So what is this week's "Crossroads" podcast actually about?

Well, on one level it's about the "Christian" humor website called The Babylon Bee. But on a deeper level, it's about what happens when the word "Christian" is turned into an adjective defining a form of popular culture. At that point, all kinds of interesting and even distressing things take place. There are news stories in there, folks.

For example, when you hear someone talking about "Christian" rock 'n' roll, doesn't that (if you are of a certain age) make you think of that famous "Seinfeld" episode that included the riff about the car-radio buttons? Here's a flashback, from an "On Religion" column that I wrote long, long ago:

As she pulled into traffic, Elaine Benes turned on her boyfriend's car radio and began bouncing along to the music.

Then the lyrics sank in: "Jesus is one, Jesus is all. Jesus pick me up when I fall." In horror, she punched another button, then another. "Jesus," she muttered, discovering they all were set to Christian stations. Then the scene jumped to typical "Seinfeld" restaurant chat.

"I like Christian rock," said the ultra-cynical George Costanza. "It's very positive. It's not like those real musicians who think they're so cool and hip."

It's all about the world "real." We are not talking about "real" musicians, here. We are talking about "Christian" rock. Thus, when most people hear the phrase "Christian" rock, they probably think of this rather than this (please click these URLs).

What do you think of when you hear people talk about "Christian" movies? Do you think of this or of this?

How about the fine arts? When you think of Christian paintings, do you think of this or, well, of this?

I could go on. "Christian" humor, including satire, is not new -- in fact, it's ancient.