The journey of Dorothy Sayers -- from classical education to murder mysteries and back

As president of the Detection Club, Dorothy L. Sayers led initiation rites featuring ceremonial garb, flickering candles and the spooky presence of Eric, a human skull.

With a flair for the dramatic, Sayers required British mystery writers to take an oath, including: "Do you promise that your detectives shall well and truly detect the crimes presented to them, using those wits which it may please you to bestow upon them and not placing reliance on, or making use of, Divine Revelation, Feminine Intuition, Mumbo-Jumbo, Jiggery-Pokery, Coincidence or the Act of God?"

New members promised "moderation" in -- this is a partial list -- the use of conspiracies, death-rays, ghosts and trapdoors, while "utterly and forever" avoiding "Mysterious Poisons unknown to Science." And of course: "Do you solemnly swear never to conceal a vital clue from the reader?"

The Detection Club was founded in 1930, with G.K. Chesterton as president. Sayers was a founding member and became its third president, followed by Agatha Christie.

Famous for her Lord Peter Wimsey detective novels, Sayers' career defied simple labels. As a young woman, she worked for the S.H. Benson advertising agency in London. Among Christians, she is best known as a colleague of C.S. Lewis, J.R.R. Tolkien and others in the Inklings writers circle in Oxford. Sayers wrote poetry, theological essays and theatrical works for the stage and BBC Radio. She was gifted in multiple languages and spent the final years of her life translating Dante's "The Divine Comedy" into English.

Sayers is also known for a 1947 Oxford presentation -- "The Lost Tools of Learning" -- that has influenced generations of Classical education leaders in the United States, England and elsewhere. As a child, she was educated by her father, an Anglican vicar, who taught choral music and Latin at Oxford.

"Her parents gave her a classical education that allowed her to navigate her world, the tools to support herself. When she struggled and made mistakes, she was able to repent and get back on track," said medieval scholar Lesley-Anne Williams, who lectured on "Dorothy Sayers: Advertising, Murder and Classical Education" during last week's annual Inklings Festival at the ecumenical Eighth Day Institute in Wichita, Kansas.

"Her Christian faith played a role in everything she did, including her detective novels. She wanted to write fiction that was well done, in a style that she understood, respected and enjoyed. She always demonstrated great skill and craftsmanship."

Life in a disenchanted world: Once upon a time, Christians used to write fairy stories

Demons appear on movie screens all the time, but poet Richard Rohlin is convinced he has actually seen them at work when counseling young people whose search for meaning has driven them deep into experiments with sex, drugs and the occult.

"The stories that I can't tell would curl your toenails," he said, speaking at the Eighth Day Institute in Wichita, Kansas. "If you think that these spiritual realities are not still with us, you are deluding yourself. ... The magic is coming back into the world. Something is happening and it is not an unqualified good."

The young people he works with in Dallas are not interested in sermons and detailed descriptions of why their lives are broken. But they are open to fantasies, myths and tales -- ancient and modern -- about unseen, spiritual realities that interact with their lives.

Millions of Americans know where to find stories about angels, demons, warriors, seers, giants, demigods and heroic kings and queens. They head straight to movie theaters and cable television, where they find entire universes of content offering visions of fantastic worlds. The last place they would seek inspiration of this kind is in churches.

The irony is that some of these works draw inspiration from the fantasy classics celebrated in the ecumenical Eighth Day Institute's annual fall celebration of The Inklings, a mid-20th Century circle of Christian writers in Oxford, England, that included C.S. Lewis, J.R.R. Tolkien and others.

This year's lectures focused on Scottish writer George MacDonald, often called the "grandfather of the Inklings," who is best known for "Phantastes," "The Golden Key," "Lilith" and many other works. The festival included Celtic and folk musicians, along with workshops on topics such as "The Art of Making Mead" and "Publishing for the Moral Imagination."

The goal of MacDonald and The Inklings, noted Rohlin, was to reclaim an older vision of life in which physical realities corresponded to spiritual realities and nothing was considered purely material. The real divide was between "the seen and the unseen," not between the "spiritual and the material."

This worldview has been lost, even among many religious believers.

"Demons didn't stop existing, angels didn't stop existing, the saints didn't stop existing because the Industrial Revolution came," he said.