It’s not often that you read a religion story in the Seattle Times arts and entertainment section, but on Tuesday, there appeared this feature on about a pair of local artists — they are self-identified as “Patriotic Christians” — who put out “tracts” satirizing President Donald Trump.

Which raises some questions. What if a group was distributing tracts making fun of someone else, ie former President Barack Obama or “crooked Hillary”? Would it be a cute political joke still or would they be racist or sexist screeds?

Is it safe to only mock someone like Trump — and his supporters, of course — but no one else? And should a story of this kind include people who are offended by these products?

The article is clever, I do admit.

Little Dickie Glitz was born rich. His parents gave him lots of stuff, but he was never satisfied and always hollered for more. His parents were lax in the manners department, so Dickie earned a reputation as the loud, spoiled neighborhood brat. The other kids didn’t like to play with Dickie — every time he started losing a game, he stormed away, yelling: “I quit! This game is rigged!”

These habits continued into adulthood, and Dickie became a rich, arrogant loudmouth who made a deal with a devilish-looking guy (who bore a striking resemblance to Vladimir Putin) and somehow got elected President of the United States.

That’s the basic narrative arc of “I’m Rich!,” a roughly 3-by-5-inch comic-book tract printed on cheap, newspaper-grade paper and lightly sprinkled with gallows-humor wit and relevant Bible verses: “You cannot serve God and money” (Matthew 6:24), “Everyone who is arrogant is an abomination to the Lord; be assured, he will not go unpunished” (Proverbs 16:5), “Beware! Keep yourselves from covetousness” (Luke 12:15).

“I’m Rich!” and its companion tract (“Good Morning Amerika”) were created and published by an enigmatic group called Patriotic Christians for a Better America (PCBA), who have been anonymous — until now. (Its national headquarters is in a cozy house in Seattle’s Columbia City neighborhood, but we’ll get to that in a minute.)

As the story goes on, I learn some facts about the artists and see examples of their work.

But here is a very important journalism issue: Readers are never told, or shown, what sort of Christianity they follow, much less how they are “patriotic Christians.”