build one of these churches, you want the real thing. You want reality. You want a church that’s going to last.”

Now, is this a very newsworthy subject?

Maybe not. But some of these issues can be spotted looming over big headlines some big stories in places like New York City.