Entertainment

Norman Lear: An iconic mass-media seeker who evolved past secularism

Norman Lear: An iconic mass-media seeker who evolved past secularism

Early in the premier of Norman Lear's sit-com "Sunday Dinner," the beautiful environmentalist T.T. Fagori raised her eyes to heaven and, with a sigh, entered a spiritual minefield.

"Chief?", she asked God. "You got a minute?"

In addition to praying out loud in prime time, this character offered a theological reverie at dinner while meeting the family of her fiancé, a 56-year-old widower nearly three decades her elder. The problem: His granddaughter heard Fagori mention God during a science lecture.

"You see, I talk about extending 'love thy neighbor' to include animals, plants, stuff like that. I say that the natural world is the largest sacred community to which we all belong," Fagori explained. "I talk about cosmic piety because the same atoms that form the galaxies are in all of us and it's the universe that carries the deep mysteries of our existence within itself.

"You see how all that sounds pretty spiritual. … So, when the kids hear me say these things, some of them think they hear the word 'God,' but they don't. I don't actually mention it. Interesting, huh?"

This 1991 comedy flopped, but it was an important statement from Lear, whose December 5 death at 101 years of age closed his career as lightning rod in popular culture and politics.

For decades, Lear described himself as a cultural Jew who didn't practice any traditional form of faith. He also founded People for the American Way, an old-school liberal advocacy group on church-state issues. But this television icon became more and more intrigued with religious faith, both as a force in American life and as a topic ignored by Hollywood.


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When you 'Wish' upon a sermon: Is there a religion ghost in the latest Disney flop?

When you 'Wish' upon a sermon: Is there a religion ghost in the latest Disney flop?

Anyone who has been paying attention to the pop-culture marketplace during 2023 knows that even the most secular business analyst would be tempted to think that the Walt Disney Company has done something to provoke the wrath of whatever Supreme Being the Mouse lords are willing to acknowledge.

Marvel at this Inside the Magic headline, if you will: “Disney Chief Predicts Total Disaster for Studio Before End of Year.

That’s a take that will awaken even the most woke studio boss.

This brings is the the latest Disney box-office flop — “Wish.” At the time I wrote this post, I could not even get any of the “Wish” links to work at the Rotten Tomatoes website — which is never a good sign. If you’re interested in the tomato-past details, see this story at Screen Rant: “7 Reasons Wish's Rotten Tomatoes Score Is So Divisive.”

Is there a “religion ghost” in this drama? Not if you read Variety. This latest Disney nightmare is simply another example of Disney+ being overextended and the American movie audience suffering from lingering COVID-19 fears. Here’s that headline: “Disney’s Bleak Box Office Streak: ‘Wish’ Is the Latest Crack in the Studio’s Once-Invincible Armor.”

Hold that “religion ghost” thought for a moment. Here is the stunning overture of the Variety piece, showing the wider context of the “Wish” crash:

Wish” misfired in its opening weekend, extending Disney‘s bleak box office fortunes.

The animated musical fable, about the Wishing Star that so many Disney characters have wished upon over the studio’s century-long history, failed to become the de facto choice for families around Thanksgiving. “Wish” opened in third place with a dull $31.7 million over the five-day holiday, a far cry from Disney’s past Turkey Day feasts. Perhaps King Magnifico, the movie’s villain (voiced by Chris Pine), is holding hostage the wishes of Disney executives?

Instead of recapturing the studio’s magic, “Wish” joins a long list of its underperforming 2023 tentpoles, such as “The Marvels,” “Indiana Jones and the Dial of Destiny,” “The Haunted Mansion,” and “Ant-Man and the Wasp: Quantumania.”


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Sexy pop star Sabrina Carpenter ruffles feathers, and a badly-covered news story is born

Sexy pop star Sabrina Carpenter ruffles feathers, and a badly-covered news story is born

Religion and pop culture frequently intersect and this can create some rather strange bedfellows.

Can we see this in the news? Well, the mainstream media is largely a secular place, but pop-culture reporting — especially when it comes to celebrities — may be the most-secular niche of them all. 

This brings us to recent headlines. The name Sabrina Carpenter may not mean anything to anyone over 25, but she was at the center of a major religion story just last week. Search the name “Sabrina Carpenter” and the word “church” in News Google and you’ll see what I’m referring to. 

The pop singer made news — and not just for her music — after her latest music video "Feather,” which was filmed at the Annunciation of the Blessed Virgin Mary Church in Brooklyn, New York.

The video shows Carpenter in an outfit not suitable for church as several men fight over her. It also shows her attending their funerals at the church with candy-colored coffins. One off those coffins includes the inscription "RIP B - - - -.”

