I have never been a fan of reality television, but I will confess that — from time to time — I check out YouTube clips of some of the surprisingly good auditions by performers young and old (this 13-year-old opera singer still gets to me).

Part of the alleged drama of all of this is seeing, every now and then, a person from ordinary America collide with the pop-entertainment Powers That Be. As you would expect, religious faith often ends up being part of the script.

This brings me to a recent Washington Post story about an unusual performer who emerged during the COVID-19 version of NBC’s “The Voice.” This is a pretty good story, but I still thought that the religion angle deserved even more attention than it got. Let’s pick things up near the top:

… Even if things had proceeded normally this season, there’s little doubt that Todd Tilghman still would have won.
On Tuesday night, Tilghman triumphed over finalists Thunderstorm Artis, Toneisha Harris, CammWess and Micah Iverson, winning $100,000 and a record deal. At age 41, Tilghman made show history as the oldest singer to win out of all 18 seasons. And his victory stands out for another reason: He has no professional music background, unusual in a competition series that heavily recruits the best singers it can find.
Looking back at other winners, many had already been in bands or performed as touring artists, some previously had record deals, and one was even nominated for a Grammy Award. But Tilghman — a pastor from Meridian, Miss., and a father of eight — said he never gave serious thought to a music career.

First of all, if the Associated Press Stylebook still has meaning, this winner’s name should have been “the Rev.” Todd Tilghman on first reference.

But that would have let the cat out of the bag early, I guess. It’s news that he is the oldest singer to win this competition. It’s news that he has no professional experience as a singer — other than in church (the launching pad for dozens of greats, including Aretha Franklin).

Still, I found myself wanting to know more about this guy’s ministry and life at home. After all, Tilghman is not just a pastor and he’s not an evangelical pastor. This man is a Pentecostal pastor from a town deep in the Bible Belt. Normally, preachers of this kind are critics of popular culture and music. The relevant word here, in church-speak, is “separatism.” In the past, these are the kinds of folks who burn Madonna discs and question anyone who uses drums in church.

Yet there was Tilghman, bouncing around with great enthusiasm singing one of the classic, sexy seduction ballads in the history of rock ‘n’ roll — Bob Seger’s “We’ve Got Tonight.”

Without a doubt, the religion event of the week in the world of 21st century pop culture was NBC’s live Easter Sunday broadcast of Jesus Christ Superstar last night.

Having played the role of Mary Magdalene in ninth grade, I know almost every lyric and note by heart. I was interested in hearing about this bare-bones rendition of the rock opera compared to Norman Jewison’s over-wrought 1973 movie version.

My daughter and I would have enjoyed last night's show had it not been interrupted every five seconds by commercials, which utterly ruined the flow of the performance. There were lots of great performances; the kiddo loved the music and I got a big nostalgia dose.

Most favorite moment: Jesus getting mobbed by TV news crews while fans were taking selfies. More of my reaction further down.

But first, I was curious as to how reporters previewing the performance would treat the religion angle –- other than the obvious fact that the show is about the founder of a faith that has more than 2 billion adherents. Would they delve into the not-so-obvious?

Many did not. More were taken with how, for the first time, Jesus was played by a black actor, like this NPR story:

This Easter Sunday, NBC will debut its latest one-night live musical event, Jesus Christ Superstar Live In Concert. The event's source material is the 1970s rock opera by Andrew Lloyd Webber and Tim Rice, an interpretation of the final days of the life of Jesus Christ. But it's not your old school Sunday morning gospel. This time around, John Legend, the messiah of pop-R&B love jams, will take on the titular role of Jesus Christ for the production. ...