The Ringer has published an odd report by Keith Phipps that traces the doomed path of the NC-
17 rating in a time when streaming TV has eclipsed the importance of films. Its headline is an
engaging two-sentence summary: “Thirty Years Ago, Hollywood Won the Battle Against the X
Rating. But It Lost the War.”
Phipps devotes nearly 2,600 words to this topic.
You just know that simple-minded religious people play a major role in this drama. His one reference to cultural conservatives (“a religious right eager to protest whatever they [sic] felt to be an affront to their values”) is as predictable as a media release from Americans United. He adds this:
“They didn’t lack targets and, in fairness, those targets felt closer at hand thanks to neighborhood video stores with curtained ‘adults only’ sections and scandalous music videos just a click away on cable.”
That’s as far as the fairness extends, though. This isn’t hard-news journalism, of course. Still, it would have been nice — interesting even — to see some serious discussions of the views of people on both sides of this issue. Diversity is often interesting.
Phipps makes no effort to demonstrate such eagerness or easily affronted values, but simply notes
these factors as though they were universally established realities.
But here comes an informative turn, as Phipps presents a few examples of films that were
harmed by the dreaded adjective controversial:
Though ultimately more talked about than seen, Jean-Luc Godard’s 1985 film Hail Mary — featuring a modern day retelling of the nativity story — earned protests and the condemnation of Pope John Paul II. But that was a mere prelude to what greeted Martin
Scorsese’s The Last Temptation of Christ in 1988. …