There was fallout. This is what Fox News reported on its website once church officials in Brooklyn caught wind of what had happened:

"The parish did not follow diocesan policy regarding the filming on Church property, which includes a review of the scenes and script," the statement read.

While the parish initially claimed that the video’s production company "failed to accurately represent the video content," an investigation into the matter concluded that documents given to the parish "while failing to depict the entirety of the scenes, clearly portray inappropriate behavior unsuitable for a church sanctuary."

As a result, Brennan announced that the parish’s vicar, Monsignor Jamie Gigantiello, was relieved of his position and temporarily replaced with Auxiliary Bishop Witold Mroziewski, who took over all administrative responsibilities. 

John Notaro, executive director of the Catholic Foundation of Brooklyn and Queens and Futures in Education, has also taken over Gigantiello’s administrative responsibilities for those respective organizations. Gigantiello, however, will still remain in the church as a pastor.

Prepare for a very important detail of a liturgical nature.


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The journey of Dorothy Sayers -- from classical education to murder mysteries and back

The journey of Dorothy Sayers -- from classical education to murder mysteries and back

As president of the Detection Club, Dorothy L. Sayers led initiation rites featuring ceremonial garb, flickering candles and the spooky presence of Eric, a human skull.

With a flair for the dramatic, Sayers required British mystery writers to take an oath, including: "Do you promise that your detectives shall well and truly detect the crimes presented to them, using those wits which it may please you to bestow upon them and not placing reliance on, or making use of, Divine Revelation, Feminine Intuition, Mumbo-Jumbo, Jiggery-Pokery, Coincidence or the Act of God?"

New members promised "moderation" in -- this is a partial list -- the use of conspiracies, death-rays, ghosts and trapdoors, while "utterly and forever" avoiding "Mysterious Poisons unknown to Science." And of course: "Do you solemnly swear never to conceal a vital clue from the reader?"

The Detection Club was founded in 1930, with G.K. Chesterton as president. Sayers was a founding member and became its third president, followed by Agatha Christie.

Famous for her Lord Peter Wimsey detective novels, Sayers' career defied simple labels. As a young woman, she worked for the S.H. Benson advertising agency in London. Among Christians, she is best known as a colleague of C.S. Lewis, J.R.R. Tolkien and others in the Inklings writers circle in Oxford. Sayers wrote poetry, theological essays and theatrical works for the stage and BBC Radio. She was gifted in multiple languages and spent the final years of her life translating Dante's "The Divine Comedy" into English.

Sayers is also known for a 1947 Oxford presentation -- "The Lost Tools of Learning" -- that has influenced generations of Classical education leaders in the United States, England and elsewhere. As a child, she was educated by her father, an Anglican vicar, who taught choral music and Latin at Oxford.

"Her parents gave her a classical education that allowed her to navigate her world, the tools to support herself. When she struggled and made mistakes, she was able to repent and get back on track," said medieval scholar Lesley-Anne Williams, who lectured on "Dorothy Sayers: Advertising, Murder and Classical Education" during last week's annual Inklings Festival at the ecumenical Eighth Day Institute in Wichita, Kansas.

"Her Christian faith played a role in everything she did, including her detective novels. She wanted to write fiction that was well done, in a style that she understood, respected and enjoyed. She always demonstrated great skill and craftsmanship."


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Upon Friar Review -- Looking for spiritual questions in the wilds of pop culture

Upon Friar Review -- Looking for spiritual questions in the wilds of pop culture

During the 1990s, legions of kids could quote chapter and verse from the "X-Files" adventures of FBI special agents Fox Mulder and Dana Scully.

Scully was the skeptic who put her faith in science, while Mulder plunged head-first into the supernatural. But in one case, Scully experienced mysterious visions that helped her save a life. Stunned, she returned to church. Confessing to a priest, she asked why she witnessed a miracle, but her partner did not.

Maybe, the priest said, God was only speaking to her. "With the Lord, anything is possible. Perhaps you saw these things because you needed to. … Why does that surprise you?"

Scully answered: "Mostly it just makes me afraid. … Afraid that God is speaking, but that no one is listening."

Father Casey Cole grew up in that era. While he wasn't an "X-Files" fan, many of his friends were, hooked by the show's mantra, "The truth is out there." Thus, this confession scene has become one of many video clips he uses as chaplain at three schools in Macon, Georgia.

When exploring pop culture, the young Franciscan friar is looking for good questions -- the kinds of questions he thinks the church needs to hear.

That's easier with some forms of entertainment than others. It's possible for savvy pastors, youth leaders and teachers to respond to high-quality movies and television programs, especially those that address spiritual issues, said Cole, describing the approach used in the "Upon Friar Review" videos he makes with Father Patrick Tuttle of Holy Spirit Catholic Church in Macon.

