Pop Culture

Have others asked WWHPD? Harry Potter and the Harvard Humanist phenomenon

Once more, into the Harry Potter religion debates!

But first, a word from long ago, care of one of the featured speakers at Nimbus 2003 in Orlando, the first global convention dedicated to academic (and semi-academic) studies of the canonical texts of J.K. Rowling. Yes, I was there, with a notepad and my marked-up copies of a Potter text, or two.

The speaker was Lee Hillman of Rochester, N.Y., a pagan believer known as "Gwendolyn Grace, Minister of Magic" to the throng of 600 gathered at Disney’s Swan Hotel. She was dressed in a spectacular purple witch’s robe and hat. Let us attend:

"There is no relationship set up in the Harry Potter books between magic and religion," said Hillman. … "This had to be a deliberate decision by J.K. Rowling. ... She is using literary conceits drawn from throughout Western culture."
She scanned the crowd at a panel discussion last weekend entitled "Harry Potter: Witchcraft? Pagan Perspectives." ...
"There is nothing in these books that relates magic to any particular religion," said Hillman. "There is no connection. None. None. Zero. ... They are not really about witchcraft."

Ah, but what are the books about? All kinds of people have found all kinds of messages in these books in the past and that phenomenon, clearly, is continuing. I say that because of an interesting Boston Globe news feature that ran the other day under the head, “Could Harry Potter become a spiritual leader?

Could? Is there any question that many people have already treated Rowling’s work as semi-holy? The key to this story shows up really early on:


Please respect our Commenting Policy

Is the Babylon Bee insider 'Christian' funny, or truly funny enough for prime time?

Is the Babylon Bee insider 'Christian' funny, or truly funny enough for prime time?

So what is this week's "Crossroads" podcast actually about?

Well, on one level it's about the "Christian" humor website called The Babylon Bee. But on a deeper level, it's about what happens when the word "Christian" is turned into an adjective defining a form of popular culture. At that point, all kinds of interesting and even distressing things take place. There are news stories in there, folks.

For example, when you hear someone talking about "Christian" rock 'n' roll, doesn't that (if you are of a certain age) make you think of that famous "Seinfeld" episode that included the riff about the car-radio buttons? Here's a flashback, from an "On Religion" column that I wrote long, long ago:

As she pulled into traffic, Elaine Benes turned on her boyfriend's car radio and began bouncing along to the music.
Then the lyrics sank in: "Jesus is one, Jesus is all. Jesus pick me up when I fall." In horror, she punched another button, then another. "Jesus," she muttered, discovering they all were set to Christian stations. Then the scene jumped to typical "Seinfeld" restaurant chat.
"I like Christian rock," said the ultra-cynical George Costanza. "It's very positive. It's not like those real musicians who think they're so cool and hip."

It's all about the world "real." We are not talking about "real" musicians, here. We are talking about "Christian" rock. Thus, when most people hear the phrase "Christian" rock, they probably think of this rather than this (please click these URLs).

What do you think of when you hear people talk about "Christian" movies? Do you think of this or of this?

How about the fine arts? When you think of Christian paintings, do you think of this or, well, of this?

I could go on. "Christian" humor, including satire, is not new -- in fact, it's ancient.


Please respect our Commenting Policy

Journalists (and clergy) fail to note that Schlafly won a political battle, but lost larger war

Journalists (and clergy) fail to note that Schlafly won a political battle, but lost larger war

You know that feeling you get when you are trying to think of a name -- a person or an institution, perhaps -- but you just can't get it to pop into focus? The hard drive in your mind spins and spins and you can see hints at the data you're seeking, but not the real thing.

Trust me, this happens more when you pass 60 years of age.

It's even more disconcerting when this happens while you are on the air doing radio or a podcast, as I was again earlier this week chatting with "Crossroads" host Todd Wilken. (Click here to tune that in.) We were talking about the late Phyllis Schlafly and the fact that she was the rare moral and cultural conservative who won a major political -- repeat "political" -- battle in the public square. However, she lost her larger war with the most powerful principalities and powers in our land. As I wrote in my earlier post:

... She won her battle against the ERA, but lost the much larger war with Hollywood, trends in public education and the all-powerful worldview of shopping malls from coast to coast.
Of course, Schlafly's other major accomplishment in life was helping create a large space for religious and cultural conservatives inside the big tent of the modern Republican Party. In many ways, she was -- as a wealthy Catholic woman who was Phi Beta Kappa in college and later earned a law degree -- a unique rebel against the GOP Country Club establishment that found many of her causes embarrassing (and still does).
This is one place where I thought the mainstream obits missed an opportunity to probe a bit deeper. No one is surprised that the left hated this woman.

Now, I was trying to think of a young, popular, post-feminist figure in American pop culture who stands for the whole concept that being "hot," "edgy" and even "nasty" is a sign of empowerment, if not enlightenment, for girls.

In other words, I was trying to think of Taylor Swift. Since I am old, what came out -- as you'll hear in the podcast -- was a reference to Madonna. Talk about embarrassing.


