Salem Radio Network

Gazing into a niche-media future: How politicized might evangelical radio become?

Gazing into a niche-media future: How politicized might evangelical radio become?

During the heat of the election campaign, the Salem Media Group staged an 11-day “Battleground Talkers” tour that covered politically potent Arizona, Florida, Georgia, Michigan, Ohio and Pennsylvania.

Purpose: To boost conservative voter turnout and nudge undecided voters on what “may be the most important election in the history of our country. … The war for America’s soul is on the line.” The rallies’ Republican and conservative flavor was no surprise, since they featured Salem radio personalities Mike Gallagher, Sebastian Gorka, Hugh Hewitt, Charlie Kirk, Eric Metaxas, Dennis Prager and Brandon Tatum, among others.

Salem Media, a publicly traded firm founded and chaired by Edward G. Atsinger III (469-586-0080), is based in Irving, Texas. It boasts of being “America’s leading Christian media company” — in this context “Christian” means pretty much evangelical Protestant — with radio networks, local stations, syndicated programs, websites, podcasts, marketing services, event planning and Regnery, a major conservative book house.

The “Battleground” personalities appear on the company’s Salem Radio Network, which employs a “conservative news talk” format. Salem says market research indicates such programming “is highly complementary to our core format of Christian Teaching and Talk” heard on other Salem outlets because “both formats express conservative views and family values.”

A thoroughly-reported, 70-inch New York Times examination of the politics of the Salem “juggernaut” October 18 (paywalled here) said, among many other things, that the company consistently promotes “ballot fraud conspiracy theories.”

Such a mix of the sacred and the profane would have astonished the 20th Century founding preachers of conservative Protestant radio such as William Ward Ayer, Donald Grey Barnhouse, Percy Crawford, M.R. DeHaan, Charles Fuller, Aimee Semple MacPherson, Walter Maier or Paul Rader.

Though TV gets the glamour, radio has arguably been more important in building the U.S. evangelical subculture and shaping its substance since World War II.


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A religion question and so much more: What is Judaism?

A religion question and so much more: What is Judaism?

THE QUESTION:

What is Judaism?

THE RELIGION GUY’S ANSWER:

How are we to comprehend the series of attacks on American Jews during the holiday season? Why were there 1,879 anti-Semitic incidents in the U.S. during 2018, by Anti-Defamation League count, which was double the 2017 total and the third-worst year on record?

Whatever the explanation, the three-word question above was the headline and subject of an online article just before the recent repellent events. Author Dennis Prager is a religiously and politically conservative Jew whose talk show airs on many “Christian-formatted” stations in the Salem Radio Network.

Prager said he raised this very fundamental question because “fewer and fewer Jews know anything about Judaism,” and many non-Jews “erroneously identify Judaism with what most Jews believe,” namely some vague secularized outlook.

This is no easy question because Jewish identity has a dual nature, religious and ethnic. Many Americans who consider themselves Jewish may be religiously Buddhist, or atheistic, or could care less about any religion and see their identity only as a cultural heritage. Also, unlike Christianity, Judaism is not a religion with defined creeds and confessions.

The Jewish Encyclopedia of 1906 told us Judaism is quite simply “the religion of the Jewish people,” which doesn’t get us very far.


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Lee Habeeb likes to tell human stories, but The Daily Beast smells culture wars

Lloyd Grove’s Daily Beast profile of Lee Habeeb and his Our American Stories venture in Oxford, Miss., calls to mind the aphorism that the late Clare Booth Luce kept on an embroidered pillow: “No Good Deed Goes Unpunished.”

Many conservatives consider NPR, as Grove writes, “rightly or not, as inhospitable to anything that isn’t progressive or politically correct.”

For a good example of why conservatives should entertain such thoughts, listen to Terry Gross of Fresh Air anytime she welcomes Jane Mayer as a guest. The default setting is not to have conservatives speak for themselves, but to have one writer present speculations about why conservatives do what they do.

That NPR receives any federal funding for such programming becomes doubly galling to conservatives.

Conservatives have launched hundreds of programs on talk radio since the Ronald Reagan years. The difference in Habeeb’s effort is his emphasis on storytelling instead of political arguments. It’s a rare conservative radio host who will tell the back story of “Gimme Shelter” by the Rolling Stones, remember the late character actor John Cazale or give props to the rock forerunner Sister Rosetta Tharp.

Amid this programming, Grove inquires about the funding behind Habeeb’s nonprofit foundation:

The program is produced by a tax free nonprofit that Habeeb established in 2014, American Private Radio, which is supported largely by charitable donations (a cumulative $3.3 million in tax years 2015 and 2016, as reflected on APR’s publicly available 990 forms).

The program has begun to share advertising revenue with the local stations (three minutes of commercial time per hour, vs. five minutes for the stations). Habeeb, however, refused to discuss his financial backers.

“Donors have a right to privacy. I respect it,” he said in an email, citing several court decisions that protect the anonymity of donors to nonprofits. “They like the stories, which are positive, and love that we tell stories about American history, about people like Steinway [the piano maker] and US Grant [the Civil War general and president] and so on … I am waiting to see if you take a deep dive on such matters about Pro Publica and the host of left wing non-profits that arise, and will you be scouring the 990’s of those institutions?”

It’s fair enough to bring the gimlet eye to any person, but what difference does it make if this conflict-averse content is quietly funded by the Koch Brothers, Chik fil-A or Tom Monaghan?


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