Growing tensions between Big Tech and the U.S. Congress has to be one of the biggest news stories in America right now, even as coronavirus statistics soar and shadowy activists keep setting fires at strategic locations in American life.

Think about it: How many Americans get their “news” about COVID-19 and the events swirling around #BlackLivesMatter through sources controlled by these czars of Big Tech — Facebook’s Mark Zuckerberg, Google’s Sundar Pichai, Apple’s Tim Cook and Jeff Bezos of Amazon and The Washington Post?

Democrats have their own reasons to be concerned about Big Tech, whose clout in the lives of modern Americans make the railroad tycoons of the Gilded Age look like minor-league players. These companies, after all, resemble digital public utilities more than mere Fortune 500 powerhouses.

Meanwhile, you know that — at some point — Republicans are going to roll out a long list of cases of viewpoint discrimination against cultural, moral, religious and — oh yeah — political conservatives. Here’s a bite of preview material from The Washington Post:

Some Republicans, meanwhile, plan to revive their assertions that major social media sites exhibit political bias. Party leaders have ratcheted up their attacks in recent weeks after Facebook and Twitter began taking action against President Trump for his incendiary posts. But GOP critics often have provided scant evidence of their bias allegations, which tech giants fiercely deny and Democrats have decried as a distraction.
“If a platform is dominant in the marketplace and is discriminating against a particular political point of view, [then] anti-competitive behavior coupled with bias is concerning,” said Rep. Ken Buck (R-Colo.), a member of the antitrust panel.

As the old saying goes, it’s not bias — it’s just bad algorithms, over and over.

Now, if journalists were looking for a clickable story to illustrate this side of the Big Tech wars, perhaps a story involving a symbolic person in American life who drives big numbers in social media, why not cover a big tech conflict involving Tim Tebow?

That mass-media firestorm surrounding 'Unplanned': Is 'censorship' the right word here?

So, there’s another one of those “Christian” niche-market movies that’s about to come to a theater near you. Maybe you’re heard about it? Or maybe you have even seen the trailer for “Breakthrough” before one of those family friendly movies at your local multiplex?

There’s a good chance that you have been able to see the trailer, as explained in this Religion News Service piece. That fact alone turns this into a somewhat different “Christian movie in the marketplace” story than the one that “Crossroads” host Todd Wilken and I discussed during this week’s podcast (click here to tune that in).

Why? Hang in there with me, because this will take some explaining.

Producer DeVon Franklin was “blown away” by the Smiths’ story several years ago when he met Joyce and John Smith and their pastor, Jason Noble, while promoting his film “Miracles From Heaven.” …
The producer said “Breakthrough” builds on the success of the other films he has produced with explicitly Christian messages: “Miracles From Heaven,” which also is based on the true story of a mother holding on to faith as her child faces a health crisis, and “The Star,” an animated film telling the story of Jesus’ birth from the viewpoint of the animals.
And it’s well positioned to reach even more people, he said. Franklin said he was surprised how many movies the trailer has accompanied in theaters since then and by the positive response they have received. He’s seen “unprecedented interest in this type of content,” he said.

Now, if the trailer for this movie is showing in front of lots of mainstream films — like the superheat “Mary Poppins Returns” — and reaching family friendly audiences, then that would mean that “Breakthrough” is rated PG — which it is. The film has also been welcomed, without rancor, into the world of social media.

So how is this different from that other Christian-market movie that is in the news right now? What have you read about “Unplanned” and its attempts to reach the emerging marketplace for faith-driven films?