Please respect our Commenting Policy

And this just in: The young, male, video-games crowd doesn't remember the great Ben-Hur

And this just in: The young, male, video-games crowd doesn't remember the great Ben-Hur

First, sorry for the delay on this week's "Crossroads" podcast. We had some technical difficulties, which happens every now and then in the Tower of Babel environment that is the Internet. Every now and then the software gods just don't get along.

The topic of my chat this week with host Todd Wilken (click here to tune that in) was, on one level, the box-office problems of the latest version of "Ben-Hur: A Tale of the Christ." But my earlier post on this topic also focused on the ongoing interest, in the mainstream media, in Hollywood's quest to tap into the "Christian" movie market, in the wake of the $611 million box office haul taken in by Mel Gibson's "The Passion of the Christ."

It's a great story and a very timely one. Basically, the folks behind the new Ben-Hur made a big-budget religion-niche movie, thinking that the young, male, action-movie demographic would show up for the chariot race scene.

What chariot race scene, you ask? Well, the one that movie scholars -- but not, it's safe to say, today's video-game fanatics -- remember with awe from the 1959 classic.

What were the producers of the new flick thinking?

That would be a great hard-news story, methinks, as opposed to a kind of no-sources analysis thumbsucker like the Atlantic piece I previously discussed.

Well, what do you know? The Los Angeles Times team produced a real news story about this bad, bad summer in Hollywood. The headline: "Hollywood's summer problem? Reboots people don't want."

The opening is pretty brutal:


Please respect our Commenting Policy

The Atlantic covers (sort of) the Ben-Hur flop and the epic quest to sell Christian films

Let me start with a question: I do not know if the following piece from The Atlantic is a news report, an opinion essay or a movie review.

It addresses a topic that is certainly worthy of a news report -- the box-office flop (so far, I guess) of the latest version of Ben-Hur: A Tale of the Christ. Lurking behind this movie is a larger topic, which is Hollywood's ongoing attempt to tap into the "Christian audience" that turned out for Mel Gibson's The Passion of the Christ in 2004.

Studio executives have been chasing Gibson's Passion demographic for a decade and major newsrooms have been covering those efforts over and over and over. Like I said, this is a topic worthy of serious reporting.

Here's the crucial question: Is this "Christian" niche a $50 million or so marketplace for low-budget movies or a place where Hollywood players can find the magic formula that produces big box-office bucks for major releases that cost $100 or so? So that's what is going on in this Atlantic piece, that ran with this headline:

Ben-Hur Was Hollywood’s Epic $100M Mistake
The film flopped hard at the box office after studios tried to copy the success of 2004's The Passion of the Christ.

The following summary material is long, but you need to read it to understand my main point in this post.

The fifth film adaptation of Lew Wallace’s 1880 novel Ben-Hur: A Tale of the Christ was a $100 million co-production between Paramount Pictures and MGM. It starred the relatively unknown British actor Jack Huston in the title role, was directed by the mid-tier action maestro Timur Bekmambetov (Wanted, Abraham Lincoln: Vampire Hunter), and drew largely negative reviews. Many critics noted the film’s supreme inferiority to William Wyler’s 1959 version of the tale, which won 11 Oscars and is widely viewed as one of the greatest classic Hollywood epics. Just the idea of remaking Wyler’s film feels like a colossal error in an age of tiresome franchise reboots -- but when you consider how studios tried to belatedly capitalize on religious audiences to save the movie, the existence of Ben-Hur seems all the more cynical.


Please respect our Commenting Policy

Journalism f-word alert: New York Times serves up classic hit piece with Tim LaHaye obit

You may have heard of hit pieces, which is journalism aimed at taking a person down. Here is a hit obituary -- The New York Times’ article on the passing of evangelical superstar Tim LaHaye.

Check out the headline: "Tim LaHaye dies at 90; fundamentalist leader’s grisly novels sold millions." That gives you an idea of where this article is headed.

Now tmatt has, through the years, written time and time again urging journalists to heed the advice of the Associated Press Stylebook and to avoid most uses of that particular f-word, along with Mollie Hemingway and others in the GetReligion pantheon.

Now, it is certainly true that LaHaye went to Bob Jones University, a campus that has long embraced the "fundamentalist" label, but he also led a Southern Baptist church and most members of America’s largest non-Catholic Christian denomination would never call themselves fundamentalists. Also, his audience as a writer and speaker was much larger than the "fundamentalist" niche.

Guess the Times didn't get that memo. Here’s how the piece starts:

The Rev. Tim LaHaye, a leader of the Christian fundamentalist movement and co-author of the best-selling “Left Behind” series of apocalyptic novels prophesying mass slaughters and the end of the world, died on Monday in a San Diego area hospital. He was 90.
His death, days after he had a stroke, was announced on the website for his Tim LaHaye Ministries.
In an age of seemingly endless natural and man-made disasters, the action-packed tales by Dr. LaHaye and Jerry B. Jenkins struck readers as all too realistic, even if they were based on biblical accounts of the Second Coming, the appearance of an Antichrist and multitudes leaving a calamitous dying world for heaven.


