Academy Awards

Will Smith's Oscars slap turned heads; Denzel Washington quietly warned about temptation

Will Smith's Oscars slap turned heads; Denzel Washington quietly warned about temptation

Moments after the Academy Awards slap heard 'round the world, Will Smith huddled during a commercial break with Denzel Washington, another of the Best Actor nominees.

No one could hear what Smith discussed with the man who is both an A-list player and the rare Hollywood superstar who has – after years in hot press spotlights – emerged as a mentor on issues of faith and family.

But Smith appeared to have Washington on his mind during his emotional remarks after winning the Oscar for his work in "King Richard." Smith apologized to his peers for slap-punching Chris Rock after his jest about his wife Jada Pinkett-Smith's shaved head. The comic apparently didn't know she was suffering hair loss with Alopecia.

“In this moment, I am overwhelmed by what God is calling on me to do and be in this world. … I'm being called on in my life to love people and to protect people," said Smith, tears on his face. "I know that to do what we do, you gotta be able to take abuse, you gotta be able to have people talk crazy about you. In this business, you gotta be able to have people disrespecting you. And you gotta smile and pretend that that's OK."

When Washington offered quiet words of encouragement from offstage, Smith thanked him and added: "Denzel said a few minutes ago: At your highest moment, be careful – that's when the devil comes for you."

This was not ordinary Oscars God-talk.

This drama triggered waves of social-media angst, with critics and millions of viewers debating who to blame for this crisis during an otherwise meandering Academy Awards show shaped by politics, pandemics, gender, race and low ratings.


Please respect our Commenting Policy

Tough question? Some obits included how priestly sexual abuse shook Phil Saviano's faith

Tough question? Some obits included how priestly sexual abuse shook Phil Saviano's faith

If you have seen the movie “Spotlight” — especially if you are a journalist — you know that it’s one of the two or three best films ever made about the picky, high-stakes work involved in investigative journalism.

But there was another layer to this film that I found especially powerful.

Obviously, the subject of clergy sexual abuse is painful and divisive. Every now and then, I still hear from angry readers who believe this whole hellish scandal — which began creeping into headlines in 1984 with the Gilbert Gauthe case in Louisiana — was a media plot against the Church of Rome. It’s important to note that there were conservative Catholics who dug down to the roots of this scandal (see the scathing book “Sacrilege” by Leon Podles), along with the efforts of many Catholic liberals and many ex-Catholics.

The scandal affected many people in different ways. The movie “Spotlight” stressed how the shock and anger unleashed by this scandal affected the faith of some of the Boston Globe journalists. Then there were the shattered victims. It’s amazing that any of them emerged with their faith intact. Some did. Many did not.

This brings me to some of the major-media obituaries for Phil Saviano, a victim who became one of the most important activists who tirelessly worked for justice. Saviano served as a consultant for the “Spotlight” screenwriters and his character appeared in the movie, played by actor Neal Huff.

As I read the coverage, I kept wondering: Would anyone include information about Saviano’s faith? Did he leave Catholicism? Did he convert to another faith?

As you would expect, the Globe obituary is long and detailed. I thought this detail was exceptionally powerful:

When the advent of protease inhibitors to treat HIV/AIDS prolonged Mr. Saviano’s life, he kept speaking out until the end through a series of health issues. Not least among them was a crisis on that night in 2016 when “Spotlight,” the movie based on the Globe’s clergy sex abuse coverage, won the Academy Award for best picture.


Please respect our Commenting Policy

Movie mogul Tyler Perry preaches tolerance to the woke flock at Oscars 2021

Movie mogul Tyler Perry preaches tolerance to the woke flock at Oscars 2021

It was just like one of those inspiring Tyler Perry movie scenes when a believer does the right thing and helps a struggler have a come-to-Jesus epiphany.

Perry was walking to his car after some Los Angeles production work when he was approached by homeless woman.

"I wish I had time to talk about judgment," said Tyler, after receiving the Jean Hersholt Humanitarian Award during the 93rd Academy Awards. "Anyway, I reach in my pocket and I'm about to give her the money and she says: 'Excuse me sir, do you have any shoes?'

"It stopped me cold because I remember being homeless and having one pair of shoes," he added. "So, I took her into the studio. … We're standing there [in] wardrobe and we find her these shoes and I help her put them on. I'm waiting for her to look up and all this time she's looking down. She finally looks up and she's got tears in her eyes. She says: 'Thank you Jesus. My feet are off the ground.' "

Perry, of course, is a movie mogul who has built a 330-acre studio facility in Atlanta used for all kinds of work, including parts of the Marvel epic "The Black Panther." He has created many profitable films of this own, such as "Diary of a Mad Black Woman," "The Family that Preys" and "Madea's Family Reunion," part of a series in which Perry, in drag, plays a pistol-packing, Bible-quoting matriarch at the heart of Black-family melodramas.

