The New York Times, whose approach to journalism is closely monitored by other media, has lately run quite a few articles in the main news section that sprawl across two or more pages, the sort of long-form, off-the-news features we expect in magazines, including the Times’s own magazine.

The paper’s December 8 Sunday edition included a mold-breaking innovation in this trend, a “special report” tabloid insert that ran no less than 44 pages. Headlined “The End,” it reported on the life and doctor-assisted suicide of Belgium’s Marieke Vervoort, a wheelchair-bound star athlete.

How the media treat such a contentious and emotion-laden ethical issue as euthanasia carries great cultural significance. Coverage will captivate most readers because anguish of families and friends over physical and emotional sufferings or end-of-life decisions is almost universal, though usually in less public and dramatic fashion.

The story in brief: Afflicted by a rare neuromuscular disease, Vervoort was wheelchair-bound by age 20, amid debilitating pain that robbed her of sleep. She turned to sports for some relief. Remarkably, she beat the reigning champion to win a sprinting gold medal at the 2012 Paralympic Games, becoming a nationwide celebrity, and won silver and bronze at the 2016 games,

Meanwhile, Belgium had passed one of the world’s most liberal programs for doctor-assisted suicide in 2002. Till then, Vervoort had never thought of killing herself.