Oscars

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Will Smith's Oscars slap turned heads; Denzel Washington quietly warned about temptation

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Will Smith's Oscars slap turned heads; Denzel Washington quietly warned about temptation

Moments after the Academy Awards slap heard 'round the world, Will Smith huddled during a commercial break with Denzel Washington, another of the Best Actor nominees.

No one could hear what Smith discussed with the man who is both an A-list player and the rare Hollywood superstar who has – after years in hot press spotlights – emerged as a mentor on issues of faith and family.

But Smith appeared to have Washington on his mind during his emotional remarks after winning the Oscar for his work in "King Richard." Smith apologized to his peers for slap-punching Chris Rock after his jest about his wife Jada Pinkett-Smith's shaved head. The comic apparently didn't know she was suffering hair loss with Alopecia.

“In this moment, I am overwhelmed by what God is calling on me to do and be in this world. … I'm being called on in my life to love people and to protect people," said Smith, tears on his face. "I know that to do what we do, you gotta be able to take abuse, you gotta be able to have people talk crazy about you. In this business, you gotta be able to have people disrespecting you. And you gotta smile and pretend that that's OK."

When Washington offered quiet words of encouragement from offstage, Smith thanked him and added: "Denzel said a few minutes ago: At your highest moment, be careful – that's when the devil comes for you."

This was not ordinary Oscars God-talk.

This drama triggered waves of social-media angst, with critics and millions of viewers debating who to blame for this crisis during an otherwise meandering Academy Awards show shaped by politics, pandemics, gender, race and low ratings.


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Podcast: Concerning the many religion-beat stories linked to that 'Don't Say Gay' bill

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Podcast: Concerning the many religion-beat stories linked to that 'Don't Say Gay' bill

Let’s talk news-business realities for a moment.

If you do an online search for the following terms — “Parental Rights in Education,” Florida — you will get about 43,000 hits on Google News (as of Thursday afternoon).

Then again, if you run a search for these terms — “Don’t Say Gay,” Florida — you will get 6,820,000 hits on Google News and 24,100,000 hits on Google (period).

That’s a pretty big difference. What’s going on?

On this week’s “Crossroads” podcast (CLICK HERE to tune that in) I argued that the real name of this bill sounded way, way too much like a whatever it was that parents in Virginia wanted during that recent election that left the Democratic Party establishment in shock.

As it turns out, a new Public Opinion Strategies poll (.pdf here) found that registered voters — a majority of Democrats, even — liked the contents of this controversial Florida bill when shown its key, defining language:

“Classroom instruction by school personnel or third parties on sexual orientation or gender identity may not occur in Kindergarten through third grade or in a manner that is not age appropriate or developmentally appropriate for students in accordance with state standards.”

Clearly, “Don’t Say Gay” worked much better for political activists who wanted to keep the focus on LGBTQ-era sexual education for prepubescent children. The whole idea was that way too many parents are burdened with religious, moral and cultural beliefs that were on the wrong side of history. Thus, “parental rights” and classroom transparency are not helpful concepts.

What does this have to do with the many religion-angle stories that journalists could be chasing linked to this legislation and variations on this bill that are sure to show up in other states?


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Behold! The New York Times dared to explore the spiritual 'fire' inside Denzel Washington

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Behold! The New York Times dared to explore the spiritual 'fire' inside Denzel Washington

Behold. It is time for me to praise — at great length — something published in The New York Times. It was even written by Maureen Dowd, of all people.

The headline on this length first-person feature: “Denzel Washington, Man on Fire.” No, this story isn’t about the stunningly violent, but at times quite biblical, 2004 movie entitled “Man on Fire.” It’s about the new film — “The Tragedy of Macbeth” — that combines the Oscar-level talents of Washington, director Joel Coen and producer-actress Frances McDormand, who is married to Coen. For Washington, playing the lead role represented a return to his theater roots with Shakespeare.

