Pop Culture

, , , , ,

100 years of all kinds of Catholics -- good and bad -- going to confession in movies

, , , , ,
100 years of all kinds of Catholics -- good and bad -- going to confession in movies

Alfred Hitchcock knew a thing or two about complicated thrillers.

Having a murderer confess to a priest -- who couldn't betray this trust -- was already a familiar plot twist by 1953, when Hitchcock released "I Confess." Because of the seal of confession, this noble priest couldn't even clear his own name when police suspected that he was the killer.

Good prevails in the end. Shot by police, the killer makes an urgent final confession to the priest.

"It's natural for a Catholic filmmaker like Hitchcock to see the dramatic potential of confession, with its combination of mystery and holiness," said film critic Steven D. Greydanus, best known for his work for the National Catholic Register. "At the same time, Hitchcock thought 'I Confess' was a mistake, because he thought that his mostly Protestant audience in America just wouldn't get it."

The sacrament of confession is both sacred and secret -- facts known to Medieval playwrights as well as modern filmmakers. Thus, putting a confession rite on a movie screen is a "transgressive act" of the highest kind, said Greydanus, who serves as a permanent deacon in the Diocese of Newark, N.J. (Deacons do not hear confessions.)

"Voyeurism is an important theme in much of Hitchcock's work and he knew that using confession in this way was a kind of voyeurism. … He knew this was a kind of taboo."

Nevertheless, Hollywood scribes have frequently used confession and penance for everything from cheap laughs ("A League of Their Own"), to shattering guilt (Godfather III), to near-miraculous transformations ("The Mission"). In a recent 6,000-word essay -- "In Search of True Confession in the Movies" -- Greydanus covered a century of cinema, while admitting that he had to omit dozens of movies that included confession scenes.

The key is that filmmakers struggle to capture, in words and images, what is happening in a person's heart. The act of confession opens a window into the soul, since characters are forced to put their sins and struggles into words.

"Perhaps the very secrecy surrounding the sacrament of confession was part of what attracted filmmakers to depict it," wrote Greydanus. "Anyone can witness the Eucharistic liturgy, an ordination or a wedding. …

“But what transpires in confession can only be imagined -- which is the cinema's stock in trade. … Often enough, confession scenes have served in movies as a pretext to allow a character to articulate their spiritual or temporal struggles, whether or not any kind of sin is involved."


Please respect our Commenting Policy
, , , , ,

Plug-In with good news: MRI shows no new brain tumor growth for AP's Rachel Zoll

, , , , ,

Like so many of her devoted readers, I miss the stellar journalism of Rachel Zoll, longtime national religion writer for The Associated Press.

But I have positive news to report about Zoll, who was diagnosed with brain cancer more than two years ago.

An MRI last week “showed no evidence of new tumor growth once again,” said Cheryl Zoll, Rachel’s sister.

Rachel has glioblastoma, or GBM, the aggressive and deadly cancer that claimed the life of Sen. John McCain in 2018.

The Religion News Association honored Rachel with a Special Recognition Award at its 2018 annual meeting in Columbus, Ohio. That same year, AP recognized her as one of the winners of the Oliver S. Gramling Awards, the global news service’s highest internal honor.

The reporter’s doctor indicated that in 90 percent of cases, “patients would be showing progressive disease by now,” her sister said.

“While we could, of course, see new growth at any time, Rachel has officially graduated into the class of people who are outliers with respect to survival,” said Cheryl, with whom Rachel is staying in Amherst, Massachusetts. “We'll take all the time we can get!”

Like many people during the COVID-19 pandemic, Rachel has been confined to walking around the neighborhood the last few months. But she has enjoyed receiving calls and notes from friends such as Richard Ostling, with whom Rachel worked on AP’s national religion team for years.


Please respect our Commenting Policy
, , , , , , , , ,

Thinking about Little Richard: Mark Kellner with a Seventh-day Adventist look at rock pioneer

, , , , , , , , ,

As folks in his native South would say, Little Richard was a piece of work.

One way or another, Richard Wayne Penniman always stressed that he was a work in progress and that, one way or another, God was the author of this story.

This was a man who was driven to shout and scream about all kinds of things. The same rock ‘n’ roll genius who exploded out of radios in the ‘50s, singing songs with lyrics that had to be cleaned up the masses, also went to seminary and devoted decades of his life to preaching, evangelism and Gospel music. He openly struggled with issues of sexual identity, yet never shied away from talking about sin as well as sensuality.