Please respect our Commenting Policy

Carson, Clinton, Colbert and ... Lucifer? The God-and-politics drama never ends

Just when you thought things couldn’t get any weirder at the Republican convention, the Prince of Darkness showed up. Or at least his ally was in the house, via a prime-time speech reference to none other than Hillary Clinton by one-time GOP presidential candidate Ben Carson.

I am not making this up. Stephen Colbert has even invented a new word: Trumpiness, to describe the state of things in Cleveland, and America in general. More on Colbert later. 

Frankly, I thought most media were fairly subdued in handling what a goofball Carson has become although their headline writers definitely had a holiday. "Did You Stay Awake Long Enough to Hear Ben Carson Call Hillary Lucifer?" Esquire asked

Here's how CNN called it

Washington (CNN) -- Former presidential candidate Ben Carson said Wednesday that he linked Hillary Clinton to a prominent community organizer, Saul Alinsky, who once offered measured praise of Lucifer in a book, to provide "perspective" on what type of president the Democrat would be.
"Recognize that this is a very famous book -- 'Rules for Radicals' -- and on the dedication page, you acknowledge Lucifer in an admirable way saying he's the original radical who gained his own kingdom," Carson told CNN's Chris Cuomo on "New Day." "What I am saying is that we are talking about electing to the presidency an individual who embraces someone who obviously is not someone who is consistent."
Clinton wrote her 1969 Wellesley undergraduate thesis on Alinsky -- though she's said in her own book that she had "fundamental" disagreements with him," according to an analysis of Carson's comments on Politifact.

Now back to what Carson originally said Tuesday night:


Please respect our Commenting Policy

Ciara and Russell Wilson wedding: What's God got to do, got to do with it?

I will be the first to admit that I know absolutely noting -- nichevo, zip, nada, zero, niente -- about how serious journalists are supposed to cover celebrity weddings.

The dress is supposed to be important, right? I understand that. But might the actual content of the wedding have something to do with the, well, wedding?

I ask this because the glamorous power duo of Ciara and Russell Wilson have finally tied the knot and the chatty folks at USA Today are so, so excited. Is this a news story?

Ciara and Russell Wilson are married!
The R&B star wed the NFL quarterback in England on Wednesday and confirmed the news on social media, sharing a photo of their happy day with the caption, "We are the Wilsons!"
The nuptials took place at Peckforton Castle in front of roughly 100 of their closest friends and family members, according to TMZ. The bride wore a custom lace gown by Roberto Cavalli and carried a bouquet of snow white blooms. On Tuesday, Ciara, 30, and Wilson, 27, were captured by paparazzi dressed up for their rehearsal dinner at Liverpool's Titanic Hotel.

Now, this "story" had to deal with the big news hook in this relationship (other than possible recent rap-related death threats and stuff) over the past year or two. You remember that, of course. In an earlier post I talked called it "Tim Tebow syndrome" and added

Good grief. Have we really reached the point where journalists are shocked, shocked that traditional Christian believers strive to follow 2,000 years of doctrine asking them to hold off on sex until after they have taken their wedding vows?


Please respect our Commenting Policy

Are demons going to start sending us links to that Washington Post exorcism essay?

It's perfectly understandable why many journalists are fascinated with the subject of exorcisms, especially when the Roman Catholic Church gets involved. For starters, we are talking about battles on the front lines between the material and the supernatural, encounters that raise eternal questions about free will, the love of God and the existence of ultimate good and ultimate evil. And then, of course, there is Hollywood.

So you will not be surprised that your GetReligionistas have taken a look at quite a few mainstream news stories about this topic. Click here and do some surfing, if you wish.

But this post is not about a news piece. Yet, over the past week people have sent me the URL to this Washington Post essay more than any other. At this point, I have begun to wonder if the demons are sending it to me. Why, well you know what C.S. Lewis said about demons (speaking through the voice of Screwtape, his great demonic professor).

We are really faced with a cruel dilemma. When the humans disbelieve in our existence we lose all the pleasing results of direct terrorism and we make no magicians. On the other hand, when they believe in us, we cannot make them materialists and sceptics. At least, not yet. I have great hopes that we shall learn in due time how to emotionalise and mythologise their science to such an extent that what is, in effect, belief in us, (though not under that name) will creep in while the human mind remains closed to belief in the Enemy. The “Life Force”, the worship of sex, and some aspects of Psychoanalysis, may here prove useful. If once we can produce our perfect work -- the Materialist Magician, the man, not using, but veritably worshipping, what he vaguely calls “Forces” while denying the existence of “spirits” -- then the end of the war will be in sight.

The headline on the Post piece, written by New York Medical College professor Richard Gallagher, was this: "As a psychiatrist, I diagnose mental illness. Also, I help spot demonic possession."

I should note that this is a sequel, of sorts, to his 2008 essay -- "Among the Many Counterfeits -- A Case of Demonic Possession" -- that ran in the journal The New Oxford Review, a very small-o orthodox Catholic publication (and one with a high digital wall around its content).

Here is the opening of the new Post piece:


Please respect our Commenting Policy