Under normal circumstances, it’s important to pay attention to the name that an artist carves into a giant work of public art.

In this case, we are talking about a statue — both majestic and ironic — by the African-American artist Kehinde Wiley of New York City. I will let The Washington Post describe that statue in a moment, in this lengthy feature: “With a brass band blaring, artist Kehinde Wiley goes off to war with Confederate statues.”

The key, in this case, is that an African-American artist has made a statement judging the long history of art in the American South that pays tribute to the region’s Civil War heroes and, in the eyes of critics, supports the “Lost Cause ideology” that tries to justify their actions.

I chose that word “judging” carefully, because the artist is making a moral statement on a grand scale. And the name he chose for this statue? He called the statue “Rumors of War.”

My question: Did journalists who covered the unveiling of this statue realize that, with this title, Wiley was adding a very specific note of BIBLICAL judgement with a direct reference to Matthew, chapter 24? I am referring to these famous words of Jesus:

… Ye shall hear of wars and rumours of wars: see that ye be not troubled: for all these things must come to pass, but the end is not yet. For nation shall rise against nation, and kingdom against kingdom: and there shall be famines, and pestilences, and earthquakes, in divers places. All these are the beginning of sorrows. Then shall they deliver you up to be afflicted, and shall kill you: and ye shall be hated of all nations for my name's sake.

It would be hard to find a piece of scripture with greater relevance to discussions of a civil war.

But did journalists the Post, and The New York Times, get the point? Remember: We are talking about the NAME of the statue. Here is a quote from the overture in the Post arts-beat feature, describing the event last Friday in Times Square:

Everyone is doing their Charlottesville post-mortems, which is why I was interested in what the New Yorker had to say about how church leaders there prepared for white supremacists.

The local clergy, and visiting clergy, played a crucial role in this story and many reporters made little or no effort to separate this group of counter-protesters from the highly confrontational, and ultimately violent, Antifa crowd that came in from outside.

That brings us to this New Yorker piece. What I didn't expect was a romanticized version of local clergy activism and a de-emphasis on the amount of outside clergy reinforcements brought in to maintain that false impression. The key facts: What clergy took part? Who didn't join the protests? Why? Where are the other voices?

The story begins at a historic black school where a few hundred of the town’s residents gather to assess exactly what happened on their streets to cause three people to die there during the recent riots.

One of the local leaders at the school was instantly recognizable to everybody: a sixty-five-year-old reverend named Alvin Edwards. When Terry McAuliffe, the governor of Virginia, came to town on Sunday, he went directly to a service at the Mt. Zion First African Baptist Church, which is Edwards’s congregation. He’s been there for the past thirty-six years, and during that time he’s also served as the city’s mayor and as a member of its school board. His years in politics have only seemed to strengthen his ties to his parishioners, and he likes to joke, with folksy charm, about his “B.C. days” -- before Christ -- when he lived in Illinois, where he grew up with plans “to make money and to be an industrial engineer.” Edwards marched with the counter-protesters over the weekend, but these days he’s best known for founding a broad coalition of local faith leaders called the Charlottesville Clergy Collective.

The article goes on to describe how the Collective got wind of an upcoming Ku Klux Klan visit and decided to hold a counter rally. Two of the major churches involved were Mt. Zion and St. Paul’s Episcopal.

God's judgement in Times Square, and soon Richmond: Does 'Rumors of War' mean anything?

Imported Charlottesville clergy: When a simple narrative overtakes the complex facts