J.R.R. Tolkien

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Podcast: Attention Gray Lady folks! Latter-day Saints are not the only skilled fantasy scribes

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Podcast: Attention Gray Lady folks! Latter-day Saints are not the only skilled fantasy scribes

Two decades ago, I attended Nimbus 2003, the first global Harry Potter studies convention.

This colorful event, at a Disney hotel in Orlando, drew a capacity crowd of about 600 participants — about 90% of which were female — from the United States, England and Australia.

What kinds of people showed up and what does this flashback have to do with this week’s “Crossroads” podcast (CLICK HERE to tune that in)? Hold that thought. Here’s a bite of the “On Religion” column that I wrote about that event, one of many Harry Potter-related columns I have written over the years.

In hotel hallways, witch wannabes raised their expensive, professionally carved wands and fought imaginary duels with tickling spells and other incantations. In the lecture halls, others heard papers on everything from Harry Potter and the First Amendment to "Greenhouses are for Girls, Beasts are for Boys? Gender Characterizations in Harry Potter." …

Organizers also dedicated an entire track of lectures and panels to spiritual issues, addressing topics such as "Seven Deadly Sins, Seven Heavenly Virtues: Moral Development in Harry Potter" and "Can Any Wisdom Come From Wizardry?"

I was not surprised that a large number of the participants mentioned, in registration, that they were Wiccans or interested in other forms of neo-paganism. However, it was clear that at least half of the crowd of readers with marked-up Harry Potter books were mothers — often homeschool enthusiasts — who were Catholics, evangelical Protestants or members of the Church of Jesus Christ of Latter-day Saints.

It was important, some said, that author J.K. Rowling had outed herself, early on, as a communicant in the progressive Scottish Episcopal Church. She told a Canadian newspaper: "Every time I've been asked if I believe in God, I've said, 'yes,' because I do. … If I talk too freely about that, I think the intelligent reader — whether 10 or 60 — will be able to guess what is coming in the books."

Now, this brings us to that fascinating New York Times feature that ran with this double-decker headline:

An Unexpected Hotbed of Y.A. Authors: Utah

A tight-knit community of young-adult writers who belong to the Church of Jesus Christ of Latter-day Saints has yielded smashes like “Twilight.” But religious doctrine can clash with creative freedoms

Yes, it’s interesting that Mormons play a major role in the world of fantasy fiction for children, teenagers and family-reading circles. I also thought it was interesting that editors at the world’s most prestigious newspaper have never heard of some other religious believers who have excelled as fantasy stars.

Can you say “Narnia”? How about “The Hobbit”? How about “A Wrinkle in Time”?


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Life in a disenchanted world: Once upon a time, Christians used to write fairy stories

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Life in a disenchanted world: Once upon a time, Christians used to write fairy stories

Demons appear on movie screens all the time, but poet Richard Rohlin is convinced he has actually seen them at work when counseling young people whose search for meaning has driven them deep into experiments with sex, drugs and the occult.

"The stories that I can't tell would curl your toenails," he said, speaking at the Eighth Day Institute in Wichita, Kansas. "If you think that these spiritual realities are not still with us, you are deluding yourself. ... The magic is coming back into the world. Something is happening and it is not an unqualified good."

The young people he works with in Dallas are not interested in sermons and detailed descriptions of why their lives are broken. But they are open to fantasies, myths and tales -- ancient and modern -- about unseen, spiritual realities that interact with their lives.

Millions of Americans know where to find stories about angels, demons, warriors, seers, giants, demigods and heroic kings and queens. They head straight to movie theaters and cable television, where they find entire universes of content offering visions of fantastic worlds. The last place they would seek inspiration of this kind is in churches.

The irony is that some of these works draw inspiration from the fantasy classics celebrated in the ecumenical Eighth Day Institute's annual fall celebration of The Inklings, a mid-20th Century circle of Christian writers in Oxford, England, that included C.S. Lewis, J.R.R. Tolkien and others.