As you would expect, a Times piece by Dowd is going to include quotes from Hollywood A-listers such as Ethan Hawke, Liev Schreiber, Melissa Leo and Meryl Streep. Tom Hanks has this to say about Washington: ““He is our Brando. Nicholson. Olivier.”

However, the key to this feature is that the “fire” in the headline is both artistic and spiritual. It is, literally, a reference to Washington’s Pentecostal Christian upbringing and the Christian faith that he is not afraid to discuss in the context of his talent and his vocation.

It’s hard to know what to quote from this piece — since it covers so many bases. If you want insights into filmmaking and the complex minds of Coen and McDormand, you will find it. This isn’t a religion story. However, it’s a story that is willing to let Washington speak his mind.

The faith element enters with one of those “here I am talking to Denzel Washington” scenes that are far too common in arts and entertainment journalism. But, in this case, this tired device works. This passage is long, long, long, but essential. I will break it up, just a bit:

[Washington] said he had gotten very little sleep. He had just put the final touches on a film he directed, “A Journal for Jordan,” the true story of the romance between Dana Canedy, a former New York Times reporter and editor, and Sgt. Charles Monroe King, a soldier who was killed by a roadside bomb in Iraq, after meeting their infant son only once. It stars Michael B. Jordan and Chanté Adams and also opens widely on Christmas Day.

“It’s just a beautiful story of loss and love,” Mr. Washington said, “a story about real heroes and sacrificing, men and women who have given their lives so that we have the freedom to complain.”


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Movie mogul Tyler Perry preaches tolerance to the woke flock at Oscars 2021

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Movie mogul Tyler Perry preaches tolerance to the woke flock at Oscars 2021

It was just like one of those inspiring Tyler Perry movie scenes when a believer does the right thing and helps a struggler have a come-to-Jesus epiphany.

Perry was walking to his car after some Los Angeles production work when he was approached by homeless woman.

"I wish I had time to talk about judgment," said Tyler, after receiving the Jean Hersholt Humanitarian Award during the 93rd Academy Awards. "Anyway, I reach in my pocket and I'm about to give her the money and she says: 'Excuse me sir, do you have any shoes?'

"It stopped me cold because I remember being homeless and having one pair of shoes," he added. "So, I took her into the studio. … We're standing there [in] wardrobe and we find her these shoes and I help her put them on. I'm waiting for her to look up and all this time she's looking down. She finally looks up and she's got tears in her eyes. She says: 'Thank you Jesus. My feet are off the ground.' "

Perry, of course, is a movie mogul who has built a 330-acre studio facility in Atlanta used for all kinds of work, including parts of the Marvel epic "The Black Panther." He has created many profitable films of this own, such as "Diary of a Mad Black Woman," "The Family that Preys" and "Madea's Family Reunion," part of a series in which Perry, in drag, plays a pistol-packing, Bible-quoting matriarch at the heart of Black-family melodramas.

It was logical for Perry to receive the Jean Hersholt award, in part because of his rags-to-riches life and his efforts to help churches and nonprofits help the needy. At the same time, it's unlikely that he could ever win a regular Oscar statue since critics and Hollywood elites have long mocked his movies as soapy parables crafted to appeal to ordinary church folks -- Black and White. It isn't unusual, in the final act of Perry movies, for weeping sinners to pull their lives together during Gospel-music altar calls.

Thus, Perry's sermonette was an unusual twist in an Oscar rite packed with political messages and wins by films that few American moviegoers saw or even knew existed.


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New podcast: Should religious leaders and the cultural right applaud lousy Oscar ratings?

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New podcast: Should religious leaders and the cultural right applaud lousy Oscar ratings?

Pick a headline, just about any Oscar headline.

The ratings for the 2021 Academy Awards were bad. How bad? Here’s the take from the world-weary folks at Entertainment Weekly: “Oscars hit another historic low in ratings.”

The New York Post has been known to produce blunt headlines. Thus: “Oscar ratings drop to an all-time low with unwatchable show.”