When the news broke about his death, at age 87, I wondered if mainstream obituaries would dig into all of that. I’m pleased that they did. Here’s a key chunk of the obit at The New York Times (the Gray Lady also ran a tribute essay discussing Little Richards’ contributions to popular culture, which discussed his faith):

Little Richard, delving deeply into the wellsprings of gospel music and the blues, pounding the piano furiously and screaming as if for his very life, raised the energy level several notches and created something not quite like any music that had been heard before — something new, thrilling and more than a little dangerous. …

Art Rupe of Specialty Records, the label for which he recorded his biggest hits, called Little Richard “dynamic, completely uninhibited, unpredictable, wild.”

And all the people said, “Amen.”

Little Richard burned red hot through the mid-1950s and the retreated from mainstream music. The Times obit clearly describes why:

He became a traveling evangelist. He entered Oakwood College (now Oakwood University) in Huntsville, Ala., a Seventh-day Adventist school, to study for the ministry. He cut his hair, got married and began recording gospel music. For the rest of his life, he would be torn between the gravity of the pulpit and the pull of the stage.

“Although I sing rock ’n’ roll, God still loves me,” he said in 2009. “I’m a rock ’n’ roll singer, but I’m still a Christian.”

With all of that in mind, please note the following Adventist Review tribute by former GetReligionista Mark Kellner — a veteran mainstream journalist who has also served as a Seventh-day Adventist press aide. Here are two samples of that:


Please respect our Commenting Policy
, , , , , , , ,

Calling BS on NC-17

, , , , , , , ,

The Ringer has published an odd report by Keith Phipps that traces the doomed path of the NC-
17 rating in a time when streaming TV has eclipsed the importance of films. Its headline is an
engaging two-sentence summary: “Thirty Years Ago, Hollywood Won the Battle Against the X
Rating. But It Lost the War.”

Phipps devotes nearly 2,600 words to this topic.

You just know that simple-minded religious people play a major role in this drama. His one reference to cultural conservatives (“a religious right eager to protest whatever they [sic] felt to be an affront to their values”) is as predictable as a media release from Americans United. He adds this:

“They didn’t lack targets and, in fairness, those targets felt closer at hand thanks to neighborhood video stores with curtained ‘adults only’ sections and scandalous music videos just a click away on cable.”

That’s as far as the fairness extends, though. This isn’t hard-news journalism, of course. Still, it would have been nice — interesting even — to see some serious discussions of the views of people on both sides of this issue. Diversity is often interesting.

Phipps makes no effort to demonstrate such eagerness or easily affronted values, but simply notes
these factors as though they were universally established realities.

But here comes an informative turn, as Phipps presents a few examples of films that were
harmed by the dreaded adjective controversial:

Though ultimately more talked about than seen, Jean-Luc Godard’s 1985 film Hail Mary — featuring a modern day retelling of the nativity story — earned protests and the condemnation of Pope John Paul II. But that was a mere prelude to what greeted Martin
Scorsese’s The Last Temptation of Christ in 1988. …


Please respect our Commenting Policy
, , , , , , , , , , ,

An Easter think piece: What happens when movie-makers talk to scribes who 'get' religion?

, , , , , , , , , , ,

When I first met Dwight Longenecker in 1999 I already thought his life story was unique.

The setting was an international journalism conference in Chichester, England. Longenecker was working in journalism at the time, after studying theology at Oxford University. He had already been ordained as an Anglican priest, but then saw the writing on the ancient church walls and swam the Tiber to Roman Catholicism.

But here’s the biographical detail that grabbed me. I was fascinated that, after growing up evangelical in Pennsylvania, he had done his undergraduate work at Bob Jones University in Greenville, S.C. — America’s famous campus that proudly embraces the loaded term “fundamentalist.”

From BJU to England and on to Rome! What a journey, I thought. And people said my pilgrimage from Southern Baptist preacher’s kid to Eastern Orthodoxy was unusual.

But there was one more remarkable shoe to drop in the Longenecker story. In 2006 he returned to America with his wife and four children and — taking the Pastoral Provision door opened by Pope John Paul II (now a saint) — Longenecker was ordained as a Catholic priest.