It was logical for Perry to receive the Jean Hersholt award, in part because of his rags-to-riches life and his efforts to help churches and nonprofits help the needy. At the same time, it's unlikely that he could ever win a regular Oscar statue since critics and Hollywood elites have long mocked his movies as soapy parables crafted to appeal to ordinary church folks -- Black and White. It isn't unusual, in the final act of Perry movies, for weeping sinners to pull their lives together during Gospel-music altar calls.

Thus, Perry's sermonette was an unusual twist in an Oscar rite packed with political messages and wins by films that few American moviegoers saw or even knew existed.


Please respect our Commenting Policy

New podcast: Should religious leaders and the cultural right applaud lousy Oscar ratings?

New podcast: Should religious leaders and the cultural right applaud lousy Oscar ratings?

Pick a headline, just about any Oscar headline.

The ratings for the 2021 Academy Awards were bad. How bad? Here’s the take from the world-weary folks at Entertainment Weekly: “Oscars hit another historic low in ratings.”

The New York Post has been known to produce blunt headlines. Thus: “Oscar ratings drop to an all-time low with unwatchable show.”

But what matters, of course, is what runs in prestige settings such as The New York Times. The big business-desk headline there provided some extra, rather acidic, context:

Oscars Ratings Plummet, With Fewer Than 10 Million Tuning In

Sunday night’s pandemic-restricted telecast drew 58 percent fewer viewers than last year’s record low.

Wait, there’s more bad news:

Among adults 18 to 49, the demographic that many advertisers pay a premium to reach, the Oscars suffered an even steeper 64 percent decline, according to preliminary data from Nielsen. …

[The] Oscars have been on a slide since 1998, when 57.2 million people tuned in to see “Titanic” sweep to best-picture victory.

What’s the religion-news hook in this story, other than the semi-religious role that the Oscar rites play in the cult of Hollywood? That was the subject of this week’s “Crossroads” podcast. Click here to tune that in or head over to Apple Podcasts to sign up for a weekly feed.

Let’s walk through this.


Please respect our Commenting Policy

New York Times went tone deaf when Matthew McConaughey started talking about God

Let’s see. I feel an urgent need, right now, to write about news coverage that has nothing to do with Donald Trump, Joe Biden or Theodore “Uncle Ted” McCarrick.

There is, you see, a side of my journalism personality linked to those long-ago days when I was an entertainment reporter-rock columnist. Also, when I taught at a seminary, I spent most of my time trying to get future pastors, religious educators and counselors to realize that, for ordinary Americans, “signals” sent via entertainment matter way more than those in news content. That’s tragic, but true.

So let’s flashback to that New York Times feature that ran not so long ago under this headline: “Matthew McConaughey Wrote the Book on Matthew McConaughey.” Let’s skip the second deck of that headline since it contained the obligatory reference to “all right, all right, all right (or in Texan, that would be '“alright” or some other spelling with an extra “w” or “h” in there somewhere).”

I was curious if this book — or perhaps I should say this Times feature about the book — would make any references to this complex superstar’s take on Christian faith. Maybe a reference to his infamous, by Hollywood standards, Oscar acceptance speech in 2014? You remember, when he said:

First off I want to thank God, because he's the one I look up to, he's graced my life with opportunities that I know are not of my hand or any other human kind. He has shown me that it's a scientific fact that gratitude reciprocates. In the words of the late (British actor) Charlie Laughton, who said, 'When you got God, you got a friend and that friend is you.’ “

There was more, but we’ll leave it at that. It was kind of a short “Pilgrim’s Progress” with his trademark twang.

The Times feature does use the safe b-word — “beliefs” — but doesn’t seem very interested in the who, what, when, where, why and how. Thus, readers are told:

... McConaughey wants readers to look beyond the boldface name on its cover and focus on its fundamental message. No one can escape hardship, he said, but he can share the lessons “that helped me navigate the hard stuff — like I say, ‘get relative with the inevitable’ — sooner and in the best way possible for myself.”


Please respect our Commenting Policy

Ratings were way, way down at the Church of the Oscars this year (spot the religion ghosts)

Ratings were way, way down at the Church of the Oscars this year (spot the religion ghosts)

It sounds like a simple question: Who is the AUDIENCE for the annual Academy Awards show? "Crossroads" host Todd Wilken opened this week's podcast host with that puzzler (click here to tune that in).

Ah, but are we talking about the audience for the program itself, as in the audience in the glitzy auditorium, or the audience for television broadcast that, once upon a time, was must-see TV in pretty much all American zip codes?

You see, you really have to think your way through that two-part equation in order to understand the post that I wrote the other day about the collapse in television ratings for this year's Academy Awards telecast. That post is right here: "Kudos to Washington Post for accidentally revealing diverse forms of Oscar hate/apathy?"