But what matters, of course, is what runs in prestige settings such as The New York Times. The big business-desk headline there provided some extra, rather acidic, context:

Oscars Ratings Plummet, With Fewer Than 10 Million Tuning In

Sunday night’s pandemic-restricted telecast drew 58 percent fewer viewers than last year’s record low.

Wait, there’s more bad news:

Among adults 18 to 49, the demographic that many advertisers pay a premium to reach, the Oscars suffered an even steeper 64 percent decline, according to preliminary data from Nielsen. …

[The] Oscars have been on a slide since 1998, when 57.2 million people tuned in to see “Titanic” sweep to best-picture victory.

What’s the religion-news hook in this story, other than the semi-religious role that the Oscar rites play in the cult of Hollywood? That was the subject of this week’s “Crossroads” podcast. Click here to tune that in or head over to Apple Podcasts to sign up for a weekly feed.

Let’s walk through this.


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New York Times went tone deaf when Matthew McConaughey started talking about God

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Let’s see. I feel an urgent need, right now, to write about news coverage that has nothing to do with Donald Trump, Joe Biden or Theodore “Uncle Ted” McCarrick.

There is, you see, a side of my journalism personality linked to those long-ago days when I was an entertainment reporter-rock columnist. Also, when I taught at a seminary, I spent most of my time trying to get future pastors, religious educators and counselors to realize that, for ordinary Americans, “signals” sent via entertainment matter way more than those in news content. That’s tragic, but true.

So let’s flashback to that New York Times feature that ran not so long ago under this headline: “Matthew McConaughey Wrote the Book on Matthew McConaughey.” Let’s skip the second deck of that headline since it contained the obligatory reference to “all right, all right, all right (or in Texan, that would be '“alright” or some other spelling with an extra “w” or “h” in there somewhere).”

I was curious if this book — or perhaps I should say this Times feature about the book — would make any references to this complex superstar’s take on Christian faith. Maybe a reference to his infamous, by Hollywood standards, Oscar acceptance speech in 2014? You remember, when he said:

First off I want to thank God, because he's the one I look up to, he's graced my life with opportunities that I know are not of my hand or any other human kind. He has shown me that it's a scientific fact that gratitude reciprocates. In the words of the late (British actor) Charlie Laughton, who said, 'When you got God, you got a friend and that friend is you.’ “

There was more, but we’ll leave it at that. It was kind of a short “Pilgrim’s Progress” with his trademark twang.

The Times feature does use the safe b-word — “beliefs” — but doesn’t seem very interested in the who, what, when, where, why and how. Thus, readers are told:

... McConaughey wants readers to look beyond the boldface name on its cover and focus on its fundamental message. No one can escape hardship, he said, but he can share the lessons “that helped me navigate the hard stuff — like I say, ‘get relative with the inevitable’ — sooner and in the best way possible for myself.”


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Was there a big Catholic ghost in 'The Exorcist'? Don't ask the Los Angeles Times about that

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It feels really stupid to say that there was a major religion “ghost” in William Peter Blatty’s classic screenplay for “The Exorcist,” the horror classic that was based on his own novel.

It would be hard to write a story that — R-rating and all — contained more in-your-face religious issues and references than this one. Blatty, who died last year, was super candid about his goal to create a tale that (all together now) scared the “hell” out of people. But hold that thought, because we will come back to it.

No, what I want to note in this post is that the entertainment desk at The Los Angeles Times managed to do a major story about the 40th anniversary of this classic while avoiding any of its haunting spiritual symbols and themes.

How do you do that? Well, you start with the business angles linked to this monster hit and stay there. Damn the supernatural and full speed ahead. Here’s the overture:

During the production of the masterpiece of horror “The Exorcist,” director William Friedkin and screenwriter William Peter Blatty enjoyed having fun with the suits at Warner Brothers. At one point, the two were going to shoot a mock scene from the movie with Groucho Marx and send the footage to the executives.

“We always put them on,” said Friedkin. “They were always concerned that we were both crazy and would eventually implode the movie. We even staged blowups in front of them.”

