What kind of year has it been for news?
Consider this: At the start of 2020, Australian wildfires raged, President Donald Trump was acquitted in a Senate impeachment trial, former basketball star Kobe Bryant, his daughter and seven others were killed in a helicopter crash and disgraced Hollywood producer Harvey Weinstein was found guilty of rape.
None of these would likely make it into a top three list of the most-important news stories of the year.
Then came March 11. It was the night Utah Jazz center Rudy Gobert tested positive for the coronavirus, forcing the NBA to suspend games. It was the same night we learned actor Tom Hanks and his wife Rita Wilson had tested positive as well. It was the day our reality was changed and the United States had officially entered the COVID-19 era, a pandemic that has altered the lives of millions and millions of Americans. It continues to do so for the foreseeable future.
The decision to report on the aforementioned stories involved something journalists employ while reporting and delivering information — news judgement. That’s the fuel — motivation if you will — that keeps journalism moving. Without deciphering what is news and what isn’t, it’s impossible for editors and reporters to package what’s happening around the world to readers.
One important trait of news judgement is the word “new.” After all, if it’s not new to those who consume it, then it really isn’t news. That isn’t all. The decisions that newsroom managers, beat writers and journalists in general — no matter the size of the publication — make each day can be very difficult, involving matters that include importance, audience interest, taste and ethics.
What does this have to do with the defacing and destruction of so many religious statues — predominantly Catholic ones — around the country and the world these days?
As Americans go from the racial reckoning that has engulfed America for the past two months to the start of the general election season, vandalism involving the burning of a church or the decapitation of a Jesus statue can become highly symbolic and significant.
That was the case last year when France — a nation seemingly proud to have moved on from its Christian past into secularism — saw widespread church fires and other acts of vandalism. It was a wonderful piece of journalism by Real Clear Investigations that delved into this frightening trend. The feature by Richard Bernstein, a former foreign correspondent at The New York Times, even called these acts “Christianophobia,” a term U.S. news outlets never use.