Is Hollywood afraid to be 'woke'? That's a question with moral and religious implications

It’s one of the most famous quotes ever about the realities of working in Hollywood. That quote: “If you want to send a message, try Western Union.”

Of course, the Tinseltown giant who said that was Frank “It’s a Wonderful Life” Capra, a hero of ordinary people in the heartland. So what would he know about working with the woke powers that be on the left coast, these days?

I bring this up because of a fascinating New York Times lament that ran the other day with this headline: “After #MeToo Reckoning, a Fear Hollywood Is Regressing.” Apparently, progressives in Hollywood are very, very upset with the American people — think heartland folks, again — about some nasty recent returns in ratings and at the box office. Some “message” flicks are bombing.

Here’s the thesis statement: “The takeaway, at least to some agents and studio executives: We tried — these ‘woke’ projects don’t work.”

What does religion have to do with this? Very little, according to the Times (but we will get to that).

It’s clear that, to the team that produced this Times sermon, Middle America simply does not share the concerns of woke artists about systematic racism, sexual abuse and the whole diversity project in general.

Now, you can forget that “Black Panther” juggernaut in multiplexes nationwide, including red zip codes. Stunning, well-crafted Black superhero tales don’t count. Americans just aren’t lining up to watch the morality tales that Hollywood wants them to embrace. But what’s interesting — at least to me — is the degree to which the movies and big-ticket streamed TV series at the heart of this debate often contain content about religious and moral issues that, yes, are LINKED to diversity issues.

In other words, is this a new news story or the latest chapter in an old story about Hollywood’s struggles to understand the more religious and culturally conservative half of the American marketplace?

Let’s start where the Times has chosen to start — with Hollywood’s efforts to clean up its act in the wake of the Harvey Weinstein scandal, etc. Here’s the thesis about the #MeToo aftermath:

The movement led to increased diversity and representation in the entertainment industry, but now there is worry that executives have turned their attention elsewhere.

What happened?

Podcast: Talking fetus scene in 'Blonde' has created another media storm about abortion

Ask any pastor about times when Americans tend to take stock of their religious commitments and it’s likely you will hear something like the following.

For most people, but especially for those who are married or/or have children, there are obvious gateways from one stage of life to another and, frequently, there are religious teachings and rites that go with them. Think birth, baptism, marriage, children, aging and, finally, death. In many lives, there are moments of conversion or doubt, as well as life-threatening illnesses and tragedies. Divorce? Broken relationships with children? Yes, more symbolic gates.

Clergy know they will have to help women and men deal with these gates. I have always argued, in discussions with editors, that these gateways are often linked to important trends and news events. Changing a prayerbook or hymnal, for example, may threaten doctrines and symbols that, for the devout, are linked to rites that frame these life events.

This brings us to this week’s “Crossroads” podcast (CLICK HERE to tune that in), which focuses on some news and commentary about the life of one of Hollywood’s greatest superstars — Marilyn Monroe. The problem is that the controversial, lurid new movie “Blonde” includes events and images that clearly link abortion to other life-defining events, especially horrors such as rape and other forms of sexual and emotional abuse.

Abortion can lead to grief and may be viewed as a form of violence against women? That pushes several hot buttons at the same time, and not just for right-wing Christians in the Bible Belt. Consider the symbolism of mourners visiting the famous Garden of Unborn Children in Japan.

As always, let me stress that abortion is a topic that, for many, raises religious issues — as well as moral, legal and political questions. This raises challenges for journalists and artists alike.

First, let’s look at the obvious news hook — that Planned Parenthood officials needed to react to this brutal NC-17 movie, a flick that is creating Oscar buzz surrounding the work of actress Ana de Armas.

The headline at The Hollywood Reporter proclaims, “Planned Parenthood: ‘Blonde’ Is “Anti-Abortion Propaganda.”