Stop and think about the following question: During the upcoming apocalyptic war over the empty U.S. Supreme Court seat, which group of public intellectuals (and I use that term very loosely) will play the larger role shaping public opinion among ordinary Americans?

(a) Scribes who write New York Times editorials.

(b) Law professors at America's Top 10 law schools.

(d) The latest blasts from America's Tweeter In Chief, who is a former reality TV show star.

Now, if you've been around for a half century or so, you know that politicians have always paid close attention to the satirical offerings of Saturday Night Live and the late Johnny Carson always had way more political influence than he let on. Who was more skilled when visiting a late-night television show during pre-campaign work, former B-movie actor Ronald Reagan or whoever tried to knock him out of the headlines?

The power of pop culture in politics is nothing new -- but it's on the rise.

With that in mind, let's look at a special 4th of July think piece written by DC Beltway think-tank scribe Mark Rodgers, a former high-ranking GOP staffer in the U.S. Senate. He is probably one of the few people I know with U2's Bono in his smartphone favorites list.

The headline, featuring a popular active verb:

Has (Pop)Culture Trumped Politics?

You need a thesis statement? Here it is the overture:

It’s been a long time coming.

Almost 20 years ago, while working on the Hill and hosting a conversation with UVA sociologist James Davison Hunter over lunch, I recall waking up to the growing impact of the popular culture, and its inevitable trajectory to surpass education, family, faith and journalism as the dominant worldview shaping force in 21st century America, and possibly the world.

Anyone who has been alive and watching American television in recent months (or reading mainstream media sources that provide entertainment news), knows that Roseanne Barr has made a spectacular return to the air, with the rebirth of the classic "Roseanne" sitcom.

Whether this is a spectacularly good thing or a spectacularly bad thing depends on how you view the fact that Barr has included some material in the show linked to her belief that Donald Trump is not the Antichrist.

However, some journalists and critics who have attempted to view this phenomenon with a wee bit of objectivity have observed that "Roseanne," the show, is once again offering glimpses of ordinary, Middle and even lower Middle Class American life -- a topic usually ignored by elite Hollywood.

Now, the season finale of "Roseanne" took place about the same time as the farewell episode of "The Middle" after nine years as a successful series that was rarely noticed by critics -- as opposed to millions of American viewers. Variety noticed the timing of these events.

Also, a fine review/essay by Robert Lloyd in The Los Angeles Times dug deep enough to notice that these two shows shared cultural DNA. The headline: "Before 'Roseanne's' revival, 'The Middle' carried the torch for America's heartland." Here is a chunk of that piece:

Set in the middle of the country, or near it, with characters on an economic middle rung, or just below it -- the other "middle" is middle age -- the series stars Patricia Heaton, who had spent an earlier nine years married to Ray Romano on "Everybody Loves Raymond," as Frankie Heck, wife, mother, daughter, dental assistant.

Premiering in September 2009, when the shocks of the Great Recession were still reverberating and the subprime housing crisis was still having its way with the economy, "The Middle" is the sort of show that were it to debut in 2018, would be taken as a network responding to the Trump election. (The series had in fact been in development since 2006.)

The "middle" also refers, of course, to the middle of this nation, as well as the Middle Class.

When you start talking about "Middle-Class values" this is often code language for You Know What. See if you can spot the GetReligion angle in this next passage.