So where is he now? He is the pastor of Our Lady of the Rosary Catholic Church in — wait for it — Greenville, S.C., a few miles from his old BJU stomping grounds. So the Catholic priest who is “in charge” of Bob Jones territory (long ago, the founder called Catholicism a “Satanic cult”) is a BJU graduate.

Now, I offered all of that as an intro to our think piece for this Easter Sunday (for Western churches). It’s a blog post by Longenecker entitled “The Passion of the Christ, me and Mel Gibson” that includes a fascinating detail about what many consider the most beautiful image in that controversial movie (click here for his “Standing on my head” website).

The key: Longenecker, as a journalist, did quite a bit of writing about film. Thus, he ended up in one of those famous advance screenings with Gibson — who showed a rough edit to a variety of religious audiences while raising money to independently release the film. After showing this early version of his movie, Gibson came out to take questions from the small crowd. Then this happened:


Please respect our Commenting Policy
, , , , ,

Faith on film and TV: Five takes on the life of Jesus that you can watch this Easter

, , , , ,

With Easter just ahead and many of us stuck at home during the coronavirus pandemic, there is no better time than now to both watch movies about the life and death of Jesus. You should be able to find several on television this weekend.

Christ has been depicted in a variety of ways on film over the last six decades. Some depictions have been better than others. Some of these movies made headlines and some did not. The debate over which portrayal of Jesus was most realistic, authentic or powerful has raged on for years.

In 1997, James Martin came up with his own list, republished two years ago in America magazine. In it, he made some controversial picks, ones that keep this debate going every Easter. For many, movies about Jesus allowed many people who would otherwise not have an interest in Christianity or faith and awaken some religious curiosity.

Easter — Jesus’ crucifixion and resurrection — is the most significant event of the Bible, one that changed the course of history. There are a number of movies that have captured that moment in both a touching and stirring manner. At the same time, several actors have portrayed Jesus to great public acclaim. The movies, appealing to Christians of all denominations, are a wonderful way to celebrate Easter and educate younger people to the life and times of Jesus.

This list doesn’t consider edgy pop-culture phenomena such as Jesus Christ Superstar or sacrilegious ones like The Last Temptation of Christ, with its mentally unbalanced and rather depressed messiah who calls himself a sinner. Instead, I have focused on serious interpretations through the years of the life of Jesus. As Christians prepare for Easter, here are five movies about Jesus, both in theaters and on TV, that rise above the rest:


Please respect our Commenting Policy
, , , , , , , , ,

Orson Bean and Hollywood: His wild life had a final chapter worthy of some ink

, , , , , , , , ,

Orson Bean answered the same question many times during his crazy ride from Broadway to doing every conceivable kind of work during his decades in Hollywood.

What was this funny guy trying to do, while embracing drugs, edgy politics, sexual healing, hippie communes, experimental forms of therapy and other diversions involving his body, mind and soul?

On one occasion, Bean said he was trying to become the "happiest son of a bitch alive." In another Los Angeles Times interview he added: "I did all this stuff, the drugs, getting my kisser on the tube, because I thought it would make me happy. But it didn't work. I didn't find happiness until I learned to surrender, to give up the crazy pursuit."

Surrender to what? The answer to that question didn't make it into the media tributes after the 91-year-old Bean's death on Feb. 7, when he was hit by two cars while walking in his Venice, Calif., neighborhood. However, the answer has hiding in plain sight in several cable TV interviews, his one-man stage show and an online testimony he wrote entitled "How Orson Bean Found God."

"For most of my life I didn't believe in God," noted Bean. "Who had time? I was too busy with things of this world: getting ahead, getting laid, becoming famous.

"For most of my adult life I've been at least somewhat famous. Not so famous that I had to wear dark glasses to walk down the street, but famous enough that head waiters would give me a good table. I didn't want to be famous for its own sake. I wanted to be famous so as to be happy."

What finally turned Bean's life around was a religious conversion. He went looking for the "Higher Power" in his 12-step program and eventually found peace.

Many Hollywood people who knew Bean were amazed that the final act in his wild life -- from Communist sympathizer to father-in-law of the late conservative raconteur Andrew Breitbart -- didn't make it into news reports.

