Gospel

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Bob Dylan turns 80, while Dylanologists keep arguing about signs of faith in his art

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Bob Dylan turns 80, while Dylanologists keep arguing about signs of faith in his art

Night after night, Bob Dylan's 1979 Gospel concerts at San Francisco's Warfield Theatre made news for all the wrong reasons, according to angry fans.

The November 11th show opened with Dylan roaring into "Gotta Serve Somebody" from "Slow Train Coming," the first of what Dylanologists called his "born-again" albums.

"You may be a businessman or some high-degree thief," he sang. "They may call you doctor, or they may call you chief, but you're gonna have to serve somebody. … Well, it may be the Devil, or it may be the Lord, but you're gonna have to serve somebody."

To add insult to injury, these concerts included fiery sermons by Dylan, while he avoided classic songs that made him a legend.

"I was 19 years old and that was my first Dylan concert," recalled Francis Beckwith, who teaches Church-State Studies at Baylor University. "The atmosphere was highly charged. Some people booed or walked out. … There were people shouting, 'Praise the Lord!', but you could also smell people smoking weed."

Beckwith kept going to Dylan concerts, while following years of reports about whether the songwriter was still a Christian, had returned to Judaism or fused those faiths. These debates will continue as fans, critics, scholars and musicians celebrate Dylan's 80th birthday on May 24th.

With a philosophy doctorate from Fordham University in New York and a law degree from Washington University in St. Louis, Beckwith is certainly not a conventional music critic. He made headlines in 2007 when -- while president of the Evangelical Theological Society -- he announced his return to Catholicism.

To mark that birthday, Beckwith is publishing online commentaries on what he considers Dylan's 80 most important songs. The Top 10: "Like a Rolling Stone," "My Back Pages," "Stuck Inside of Mobile With the Memphis Blues Again," "Mr. Tambourine Man," "Visions of Johanna," "Tangled Up in Blue," "Blowin' in the Wind," "Precious Angel," "It's Alright, Ma (I'm Only Bleeding) and "Desolation Row."

Beckwith considered three factors -- popularity, lasting cultural significance and, finally, whether each song was "something I could listen to over and over." He stressed that Dylan's entire canon includes images and themes rooted in scripture and faith.


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Big symbols, big story: Pope Francis changes church law to put women 'on the altar' in robes

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Big symbols, big story: Pope Francis changes church law to put women 'on the altar' in robes

It’s not every day that the pope changes canon law. Pope Francis did just that in allowing women a larger role during Mass.

The pope said, using a powerful phrase in Catholic thought, that this headline-grabbing change was based on “a doctrinal development” seen in the recent life of the church.

The move — in the wake of a decades-old priest shortage — will grant “non-ordained ministers” the chance to serve as lectors, read scripture, act as eucharistic ministers and, in a crucial symbolic change, wear robes while serving in the sacred space around the altar. The changes, however, will continue to forbid women from being made deacons or ordained priests.

The pope changed canon law to read: “Lay people who have the age and skills determined by decree of the Episcopal Conference, they can be permanently assumed, through the established liturgical rite, to the ministries of lectors and of acolytes; however this contribution does not give them the right to support or to remuneration by the church.”

For the sake of comparison, the law had previously read: “Lay men who possess the age and qualifications established by decree of the conference of bishops can be admitted on a stable basis through the prescribed liturgical rite to the ministries of lector and acolyte.”

In other words, this codifies into the canon the role of women as part of Roman liturgical rite. The announcement, however, caused lots of confusion, especially among many Catholics who have already witnessed women in some of these roles for decades.

The Associated Press headline on the story read, “Pope says women can read at Mass, but still can’t be priests.” That vague language didn’t clarify matters.

In a letter that accompanied the changes, the pontiff said he wanted to bring “stability” and “public recognition” to women already serving during the Mass. Beyond the headline, the AP, in its reporting of the announcement, said that the pope had “amended” church law “to formalize and institutionalize what is common practice in many parts of the world: Women can be installed as lectors, to read Scripture, and serve on the altar as eucharistic ministers. Previously, such roles were officially reserved to men even though exceptions were made.”

The original AP story caused even more confusion when it initially reported that women could read the Gospel during Mass.


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That question again: Where is the familiar faith theme in news about these civil rights events?

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Coverage continues of protests and other events linked to the life and death of George Floyd.

It’s impossible, of course, to read all of this material. But while reading what I can, I have continued to look for facts and images linked to what I think is one of the most interesting elements of this story — an angle readers might expect to be seeing, in light of the history of civil rights work of this kind.

The big question: Where are the African-American clergy in these news stories? I doubt they are sitting on the sidelines during this historic moment. This question is, of course, central to discussions of press coverage of religion in these events.

Did you see this material in Julia Duin’s fascinating first-person visit into CHAZ territory? See this post: “Seattle's de-policed CHAZ district is a religion-free zone, even in mainstream press.”

As my friends and I were arriving at CHAZ, there was a meeting of black pastors south of us who were trying to support the local police — who’ve taken a beating in all this. The police were forced to vacate CHAZ, even though the chief, a black female, told the media she has not wanted to leave. Mayor Jenny Durkan, who calls CHAZ a place with “a block party atmosphere,” overruled her. …

These black clergy clearly resent how the white Social Justice Warriors are taking over the debate. Wish a reporter could explore that angle more.

Once again, here is the question: Are black clergy attempting to play a leadership role in some of these discussions and (a) being shunned by other leaders? Or are the clergy there, as usual, but (b) not receiving any coverage? What’s going on?

In a way, this is a hard-news angle linked to questions that I raised the other day in this post: “Dramatic funeral service for George Floyd: Was there Gospel in it, or only politics?”

It is interesting that some reporters — in religious publications — took the time to dig into the live-streamed video of this funeral and note the Christian themes and content, especially in the music and biblical images.

Here is a must-read on that, care of Kate Shellnutt at Christianity Today: “The Songs and Scriptures of George Floyd’s Houston Funeral.” Here is a crucial passage from this feature:


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