Then there are "times when Father Patrick closes his eyes and says, 'This is awful.' … There are times when I want to say, 'This is the worst thing ever.' But when we're at our best, we can say, 'Let's take a step back and let's analyze this. What question is being asked here? …

"These things ask important questions, and maybe questions the church seems unwilling or unable to answer. Well, we need to be the ones t


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Podcast: Attention Gray Lady folks! Latter-day Saints are not the only skilled fantasy scribes

Podcast: Attention Gray Lady folks! Latter-day Saints are not the only skilled fantasy scribes

Two decades ago, I attended Nimbus 2003, the first global Harry Potter studies convention.

This colorful event, at a Disney hotel in Orlando, drew a capacity crowd of about 600 participants — about 90% of which were female — from the United States, England and Australia.

What kinds of people showed up and what does this flashback have to do with this week’s “Crossroads” podcast (CLICK HERE to tune that in)? Hold that thought. Here’s a bite of the “On Religion” column that I wrote about that event, one of many Harry Potter-related columns I have written over the years.

In hotel hallways, witch wannabes raised their expensive, professionally carved wands and fought imaginary duels with tickling spells and other incantations. In the lecture halls, others heard papers on everything from Harry Potter and the First Amendment to "Greenhouses are for Girls, Beasts are for Boys? Gender Characterizations in Harry Potter." …

Organizers also dedicated an entire track of lectures and panels to spiritual issues, addressing topics such as "Seven Deadly Sins, Seven Heavenly Virtues: Moral Development in Harry Potter" and "Can Any Wisdom Come From Wizardry?"

I was not surprised that a large number of the participants mentioned, in registration, that they were Wiccans or interested in other forms of neo-paganism. However, it was clear that at least half of the crowd of readers with marked-up Harry Potter books were mothers — often homeschool enthusiasts — who were Catholics, evangelical Protestants or members of the Church of Jesus Christ of Latter-day Saints.

It was important, some said, that author J.K. Rowling had outed herself, early on, as a communicant in the progressive Scottish Episcopal Church. She told a Canadian newspaper: "Every time I've been asked if I believe in God, I've said, 'yes,' because I do. … If I talk too freely about that, I think the intelligent reader — whether 10 or 60 — will be able to guess what is coming in the books."

Now, this brings us to that fascinating New York Times feature that ran with this double-decker headline:

An Unexpected Hotbed of Y.A. Authors: Utah

A tight-knit community of young-adult writers who belong to the Church of Jesus Christ of Latter-day Saints has yielded smashes like “Twilight.” But religious doctrine can clash with creative freedoms

Yes, it’s interesting that Mormons play a major role in the world of fantasy fiction for children, teenagers and family-reading circles. I also thought it was interesting that editors at the world’s most prestigious newspaper have never heard of some other religious believers who have excelled as fantasy stars.

Can you say “Narnia”? How about “The Hobbit”? How about “A Wrinkle in Time”?


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Life, death, eternity, golf: Can reporters spot Baby Boomer religion ghosts at The Villages?

Life, death, eternity, golf: Can reporters spot Baby Boomer religion ghosts at The Villages?

I think it was “Doonesbury” creator Garry Trudeau who summed up the Baby Boomer aging process by saying it would be really depressing to have a heart attack while wearing your faded 501 Levi jeans.

I get that, as a Boomer who was born at the peak of that demographic wave (think January 1954). It seems like 75% of the ads during every noon ESPN Sports Center broadcast are aimed at me and my Medicare benefits. On top of that, I also spent several years in South Florida (I turned 50 there), where half the houses (it seemed to me) were in a development with “villages” in the name.

Thus, I understand why people are reacting to that recent feature. “Shadow on the Sun,” that ran in The Lamp Magazine, “A Catholic Journal of Literature, Science, the Fine Arts, Etc.” This long article by Sam Kriss isn’t a “news” feature, but I would argue that religion-beat journalists should dig into it.

Why? Well, as the Grateful Dead prophet Jerry Garcia put it — “What a long, strange trip it’s been.” And for millions of Boomers, the end of that trip is getting closer (like the Firesign Theater’s Antelope Freeway exit that never seems to arrive). Thus, there are lots of news hooks in this piece linked to death, dying and the Boomers, especially for reporters in Florida.

This brings us to The Villages, the largest retirement community in the world. The feature opens with a real-estate agent named Jason at the wheel during a tour.