This year's lectures focused on Scottish writer George MacDonald, often called the "grandfather of the Inklings," who is best known for "Phantastes," "The Golden Key," "Lilith" and many other works. The festival included Celtic and folk musicians, along with workshops on topics such as "The Art of Making Mead" and "Publishing for the Moral Imagination."

The goal of MacDonald and The Inklings, noted Rohlin, was to reclaim an older vision of life in which physical realities corresponded to spiritual realities and nothing was considered purely material. The real divide was between "the seen and the unseen," not between the "spiritual and the material."

This worldview has been lost, even among many religious believers.

"Demons didn't stop existing, angels didn't stop existing, the saints didn't stop existing because the Industrial Revolution came," he said.


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From Off Broadway to movie screens: The complicated conversion story of C.S. Lewis

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From Off Broadway to movie screens: The complicated conversion story of C.S. Lewis

While historians argue about what C.S. Lewis did or didn't say, it can be stated with absolute certainty that the Oxford don never patted down his rumbled, professorial tweed jacket before exclaiming, "Where's my phone?"

That line occurs at the start of "The Most Reluctant Convert," as actor Max McLean enters a movie set preparing for the first scene. Seconds later, the camera follows him into the real Oxford, England, where Lewis was a scholar and tutor at Magdalen College.

At first, the famous Christian writer explains how he became an atheist. When he walks into the real White Horse pub, he orders two pints of beer, with one for the viewer. Soon, scenes from his memories spring to life, with Lewis striding through them as a narrator.

"Lewis is in his imagination. He's personified in his thoughts. … I do think that the structure emerged out of the fact that Lewis had a lot to say," said McLean, laughing.

Thus, director Norman Stone -- a BAFTA winner for BBC's "Shadowlands" -- let the "voice of Lewis articulate his struggle, his passion. He is one of those rare individuals where one's intellect, one's emotions and one's spirituality are completely intertwined," said McLean.

All of this is second nature to McLean since the film covers much of the same territory as his own "C.S Lewis Onstage." This was a one-man show at the Fellowship for Performing Arts in New York City, an off-Broadway company McLean founded and guides as artistic director. It has staged other Lewis works, such as "The Screwtape Letters" and "The Great Divorce," drawing warm reviews from The New York Times and other major publications.

The first-person narration, explained McLean, was primarily drawn from Lewis' autobiography, "Surprised by Joy," and the many volumes of his personal letters.

The jump from stage to screen, of course, allowed the film's creators to seek permission to film in some of the most important sites linked to Lewis' life.


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An Easter think piece: What happens when movie-makers talk to scribes who 'get' religion?

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When I first met Dwight Longenecker in 1999 I already thought his life story was unique.

The setting was an international journalism conference in Chichester, England. Longenecker was working in journalism at the time, after studying theology at Oxford University. He had already been ordained as an Anglican priest, but then saw the writing on the ancient church walls and swam the Tiber to Roman Catholicism.

But here’s the biographical detail that grabbed me. I was fascinated that, after growing up evangelical in Pennsylvania, he had done his undergraduate work at Bob Jones University in Greenville, S.C. — America’s famous campus that proudly embraces the loaded term “fundamentalist.”

From BJU to England and on to Rome! What a journey, I thought. And people said my pilgrimage from Southern Baptist preacher’s kid to Eastern Orthodoxy was unusual.

But there was one more remarkable shoe to drop in the Longenecker story. In 2006 he returned to America with his wife and four children and — taking the Pastoral Provision door opened by Pope John Paul II (now a saint) — Longenecker was ordained as a Catholic priest.

So where is he now? He is the pastor of Our Lady of the Rosary Catholic Church in — wait for it — Greenville, S.C., a few miles from his old BJU stomping grounds. So the Catholic priest who is “in charge” of Bob Jones territory (long ago, the founder called Catholicism a “Satanic cult”) is a BJU graduate.

Now, I offered all of that as an intro to our think piece for this Easter Sunday (for Western churches). It’s a blog post by Longenecker entitled “The Passion of the Christ, me and Mel Gibson” that includes a fascinating detail about what many consider the most beautiful image in that controversial movie (click here for his “Standing on my head” website).

