Behind the #WhiteJesus wars: Lessons to learn from ancient Christian iconography

For modern skeptics, the 6th-century icon hanging in the Orthodox monastery in the shadow of Mount Sinai is simply a 33-by-18-inch board covered in bees wax and colored pigments.

For believers, this Christ Pantocrator ("ruler of all") icon is the most famous image of Jesus in the world, because the remote Sinai Peninsula location of St. Catherine's Monastery allowed it to survive the Byzantine iconoclasm era. The icon shows Jesus -- with a beard and long hair -- raising his right hand in blessing, while holding a golden book of the Gospels.

This Jesus does not have blond hair and blue eyes. "Christ of Sinai" shows the face of a wise teacher from ancient Palestine.

"When you talk about ancient icons, you are basically talking about images of Jesus with long hair, a beard and some kind of Roman toga. That's just about all you can say," said Jonathan Pageau of Quebec, an Eastern Orthodox artist and commentator on sacred symbols.

In the early church, he added, believers "didn't ask other questions -- about race and culture -- because those were not the important questions in those days. … Once you start politicizing icons there's just no way out of those arguments. You get into politics and dividing people and then you're lost."

In these troubled times, said Pageau, many analysts are "projecting valid concerns about racism and Europe's history of colonization and the plight of African-Americans back into issues of church history and art that are centuries and centuries old. It's a kind of category error and everything gets mixed up."

But that's what happened when debates about some #BlackLivesMatters activists toppling Confederate memorials -- along with attacks on Catholic statues and even insufficiently "woke" Founding Fathers -- veered into #WhiteJesus territory.

"Yes, I think the statues of the white European they claim is Jesus should also come down. They are a form of white supremacy," tweeted Shaun King, author of "Make Change: How to Fight Injustice, Dismantle Systemic Oppression, and Own Our Future."

The popular Internet scribe later added: "All murals and stained-glass windows of white Jesus, and his European mother, and their white friends should also come down. … We can debate [whether] or not Jesus was real all day long. What I do know, is that white Jesus is a lie. And is a tool of white supremacy created and advanced to help white people use the faith as a tool of oppression. Also, they never would've accepted a religion from a Brown man."

What kind of year has it been for news?

Consider this: At the start of 2020, Australian wildfires raged, President Donald Trump was acquitted in a Senate impeachment trial, former basketball star Kobe Bryant, his daughter and seven others were killed in a helicopter crash and disgraced Hollywood producer Harvey Weinstein was found guilty of rape.

None of these would likely make it into a top three list of the most-important news stories of the year.

Then came March 11. It was the night Utah Jazz center Rudy Gobert tested positive for the coronavirus, forcing the NBA to suspend games. It was the same night we learned actor Tom Hanks and his wife Rita Wilson had tested positive as well. It was the day our reality was changed and the United States had officially entered the COVID-19 era, a pandemic that has altered the lives of millions and millions of Americans. It continues to do so for the foreseeable future.

The decision to report on the aforementioned stories involved something journalists employ while reporting and delivering information — news judgement. That’s the fuel — motivation if you will — that keeps journalism moving. Without deciphering what is news and what isn’t, it’s impossible for editors and reporters to package what’s happening around the world to readers.

One important trait of news judgement is the word “new.” After all, if it’s not new to those who consume it, then it really isn’t news. That isn’t all. The decisions that newsroom managers, beat writers and journalists in general — no matter the size of the publication — make each day can be very difficult, involving matters that include importance, audience interest, taste and ethics.

What does this have to do with the defacing and destruction of so many religious statues — predominantly Catholic ones — around the country and the world these days?

As Americans go from the racial reckoning that has engulfed America for the past two months to the start of the general election season, vandalism involving the burning of a church or the decapitation of a Jesus statue can become highly symbolic and significant.

That was the case last year when France — a nation seemingly proud to have moved on from its Christian past into secularism — saw widespread church fires and other acts of vandalism. It was a wonderful piece of journalism by Real Clear Investigations that delved into this frightening trend. The feature by Richard Bernstein, a former foreign correspondent at The New York Times, even called these acts “Christianophobia,” a term U.S. news outlets never use.