Greetings and a Happy Thanksgiving nod from here in the mountains of East Tennessee, a unique and proud region that includes the kingdom of Dollywood.

I think that folks in these parts — the ones who pay attention to elite media — are a bit bemused about the current wave of Dolly Parton-mania in places like New York City and Los Angeles. I mean, lots of people in these hills have thought, for ages, that Parton deserved more attention and respect as an artist, songwriter and business maven.

There are mysteries about Dolly, of course, and I’m not just talking about all those questions about whether her arms are covered with tattoos and where she heads every now and then — under cover — with her husband in their RV. This is one colorful lady.

But here is another mystery: It’s clear that Parton’s intense Christian upbringing is still a part of who she is, but it’s hard to know what she actually believes. This is a subject that, like politics, Parton is very careful with in public remarks. Then again, one can always listen to what she says in her music.

But this brings back to the current Dolly-mania, which recently reached the ultimate high ground — The New York Times. Once again we face the same issues that I wrote about the other day in a post with this headline: “LA and New York scribes ask: How does Dolly avoid politics while embracing gays and church folks?”

In that post I wrote the following, which also fits with this New York Times article (“Is There Anything We Can All Agree On? Yes: Dolly Parton”):

How good, how complete, is this article? How you answer that question will probably pivot on which of the following questions matter the most to you: (1) How does Parton appeal to Democrats and Republicans at the same time? Or (2) how has Dolly, for a decade or two, managed to be a superstar with both LGBTQ and evangelical audiences?

Once again, we are talking about Parton as safe ground in the Donald Trump era.

Once again, there are nods to her unique stance in cultural no-man’s land between drag-queen culture and Pentecostal hillbillies.

I live in the heart of East Tennessee, which means I have heard more stories and rumors about the queen of our region — Dolly Parton, of course — than outsiders can even imagine.

This is one complex woman we’re talking about. What the locals want the big shots in America’s coastal media elites to get about Dolly is that she is smart as a whip when it comes to business, a phenomenally consistent singer, one of the great songwriters of her era (focus on the lyrics in “Little Sparrow”) and totally sincere in her love of East Tennessee’s mountains and the people who live there.

All the themes in the WNYC podcast series “Dolly Parton’s America” are too complex to handle in one post. Still I urge readers to subscribe to this and dig in — if only to hear the awe in the voices of some New York pros when they discover that Dolly’s mountains are as beautiful and even magical as she says they are. Pay attention to the material about the “Dolly trance” that settles over them from time to time.

One way to wade into the current Dolly surge is to read this recent Los Angeles Times feature: “Dolly Parton refuses to get political. She’d prefer to heal the divide.”

Yes, note the nod to our hellish political times.

How good, how complete, is this article? How you answer that question will probably pivot on which of the following questions matter the most to you: (1) How does Parton appeal to Democrats and Republicans at the same time? Or (2) how has Dolly, for a decade or two, managed to be a superstar with both LGBTQ and evangelical audiences?

If your answer is No. 2, then you’re going to be like me — disappointed that the LA Times scribe seemed to grasp that Christian faith is a huge part of the 73-year-old Dolly’s life, story and appeal, yet decided to avoid digging into the details of her life and beliefs.

I mean, Trump is more important and more interesting than Jesus. Right?

Early on, there are some wink-wink references to religion, like this:

Home to the Dollywood amusement park, a tourist destination that draws more visitors than Graceland, Pigeon Forge has become a pilgrimage site for those who worship at the Church of Dolly.