You see, I praised the Post -- gently -- for kind-of noticing that many Americans may have tuned out this year's Oscars show for reasons other than a desire not to see President Donald Trump bashed over and over. Late in that piece, they quoted some religious conservatives, one of whom sounded disappointed that stars hadn't dedicated more time to #MeToo issues during the Oscars.

Then there was this quip by host Jimmy "Man Show" Kimmel, which was aimed at the current administration -- but also had the beliefs of millions of traditional Christians, Jews and Muslims.

“We don’t make movies like ‘Call Me by Your Name’ for money. … We make them to upset Mike Pence,” Kimmel also said, referring to the same-sex romance film nominated for best picture.

So why did gazillions of Americans in flyover country tune out Oscars 2018, giving this cultural touchstone its lowest ratings, ever?

Obviously, it has something to do with the bitter divisions in American life that are cultural and moral, as well as political. At the same time, there is an schism between Americans who like the edgy niche-market movies that are dear to modern Hollywood's heart, and those who show up for mass-market superflicks that are not as preachy (or preach in a different style).

Do the power players in Hollywood know about this schism? Of course they do.


Please respect our Commenting Policy

Friday Five: Award-winning religion story, Down syndrome advocate, free cars at church and more

I'm going to bury the lede and do a bit of foreshadowing before we get to the big, happy news in this week's Friday Five.

Previously, GetReligion's own Julia Duin has won two Wilbur Awards, the national honors given by the Religion Communicators Council. The annual prizes celebrate excellence by individuals in secular media in communicating religious issues, values and themes.

Duin's first Wilbur Award came in 2002 and recognized a Washington Times series she co-wrote with Larry Witham on the future of America’s clergy.

In 2015, Duin earned her second Wilbur Award for her "From Rebel to Reverend" piece about Nadia Bolz-Weber for More Magazine.

The 2018 Wilbur Award winners were announced this week. Might Duin claim a third? Stay tuned as we dive into the Friday Five:

1. Religion story of the week: Los Angeles-based freelance writer Heather Adams had an extremely interesting piece this week on an anti-abortion activist who has Down syndrome.

Adams wrote the story for Religion News Service (full disclosure: I also do occasional writing for RNS, including a spot news piece this week on creationist Ken Ham speaking at a public university in Oklahoma).


Please respect our Commenting Policy

Kudos to Washington Post for accidentally revealing diverse forms of Oscar hate/apathy?

I was looking through Twitter and it appears that the Academy Awards were on the other night. Can someone confirm whether or not that's true? Has Snopes looked into that rumor?

Apparently, I was not the only flyover America person (I am not teaching in New York City at the moment) who missed this barometer of trends in American life, humor, politics and virtue.

Besides, I saw very few of this year's films -- again. When it's movie night at my house, we tend to curl up and watch classics like this, this, this or even a modern film like this or maybe even this. Then again, there's always time to visit the doctor.

Anyway, the Oscars were not a big hit there and everyone wants to talk about why. Here are the basics from The Hollywood Reporter:

A comparatively uneventful Oscar telecast led the way on TV Sunday night -- though updated numbers have the telecast somewhat predictably stumbling to an all-time low.
The kudocast, nearly four hours long, stumbled 19 percent from the previous year to 26.5 million viewers. That's easily the least-watched Oscars in history, trailing 2008 by more than 5 million.

When it comes to this "why" question, GetReligion readers will be stunned to know that this was all about politics and, especially, President You Know Who. Thus, the Washington Post opened it's Oscars ratings wreck story like this:

The 90th Academy Awards show was two things: an evening of pointed political statements and a telecast with record-low Oscars viewership. And many on the right have been quick to claim that those things went hand in hand, though the critic-in-chief blamed a lack of star power. ...
The dismal ratings for the ABC broadcast were a hot topic on Fox News, discussed at the top of the hour on both Tucker Carlson’s and Sean Hannity’s evening shows Monday, and again on Tuesday’s edition of “Fox & Friends.”

Now, whether the Post team intended to or not, this same report -- toward the end -- included some interesting voices that hinted that morality, culture and maybe even religion played a role in this story. Hold that thought.


Please respect our Commenting Policy

After 'Spotlight' Oscar euphoria, the hangover: Worry about the future of religion journalism

If Bob Smietana is worried about the future of religion journalism in America, then we all should be.

Just the other night, Smietana — immediate past president of the Religion Newswriters Association — joined his Godbeat colleagues in celebrating the best picture Oscar for "Spotlight.

"Spotlight" is, of course, a "based on a true story" movie about Boston Globe journalists who won a 2003 Pulitzer Prize for their investigation into the Catholic clergy sex abuse scandal.

But after celebrating Sunday night, Smietana has a must-read piece today on the Washington Post's Acts of Faith blog that asks this timely and important question:

‘Spotlight’ just won an Oscar. So why am I so worried about the future of religion journalism?

Why indeed?

Even before reading Smietana's op-ed, regular GetReligion readers probably have some inkling of his concerns.


Please respect our Commenting Policy