Is God Dead

100 years ago this week, feisty Time magazine began changing the news game

100 years ago this week, feisty Time magazine began changing the news game

Friday, March 3, marks 100 years from the first issue date of Time magazine, self-described as “The Weekly News-Magazine.”

The feisty New York-based newcomer brought journalistic inventions that redefined what’s news and how it’s presented. When Time and other Time Inc. magazines were up for sale in 2018, an article in the rival New York Times bade farewell to “the pre-eminent media organization of the 20th Century.”

Here is a very obvious point of disclosure and personal privilege: The Guy worked there 1969-1998 as a field correspondent and Religion section writer.

Looking back, the magazine’s 75th anniversary spectacle converted Radio City Music Hall across the street into a banquet venue and invited every living person who’d ever appeared on its cover. The Rev. Billy Graham, say hello to Joe DiMaggio. President Bill Clinton, meet Lauren Bacall. You get the picture.

The current ownership, however, is low-key about the centennial. But Time’s survival is noteworthy in today’s harsh environment for print media, albeit with reduced circulation, budget, staffing and publishing frequency.

Then there is another important angle about the impact of Time in the news marketplace. News flash: Religion makes news!

Missionary Kid Henry Luce was the co-founder, and Time carried a religion news section each week, alongside other specialized “back of the book” sections like Press and Law -- subject areas that many dailies only covered with depth decades later.

Attention-grabbing Time covers, coveted real estate for all fields, added renown to numerous religious writers and thinkers (e.g. C.S. Lewis, 1947), bureaucrats (Eugene Carson Blake, 1961) and activists (Mother Teresa, 1975).

Some readers may recall one cover in particular — the much-misunderstood black-hued “Is God Dead?” Holy Week cover in 1966, written anonymously (no bylines in those days) by John Elson. This talented scribe, a churchgoing Catholic, was not undermining faith but asking whether there were any limits to the era’s “theological strip-tease” among liberal Protestants and post-Protestants. That cover was, in other words, ahead of its time.


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