This was a lot of territory to cover. Bean's work was known by multiple generations -- from "What's My Line" to "Desperate Housewives," from his many appearances on "The Tonight Show starring Johnny Carson" to the surrealist classic "Being John Malkovich." Bean was pre-hip, then hip and finally a kind of ironic post-hip.

In the obituaries, journalists "got the blacklist thing in there, of course, because that's still a major sign of status in Hollywood," said Barbara Nicolosi Harrington, a former Catholic nun who became a screenwriter and film-studies professor.


Please respect our Commenting Policy
, , , , , , , ,

Think piece: Are pastors ready to handle polyamory among evangelicals?

, , , , , , , ,

This is not your normal headline for a Christianity Today think piece: “Polyamory: Pastors’ Next Sexual Frontier.”

Then again, while teaching at Denver Seminary in the early 1990s, I kept seeing studies suggesting that there was little or no difference — in terms of mass-media patterns — between ordinary American consumers and people living in “conservative” or even evangelical households. Did anyone expect this to slow down in the Internet era with its omnipresent screens?

The question that has emerged: Are evangelicals attempting to evangelize their culture or is the culture, via media, slowly but surely evangelizing them? Here’s another newsworthy angle to chase: Are media habits linked to emerging fault lines inside evangelicalism today?

But back to this provocative, to say the least, CT thinker from Preston Sprinkle, leader of the Center for Faith, Sexuality & Gender, and Kuyper College theology professor Branson Parler.

The context for this? Many pastors today are still struggling to know how to handle the marriage requests of evangelical couples who are “shacking up,” to use the old school language. Now this:

A pastor recently told me (Preston) about Tyler and Amanda (names changed), high-school sweethearts raised in Christian homes, living in the Bible belt. After getting married, they seemed to be living the American dream with a house, good jobs, and two kids. Then Jon, a friend of Tyler’s, began living with their family. Amanda developed a close relationship with him, but their flirtation soon developed into something more, and Jon and Amanda proposed to Tyler that they begin exploring polyamory, with Amanda adding Jon as a significant other. They also encouraged Tyler to develop a relationship with another woman he’d met at the gym. He agreed.

When Tyler and Amanda came out as polyamorous, their parents were shocked. What seemed like a fringe practice of the sexual revolution had settled into the heartland of Middle America.

Making the situation even more complex, Tyler and Amanda sought counseling from a Christian counselor who advocated polyamory.


Please respect our Commenting Policy
, , , , , , , , , , , , , , , ,

Podcast: What do Oprah and Michelle have that Bernie and Bloomberg need?

, , , , , , , , , , , , , , , ,

Let’s say that you are the leader of a social-service program operated by African-American activists at a Pentecostal or evangelical megachurch in the Bible Belt. Or maybe you are the leader of a non-profit religious school operated by evangelicals, Catholics or Orthodox Jews.

What did you learn about religious liberty disputes that are crucial to the future of your faith-based work, if you watched that Nevada showdown for Democrats in the 2020 White House race?

To quote that classic Edwin Starr song — “Absolutely nothing!”

At the end of that slug fest, you may have been entertained or depressed. But it would be hard to say that you were joyful or hopeful. In other words, you didn’t feel the way blue-zip-code believers folks felt after the “gospel revival” sessions (a term used by The Washington Post) during the Oprah and Michelle Obama 2020 tour.

This was the territory that host Todd Wilken and I explored during this week’s “Crossroads” podcast (click here to tune that in). The goal was to explore the role that religious faith is playing in the current Democratic Party campaign and how that will affect an eventual showdown with President Donald Trump.

Let’s start with a flashback to that article about Oprah and Michelle Obama — “Washington Post says blue USA needs 'a healer': So Oprah and Michelle are in savior biz?” Here’s the Post thesis statement about this not-political (but not-religious, either) event:

The not-“Oprah 2020” event could have been a political rally from an alternate dimension where two of Blue America’s most beloved figures have teamed up to take back the country from President Trump. The Vision tour was, in fact, an event from this dimension, where Blue Americans, anxious and exhausted and restless, have directed some of that energy toward better governing their own bodies and minds.

That article was packed with references to “healing,” visions, yoga, meditation and some vague sense that — in the Trump era — many downcast Americans are looking for a “savior” (presumably of a political nature). They appear to be yearning for someone named Oprah or Obama 2.0.


Please respect our Commenting Policy