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In Phyllis Schlafly biopic on FX, evangelicals got all the acid -- but Schlafly was Catholic

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“Mrs. America,” a nine-part biopic on Eagle Forum founder Phyllis Schlafly and her philosophical opposites in the 1970s feminist movement, ended last week on Walt Disney’s FX Channel. Depressingly, the show never got down to the religious convictions that drove this cultural pioneer.

I last wrote about the show here in the hopes that this infotainment extravaganza might get better. It did not. You could see this in the shows. You could see this in news coverage of the series.

Instead, this media event became a lesson on how blue-staters (and I live in one such locale) perceive the universe. Conservative — and usually religious — characters were one-dimensional jerks while the folks on the left were interesting, complex people with much inner turmoil. The latter group was always true to their nobler selves whereas Schlafly was never true to anything except her own scheming self.

As I watched episodes week by week, I was surprised that conservative and religious-market media — Catholic media, for example — weren’t tracking this rewrite of history, despite accusations being lobbed at Schlafly such as her being in bed with the Ku Klux Klan.

Never mind that even Slate said evidence was sketchy at best that Schlafly colluded with that group. The Klan was anti-Catholic and Schlafly was Catholic. But let’s not let the facts get in our way, in a series that many news outlets took seriously as a commentary on that era.

The real heroes of the show were the founding members of the National Women’s Political Caucus such as U.S. Reps. Bella Abzug and Shirley Chisholm, author Betty Friedan, Republican operative Jill Ruckelshaus and Gloria Steinem, co-founder of Ms. Magazine. Their beliefs and assumptions — including an unstinting advocacy on behalf of abortion — are never questioned, whereas Schlafly is continually portrayed as a racist who specializes in weird put-downs of her black housekeepers. Has anyone offered on-the-record, journalism-level proof that there incidents ever happened?

Schlafly does have a biographer, David Critchlow, but no one checked with him before airing the show. Here’s what he told The Federalist about all the factual errors in the series.

The show took such liberties with reality that even the Los Angeles Times ran fact-checker pieces after each episode explaining what was made up and what was true.


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FX documentary on Norma McCorvey omits key Catholic sources who knew her best

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Years ago, a pro-life activist told me that her movement had several dirty little secrets — as in people who had been on the abortion-rights side of the equation, then flipped to the other side but were impossible to deal with or had weird lifestyles.

One such personality was Norma McCorvey, the “Jane Roe” of the famous 1973 U.S. Supreme Court Roe vs. Wade decision that legalized abortion.

Shortly before McCorvey died in 2017, she consented to being part of a documentary that just aired on FX Networks (I saw it on Hulu) last week. McCorvey’s “deathbed” assertions first hit the Los Angeles Times:

When Norma McCorvey, the anonymous plaintiff in the landmark Roe vs. Wade case, came out against abortion in 1995, it stunned the world and represented a huge symbolic victory for abortion opponents: “Jane Roe” had gone to the other side. For the remainder of her life, McCorvey worked to overturn the law that bore her name.

But it was all a lie, McCorvey says in a documentary filmed in the months before her death in 2017, claiming she only did it because she was paid by antiabortion groups including Operation Rescue.

“I was the big fish. I think it was a mutual thing. I took their money and they’d put me out in front of the cameras and tell me what to say. That’s what I’d say,” she says in “AKA Jane Roe,” which premieres Friday on FX. “It was all an act. I did it well too. I am a good actress.”

Many of us religion reporters who were working in the 1990s also interviewed McCorvey. There is no way she was putting on an act when I talked with her and I know other journalists who’d say the same thing. The most gaping hole in this story is linked to McCorvey’s conversion to Catholicism and the wealth of evidence that she sincerely practiced that faith.

After watching the movie on Hulu, it’s hard to tell what’s true and what’s false about this woman. She’s switched personas more than once in this battle.


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Hulu and the press give Schlafly top billing in new series. Her Catholic faith? Say what?

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Something else was mobilizing many people in the news media last week other than the COVID-19 virus. It was none other than Hulu’s premiere of “Mrs. America,” a tell-all on conservative icon the late Phyllis Schlafly.

There was no way that Hulu — famed for its dystopian series “The Handmaid’s Tale” about what might happen if biblical literalists took over America — was going to give Schlafly a fair shake. After all, Serena Joy, the sadistic Christian wife figure in “Handmaid” who preaches that women’s place is only in the home, is modeled after Schlafly, according to Margaret Atwood, author of the book on which the movie is based.

Indeed, Serena Joy, has been called “Phyllis Schlafly on steroids.” However, I wanted to see how “Mrs. Amerca” portrayed Schlafly, a larger-than-life personality whose strength lay in her Catholic faith — something nearly ignored, at least thus far, in the series. Maybe she is supposed to be a white evangelical?

Only the first three episodes have been aired (successive ones will be released on Wednesdays) and I’ve watched them all. The show’s creators missed the religious angle by a mile. There’s only a very slight allusion to Schlafly’s faith, other than a grace said before meals. Most Catholic homes in that era — and some even now — would have had some devotional paintings on the walls at least.

There were a bunch of reviews about the show, some of which revealed a major journalistic failing in that the main writer, Dahvi Waller, admits she didn’t bother contacting Schlafly’s family to check for accuracy. She explains to Vanity Fair that she didn’t want the family’s views to prejudice her own. Translation: She didn’t want to be bothered by the facts.

I found Waller argument beyond incredible. Would she have attempted a biopic of Michelle Obama without consulting the Obama family?


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