The key: Longenecker, as a journalist, did quite a bit of writing about film. Thus, he ended up in one of those famous advance screenings with Gibson — who showed a rough edit to a variety of religious audiences while raising money to independently release the film. After showing this early version of his movie, Gibson came out to take questions from the small crowd. Then this happened:


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Question for reporters and preachers: Is there a God-shaped hole in the Avengers universe?

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Question for reporters and preachers: Is there a God-shaped hole in the Avengers universe?

It was Christmas Eve as Harry Potter and his best friend Hermione Granger arrived in the town of Godric's Hollow, searching through the snowy church graveyard for the graves of the teen wizard’s parents, Lily and James Potter.

Here’s how the scene is depicted in the final novel — “"Harry Potter and the Deathly Hallows" — of J.K. Rowling’s seven-volume set. Christmas carols are drifting out of the church when the duo discovers the tombstone for the family of the late Hogwarts headmaster Albus Dumbledore. The inscription is from the Gospel of St. Matthew: "Where your treasure is, there will your heart be also."

That’s just the start of the faith content in the Potter-verse rooted in the author’s worldview. Hang in there with me, because this is going to link up with this week’s “Crossroads” podcast (click here to tune that in) and the national column that I wrote about the God-shaped hole in “Avengers: Endgame.”

Now, about the Potter family tombstone: In a 2007 “On Religion” column on this topic, I noted:

… The Potter headstone proclaimed: "The last enemy that shall be destroyed is death."

Harry was mystified. Was this about defeating the evil Death Eaters?

"It doesn't mean defeating death in the way the Death Eaters mean it, Harry," said Hermione, gently. "It means ... you know ... living beyond death. Living after death."

This is another Bible verse — one that Rowling said stated the theme at the heart of her Potter series. It also helps to know that the Harry Potter stories grew out of the author’s grief after the death of her mother. Rowling wanted to make a statement that death is not the end.

It also matters that Rowling has been upfront about the fact that she is active in the Scottish Episcopal Church and, based on her remarks through the years, it’s pretty clear that she is on the left side of Anglicanism. Her academic background in classics (and love of Medieval Catholic symbolism) also shaped the Potter-verse.

So what is the context of the verse on that Potter headstone?


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What's the 'A Wrinkle In Time' news story? Flashback to wisdom from Madeleine L'Engle

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What's the 'A Wrinkle In Time' news story? Flashback to wisdom from Madeleine L'Engle

So what is the story with the new Disney version of the classic, Newbery Award winning novel "A Wrinkle In Time" by the late, great Madeleine L'Engle?

I'm talking about a news story here.

I'm talking about the attempt -- another one -- to make this beloved youth-fiction classic into a blockbuster movie. Why is it is causing discussion, debate and even controversy? Yes, I'm asking this because that's what we talked about this week in the GetReligion "Crossroads" podcast. Click here to tune that in.

Is it news because it appears, to one degree or another, to be a box-office flop? Is it news because, at Rotten Tomatoes, only 40 percent of critics like it? That's bad, but the score from ordinary people in theaters was even lower, to the tune of only 34 percent positive reactions.

Director Ava DuVernay was not amused and argued that race may have had something to do with it, since she -- as a star African-American director -- changed the racial mix of the cast.

It's clear that some of the movie's supporters thought race was a crucial part of the mix, as seen in this NBC commentary: " 'A Wrinkle in Time' isn't a film for critics. It's Ava DuVernay's love letter to black girls." And over at CNN there was this: "Watching 'A Wrinkle in Time' is a political act."

So one more question: Why write a religion column about this book and its author?

That's what I did this past week, for the Universal syndicate. It did that because, nearly two decades ago, I had a chance to spend two hours talking to L'Engle about the crucial themes woven into her book. In particular, I asked her if there were concepts and even quotations from her novel that needed to be in a film adaption of it. Here is a key piece of that column:

It would be hard, explained L'Engle, to grasp this book's cosmic war between life and death, good and evil, darkness and light without two crucial passages.


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Religion plus travel: Are only secular pilgrims walking UK's pilgrimage trails?

