Tipper Gore

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Democrats after The Kiss: Did new left let enough 'blue dogs' run in 2018 midterms?

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Democrats after The Kiss: Did new left let enough 'blue dogs' run in 2018 midterms?

So what does the famous Al and Tipper Gore snog-deluxe at the 2000 Democratic National Convention have to do with the upcoming midterm elections in 2018? And what does that question have to do with the Big Bang question that is always lurking in American politics, which is control of the U.S. Supreme Court?

Be patient with me here, because I can see the connections in my mind (and in my own political experience over recent decades). But I’m not sure if I can get them to make sense in 600 words or so. But that’s what I need to do, since these questions are connected to the content of this week’s “Crossroads” podcast. Click here to tune that in.

So let’s start with The Kiss.

Long ago, young Al Gore was one of the heroes of conservative Democrats everywhere — as in “blue dog” Democrats that lean left on populist economic issues and lean right on matters of morality and culture. In other words, Gore was a pro-life Southern Baptist guy when he was in the U.S. House of Representatives and an almost-pro-life guy when he first hit the U.S. Senate.

That made him the kind of Democrat that could get elected over and over in a culturally conservative state — think Bible Belt — like Tennessee. That was good for Democrats. Hold that thought.

But when Gore took his ambitions to the national level, the realities of Democratic Party life made him float over to the liberal side of things on issues such as abortion and the illiberal side of things on issues like religious liberty (I say that as on old-fashioned First Amendment liberal).

In terms of image, however, he made a great New Democrat partner for President Bill Clinton, who once flirted — in politics, that is — with conservative moral stances on a host of issues.

But then Clinton turned into a whole different kind of man in the public eye. To say the least.


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Big religion ghost: Would a 'blue dog Democrat' win Tennessee's U.S. Senate race?

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What, pray tell, is a “blue dog Democrat” these days? If you look up the term online, you will find several variations on what characteristics define this politically endangered species.

Growing up as a Democrat in ‘70s Texas, I always heard that “blue dogs” — especially in West Texas — were progressives on economic issues and conservatives on culture. Many were “populist” Texans left over from the old New Deal coalition. Eventually, it was crucial that many “blue dogs” were Democrats who angered Planned Parenthood.

Meanwhile, we had a term for politicos who were conservative on economics and liberal on cultural and moral issues. They were “country club” Republicans.

Here is some language from the website of the current Blue Dog PAC :

The Blue Dog Coalition was created in 1995 to represent the commonsense, moderate voice of the Democratic Party, appealing to mainstream American values. The Blue Dogs are leaders in Congress who are committed to pursuing fiscally-responsible policies, ensuring a strong national defense, and transcending party lines to do what’s best for the American people.

Ah, what do the words “mainstream American values” mean in a land dominated by digital “progressives” and Donald Trump? Are there moral or religious implications there?

The term “blue dog” showed up in a recent New York Times feature about the U.S. Senate race in Tennessee, the Bible Belt state that I now call home. (Click here for a previous post on a related subject.) Here is the Times headline: “A Changing Tennessee Weighs a Moderate or Conservative for Senate.”

In Times terms, of course, this is a race between a “moderate” Democrat, that would be former governor Phil Bredesen, and the “hard-line” Republican, Rep. Marsha Blackburn. As always, the term “moderate” is a sign of editorial favor.


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The artist named Prince: Was he ultimately a rebel for, or against, the Sexual Revolution?

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So, in the end, was Prince Rogers Nelson a hero of the Sexual Revolution or someone who, as he grew more mature, was a heretic who -- in the name of a controversial faith -- rejected many of the sexy doctrines he previously celebrated?

I'm not sure that there's a definitive answer to that, especially when talking about someone as complex as Prince (or TAPKAP). But I do think that it was crucial for journalists to let their readers know that this was an important question to ask.

In the first stories about the artist's death, the emphasis was totally on Prince the gender-blurring hedonist. But as the day went on, a few counter themes began to emerge.

You could see the struggle (and that's kind of a compliment) most clearly in The Washington Post, where the first news reports about Prince were baptized in his sexy '80s glory, while a sidebar openly discussed changes linked to his decision to join the Jehovah's Witnesses.

In the final obit, the Post team hinted early and, at the very end, mentioned that many seemed afraid to mention. Here's the solid lede:

A musical chameleon and flamboyant showman who never stopped evolving, Prince was one of the music world’s most enigmatic superstars. He celebrated unabashed hedonism, sang of broken hearts and spiritual longing and had a mysterious personal identity that defied easy definition.

The obit hit all of the fine details of the sexy Prince, from erotic guitar eruptions to skimpy costumes. It was difficult, at times, to tell what was happening when, in terms of his music and stage personas. If he never stopped evolving, then it's crucial to be precise about the young prince vs. the mature Prince.

At the very end, the news story offered this:


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