Christ of Sinai

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Painting or icon? That big hole in New York Times report on Catholic University controversy

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Painting or icon? That big hole in New York Times report on Catholic University controversy

Let’s start here: There is nothing new about artists painting images of Jesus as a Black man.

A few of these images may have been controversial at the time of their creation, in part because of the political motivations of some (repeat “some”) artists. But the vast majority are clearly works of Christian devotion showing reverence for the Incarnation of Jesus Christ. For many Christians, these images are way less problematic than the omnipresent Warner Sallman “Head of Christ” painting from 1940, depicting Jesus with light, wavy hair and very European features.

As an Eastern Orthodox Christian, the image of Jesus that I know best is the ancient Christ Pantocrator icon from St. Catherine’s Monastery at Mt. Sinai. It is a complex icon of Jesus that, well, would be hard to label as one of the “surfer Jesus” images in some contemporary churches.

This brings me to that New York Times story that ran the other day with this dramatic double-decker headline:

A Painting of George Floyd Roils Catholic University

At the Catholic University of America in Washington, conservative students called for a campus ban on further displays of an artwork that depicts Floyd as Jesus.

This story does a pretty good job of describing the timeline of this controversy — which is described as yet another clash over race, art and religion. It’s clear that, for the leaders of private schools, controversies of this kind are especially complex.

The problem, for me, is that the image in question — “Mama,” by Kelly Latimore — is consistently described as a painting based on the famous Pieta statue by Michelangelo.

Thus, what we have here is a “painting,” based on one of the most famous statues in Western Christian art, but is clearly meant to be interpreted as a holy icon in the Eastern Orthodox tradition.

Did you follow that? The journalism question here is whether the Times team did an adequate job of describing why the term “icon” — which does not appear in the story — is so important, if the goal is to understand the thinking of some of the Catholics (the story contains zero input from the Orthodox) who believe that this painting is blasphemous. Here is the overture:


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Behind the #WhiteJesus wars: Lessons to learn from ancient Christian iconography

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Behind the #WhiteJesus wars: Lessons to learn from ancient Christian iconography

For modern skeptics, the 6th-century icon hanging in the Orthodox monastery in the shadow of Mount Sinai is simply a 33-by-18-inch board covered in bees wax and colored pigments.

For believers, this Christ Pantocrator ("ruler of all") icon is the most famous image of Jesus in the world, because the remote Sinai Peninsula location of St. Catherine's Monastery allowed it to survive the Byzantine iconoclasm era. The icon shows Jesus -- with a beard and long hair -- raising his right hand in blessing, while holding a golden book of the Gospels.

This Jesus does not have blond hair and blue eyes. "Christ of Sinai" shows the face of a wise teacher from ancient Palestine.

"When you talk about ancient icons, you are basically talking about images of Jesus with long hair, a beard and some kind of Roman toga. That's just about all you can say," said Jonathan Pageau of Quebec, an Eastern Orthodox artist and commentator on sacred symbols.

In the early church, he added, believers "didn't ask other questions -- about race and culture -- because those were not the important questions in those days. … Once you start politicizing icons there's just no way out of those arguments. You get into politics and dividing people and then you're lost."

In these troubled times, said Pageau, many analysts are "projecting valid concerns about racism and Europe's history of colonization and the plight of African-Americans back into issues of church history and art that are centuries and centuries old. It's a kind of category error and everything gets mixed up."

But that's what happened when debates about some #BlackLivesMatters activists toppling Confederate memorials -- along with attacks on Catholic statues and even insufficiently "woke" Founding Fathers -- veered into #WhiteJesus territory.

"Yes, I think the statues of the white European they claim is Jesus should also come down. They are a form of white supremacy," tweeted Shaun King, author of "Make Change: How to Fight Injustice, Dismantle Systemic Oppression, and Own Our Future."

The popular Internet scribe later added: "All murals and stained-glass windows of white Jesus, and his European mother, and their white friends should also come down. … We can debate [whether] or not Jesus was real all day long. What I do know, is that white Jesus is a lie. And is a tool of white supremacy created and advanced to help white people use the faith as a tool of oppression. Also, they never would've accepted a religion from a Brown man."


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'Head of Christ' story ignores centuries of art depicting what Jesus looked like: A first-century Jew

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Well, this Religion News Service piece sure has an interesting premise. I am talking about a lengthy feature — seen here in the Washington Post — that implies American Christianity is racist because of one popular painting of Jesus Christ.

Never mind that many of us have grown up disliking the painting for its sickly sweet religiosity. Never mind that this is not the iconic image seen in Christian traditions with ancient roots and liturgical art that reveals those roots in the Middle East. There’s a crucial word missing in this piece — “Jewish.”

Even as a child, this particular image repelled me, as it didn’t reflect the lively, infuriating and suffering Jesus I saw in the Bible. There’s an assumption that Americans adore this image.

Now, our modern-day iconoclasts want to get rid of it.

CHICAGO — The first time the Rev. Lettie Moses Carr saw Jesus depicted as black, she was in her 20s.

It felt “weird,” Carr said.

Until that moment, she had always thought Jesus was white.

At least that’s how he appeared when she was growing up. A copy of Warner E. Sallman’s “Head of Christ” painting hung in her home, depicting a gentle Jesus with blue eyes turned heavenward and dark blond hair cascading over his shoulders in waves.

The painting, which has been reproduced a billion times, came to define what the central figure of Christianity looked like for generations of Christians in the United States — and beyond.

“Some in the church,” the reporter says, are calling for the eradication of that painting because it makes Jesus look white with blue eyes.

Folks, haven’t we been here before?

Remember the dust-up in 2013 when Megyn Kelly told us all that Jesus was white?


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Hey NPR: ISIS threats to St. Catherine's Monastery in Sinai are not just about tourist dollars

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It is my sincere hope that there were no Eastern Orthodox Christians hurt in automobile accidents last week if they went into shock and swerved off the road after hearing the following National Public Radio mini-story on the radio. My fellow Orthodox believers: If you have hot coffee in hand as you read this post -- Put. It. Down.

The headline captures the tone: "Gunmen Attack Popular Religious Tourism Site In Sinai." What's the problem with that?

Well, we're talking about St. Catherine's Monastery, which is way, way, way more important -- in terms of history, art and significance to world Christianity -- than its role as a "tourism site."

Imagine the reaction among religious Jews if NPR had referred, after a similar attack, to the Western "wailing" Wall of the temple in Jerusalem as a "popular tourism site." I mean, it is a place visited by tourists, but that does not even hint at the site's significance to those who consider it a holy place. This is pushing things, but is Mecca a "popular tourism site"?

OK, forget religion for a moment. There are solid reasons that St. Catherine's has been designated as a UNESCO World Heritage Site. We are talking about what many believe is the world's oldest library.

What about the monastery's priceless, irreplaceable sacred art? Click here to check out the Metropolitan Museum of Art tribute to St, Catherine's and the icons venerated there by the monks. And here is the excellent guide to the collection maintained by Princeton University. For starters, we are talking about the home of Christ of Sinai, which is the oldest known icon of the image known as Christ Pantocrator. You can make a case that this is the world's most important, the most beloved, Christian icon.

So what did NPR say in this mini-report? Here's the top of what is stored online:

There's been an attack by gunmen near a prominent religious tourism site in southern Sinai but Egyptian authorities say no tourists were involved. One security officer was killed and four others injured.


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Lost in mobs, fire, guns and ink: Is Christ of Sinai safe?

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At the time of their destruction by the Taliban, what were the Buddhas of Bamiyam worth, in terms of culture, history and money?


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