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Religion and travel are two topics that are rarely combined, yet the Guardian did so –- in a fashion –- with a piece on Britain’s ancient pilgrim routes and how they’ve soared in popularity. The point of the feature was that one need not be religious at all to tread ancient paths that honor everyone from St. Cuthbert, St. Cadfan, St. Werburgh and St. Chad to Saints Wulfad and Swithun.

What results are nature walks with likeminded people with not a nod to the religious history that has traditionally surrounding this activity. Imagine traveling to Mecca for the … architecture? Might religious convictions have something to do with the motives of some of the travelers?

Here’s an account of how secularized Brits are strolling from church to church just to get some peace and quiet.

In one of the smallest churches in England, a couple of dozen people are taking the weight off their walking boots for a moment of quiet reflection in the cool gloom. Outside, an unlikely April sun pours over the South Downs.
It seemed, says Will Parsons, a good moment to learn the lyrics of John Bunyan’s To Be a Pilgrim -- perhaps, he adds, adopting neutral terms “to be more inclusive”.
The group was soon belting out the 17th-century hymn, drawing curious passersby to peer into the tiny hillside Church of the Good Shepherd, in Lullington. Come wind, come weather, regardless of lions, giants, hobgoblins or foul fiends, “there’s no discouragement / Shall make them once relent / Their first avowed intent/ To be a pilgrim”, they sang.
This merry band are part of a new boom in pilgrimage which has seen the re-establishment of ancient routes and the growing participation of people on a spectrum of belief from religiously devout to committed atheists.

The story goes on to say the hikers were walking Lewes Priory to the Holy Well in Eastbourne over two and a half days.


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At this point, why would journalists ignore faith issues in Colbert's life? (updated)

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As far as I am concerned, there was journalism about comedian Stephen Colbert before the GQ cover story by Joel Lovell -- "The Late, Great Stephen Colbert" -- and then there is journalism on this subject after that piece.

It's not that this was some kind of stunning investigation into Colbert's career, his finances, his alleged politics, etc., etc. It's not even that this story covered totally new material about Colbert's faith and family history.

Trust me. I've had a research folder open on Colbert and Catholicism since 2005 or thereabouts and I've read most of the crucial speeches and interviews in which he talks about his beliefs. I have a pretty big collection of iTunes selections and Comedy Central URLs that feature revealing quips and comments. I've written some columns on this guy and led seminar sessions focusing on the debates about his work.

What made this interview special was the depth of the comments and the way in which they linked the wounds in Colbert's past to the strengths of his comic sensibility today. It was really quite stunning, even for people (I've heard from some) who didn't take Colbert all that seriously in the past. 

After that interview, why would journalists for a major news organization -- The New York Times leaps to mind  -- fail to explore the God questions (and answers) that haunt this guy? In a major magazine feature before his arrival last night on CBS, this is what the Times team offered while trying to talk about the "humanity" that Colbert has hidden in the past:


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Was there a religion ghost in the life and haunted film career of Sir Christopher Lee?

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Sir Christopher Lee was not able to attend the New York City press events held just before the 2002 release of "The Lord of the Rings: The Two Towers," but it sure seemed like he was there, based on the number of times members of the cast and creative team made references to him.

There were members of Peter Jackson's team -- especially co-writer Philippa Boyens -- who knew the fine details of J.R.R. Tolkien's worldview and masterwork, including the ways in which his Catholic faith influenced its symbols and substance. In one famous quote, the author called the trilogy a "fundamentally religious and Catholic work."

However, various members of the team agreed that Lee was, in many ways, the official keeper of the Tolkien flame during the filming, the person whose knowledge and love of the books made him care, fiercely, about getting key details right so that the spirit of the books would soak into the movies. Several people said that they thought Lee was, himself, a Catholic.

Was Lee a believer and, if so, of what stripe? I thought that this detail might surface in the obituaries over the past day or so, but apparently journalists were not interested in the role that explorations of good and evil -- incarnate evil, especially -- played in his life and work. Alas, this didn't happen.

Now I really regret that he wasn't at those NYC round-table interviews. What did Lee say years earlier? I'll come back to that.


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