Scholl Foot Care. Urology Associates. Cracker Barrel. Jason told me about The Villages. He explained that The Villages occupies around eighty square miles of central Florida, which makes it substantially larger than the island of Manhattan. It’s home to some one hundred forty thousand happy, active retired people, with more constantly arriving: this is the single fastest-growing metro area in the entire United States. It contains nine state-of-the-art hospitals, four gun ranges, two one-thousand-seat concert venues, and eight vast churches. It has more than fifty free golf courses, enough for you to play on a different range every week of the year. Ninety swimming pools, not counting the ones in people’s backyards. Twenty of them are Olympic-sized. Something like ten million square feet of commercial space, including a dozen sprawling shopping centers and over one hundred restaurants and bars. Residents also have their pick of around three thousand community social clubs. The Acting Out Theater Club produces its own original musicals. The Red Sox Nation Club has more members in The Villages than it does in Boston. The MAGA Club has hosted members of the Trump family. You can sail or scuba dive or line dance or learn the ukulele or discuss Ayn Rand. The Villages has its own radio station (W.V.L.G.), TV channel (V.N.N.), and newspaper (the Daily Sun), and somewhere north of eighty thousand homes. Jason couldn’t give me a more precise figure because it’s constantly changing. The Villages builds four hundred new houses every month.

What does this have to do with religion, morality and culture?


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Concerning that 'Barbie' sermon about what it means to be incarnated as a woman

Concerning that 'Barbie' sermon about what it means to be incarnated as a woman

Hollywood worships big movie franchises, so fans can expect "Barbie" sequels.

One plot proposal quickly emerged from an unlikely source -- Sister Mary Joseph Calore of the Society Devoted to the Sacred Heart of Jesus in St. Cresson, Pennsylvania.

"'Barbie becomes a nun' would be a great sequel," she wrote, on the X platform. Her post contained this pitch to Warner Bros. executives: "Dissatisfied by endless parties and user friends, an eating disorder, spending addictions with clothes and shoes, and cohabitating with the shallow & unemployed playboy Ken, Barbie's sportscar has been parked more and more at an adoration chapel. She is seriously giving thought to draining the pool, putting her condo on the market, cutting her hair and donning the religious habit."

That would be a twist, after a cinematic manifesto arguing that life as a real woman is painful and complicated, but it's better than being an iconic plastic doll.

"This movie should have been silly and fun, but it ended up being preachy and earnest," said Barbara Nicolosi Harrington, a former Catholic nun who became a screenwriter and Hollywood script doctor. "I mean, how far can you go with a story about Barbie?"

Writer-director Greta Gerwig's previous work has been impressive, stressed Harrington, who teaches at Regent University in Virginia Beach, Virginia. With "Little Women," Gerwig showed the ability to offer a fresh take on a familiar story. Now, "Barbie" will draw intense scrutiny, since she will direct at least one movie in the upcoming Netflix take on "The Chronicles of Narnia" novels by the Christian apologist C.S. Lewis.

"Barbie" contains ambitious attempts to mix serious, even if tongue in cheek, social commentary with pop-culture mythology -- such as a shot-for-shot homage to Stanley Kubrick's legendary dawn-of-consciousness scene in "2001: A Space Odyssey."

The big "Barbie" question, noted Other Feminisms writer Leah Libresco Sargeant, is stated in a soundtrack ballad -- "What Was I Made For?"


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Plug-In: The Saturday Night Live protest by Sinéad O'Connor was a sign of anger to come

Plug-In: The Saturday Night Live protest by Sinéad O'Connor was a sign of anger to come

After a busy day of flying from Oklahoma City to Los Angeles and then driving to San Diego, I filed this week’s newsletter a bit late.

Confession time: I forgot how slowly everything moves in Southern California, from baggage claim to the rental car line to the clogged highways. I just ran out of time Friday before needing to take care of more important matters.

Without further delay, let’s jump right into our weekly roundup of the top headlines and best reads in the world of faith. We start with Wednesday’s death of Sinéad O’Connor at age 56.

What To Know: The Big Story

Sinéad O’Connor’s protest: The Irish singer-songwriter — who famously ripped up Pope John Paul II’s photo on “Saturday Night Live” in 1992 — condemned clergy sex abuse early, but America didn’t listen, the New York Times’ Liam Stack recounts.

In her native country, O’Connor was a lonely voice for change until Ireland changed with her, according to the NYT’s Ed O’Loughlin.

The Catholic Church’s abuse scandals “made Ireland more secular, and more understanding of her criticisms,” O’Loughlin’s story notes.

Career-altering flashpoint: The Associated Press’ Holly Meyer examines O’Connor’s legacy:

More than 30 years later, her “Saturday Night Live” performance and its stark collision of popular culture and religious statement is remembered by some as an offensive act of desecration. But for others — including survivors of clergy sex abuse — O’Connor’s protest was prophetic, forecasting the global denomination’s public reckoning that was, at that point, yet to come. O’Connor, 56, died Wednesday.


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