Of course, study executives had other worries about this film and its contents. But, again, hold that thought, because the Times has a Hollywood event to plug.

“The Exorcist,” the first horror film to be nominated for a best picture Oscar, is being feted Monday by the Academy of Motion Picture Arts and Sciences with a 45th anniversary, sold-out screening at the Samuel Goldwyn Theater in Beverly Hills. …

Based on the runaway 1971 best-seller by Blatty, “The Exorcist” scared — and still does scare — daylights out of audiences. [Ellen] Burstyn stars as actress Chris MacNeil who, much to her horror, discovers her sweet young daughter, Regan (Linda Blair), is possessed by the devil. The only way to get rid of the demon is to call in two priests, the tormented young Jesuit Father Karras (Jason Miller) and the elderly exorcist Father Merrin (Max von Sydow) to cast out the devil.

Toward the very end of this long feature there is a hint — if you know what to look for — about the role that Blatty’s conservative Catholic faith played in this movie and the battles to get it on the screen.


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Ratings were way, way down at the Church of the Oscars this year (spot the religion ghosts)

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Ratings were way, way down at the Church of the Oscars this year (spot the religion ghosts)

It sounds like a simple question: Who is the AUDIENCE for the annual Academy Awards show? "Crossroads" host Todd Wilken opened this week's podcast host with that puzzler (click here to tune that in).

Ah, but are we talking about the audience for the program itself, as in the audience in the glitzy auditorium, or the audience for television broadcast that, once upon a time, was must-see TV in pretty much all American zip codes?

You see, you really have to think your way through that two-part equation in order to understand the post that I wrote the other day about the collapse in television ratings for this year's Academy Awards telecast. That post is right here: "Kudos to Washington Post for accidentally revealing diverse forms of Oscar hate/apathy?"

You see, I praised the Post -- gently -- for kind-of noticing that many Americans may have tuned out this year's Oscars show for reasons other than a desire not to see President Donald Trump bashed over and over. Late in that piece, they quoted some religious conservatives, one of whom sounded disappointed that stars hadn't dedicated more time to #MeToo issues during the Oscars.

Then there was this quip by host Jimmy "Man Show" Kimmel, which was aimed at the current administration -- but also had the beliefs of millions of traditional Christians, Jews and Muslims.

“We don’t make movies like ‘Call Me by Your Name’ for money. … We make them to upset Mike Pence,” Kimmel also said, referring to the same-sex romance film nominated for best picture.

So why did gazillions of Americans in flyover country tune out Oscars 2018, giving this cultural touchstone its lowest ratings, ever?

Obviously, it has something to do with the bitter divisions in American life that are cultural and moral, as well as political. At the same time, there is an schism between Americans who like the edgy niche-market movies that are dear to modern Hollywood's heart, and those who show up for mass-market superflicks that are not as preachy (or preach in a different style).

Do the power players in Hollywood know about this schism? Of course they do.


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Friday Five: Award-winning religion story, Down syndrome advocate, free cars at church and more

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I'm going to bury the lede and do a bit of foreshadowing before we get to the big, happy news in this week's Friday Five.

Previously, GetReligion's own Julia Duin has won two Wilbur Awards, the national honors given by the Religion Communicators Council. The annual prizes celebrate excellence by individuals in secular media in communicating religious issues, values and themes.

Duin's first Wilbur Award came in 2002 and recognized a Washington Times series she co-wrote with Larry Witham on the future of America’s clergy.

In 2015, Duin earned her second Wilbur Award for her "From Rebel to Reverend" piece about Nadia Bolz-Weber for More Magazine.

The 2018 Wilbur Award winners were announced this week. Might Duin claim a third? Stay tuned as we dive into the Friday Five:

1. Religion story of the week: Los Angeles-based freelance writer Heather Adams had an extremely interesting piece this week on an anti-abortion activist who has Down syndrome.

Adams wrote the story for Religion News Service (full disclosure: I also do occasional writing for RNS, including a spot news piece this week on creationist Ken Ham speaking at a public university in Oklahoma).


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