Entertainment

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Behold! The New York Times dared to explore the spiritual 'fire' inside Denzel Washington

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Behold! The New York Times dared to explore the spiritual 'fire' inside Denzel Washington

Behold. It is time for me to praise — at great length — something published in The New York Times. It was even written by Maureen Dowd, of all people.

The headline on this length first-person feature: “Denzel Washington, Man on Fire.” No, this story isn’t about the stunningly violent, but at times quite biblical, 2004 movie entitled “Man on Fire.” It’s about the new film — “The Tragedy of Macbeth” — that combines the Oscar-level talents of Washington, director Joel Coen and producer-actress Frances McDormand, who is married to Coen. For Washington, playing the lead role represented a return to his theater roots with Shakespeare.

As you would expect, a Times piece by Dowd is going to include quotes from Hollywood A-listers such as Ethan Hawke, Liev Schreiber, Melissa Leo and Meryl Streep. Tom Hanks has this to say about Washington: ““He is our Brando. Nicholson. Olivier.”

However, the key to this feature is that the “fire” in the headline is both artistic and spiritual. It is, literally, a reference to Washington’s Pentecostal Christian upbringing and the Christian faith that he is not afraid to discuss in the context of his talent and his vocation.

It’s hard to know what to quote from this piece — since it covers so many bases. If you want insights into filmmaking and the complex minds of Coen and McDormand, you will find it. This isn’t a religion story. However, it’s a story that is willing to let Washington speak his mind.

The faith element enters with one of those “here I am talking to Denzel Washington” scenes that are far too common in arts and entertainment journalism. But, in this case, this tired device works. This passage is long, long, long, but essential. I will break it up, just a bit:

[Washington] said he had gotten very little sleep. He had just put the final touches on a film he directed, “A Journal for Jordan,” the true story of the romance between Dana Canedy, a former New York Times reporter and editor, and Sgt. Charles Monroe King, a soldier who was killed by a roadside bomb in Iraq, after meeting their infant son only once. It stars Michael B. Jordan and Chanté Adams and also opens widely on Christmas Day.

“It’s just a beautiful story of loss and love,” Mr. Washington said, “a story about real heroes and sacrificing, men and women who have given their lives so that we have the freedom to complain.”


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Podcast: It's time to pay attention to debates about girls, Instagram and mental-health woes

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Podcast: It's time to pay attention to debates about girls, Instagram and mental-health woes

If you have followed GetReligion for a decade or so, you know that our religion-beat patriarch Richard Ostling writes a “Memo” post every week in which he focuses on religion trends and future events to which journalists should be paying attention.

This week’s Memo focused on why religious and secular debates about Death with Dignity laws will not be fading away anytime soon. As always, Ostling’s Memo posts are packed with links to relevant interest groups, experts and online resources to aid reporters.

This brings me to this week’s “Crossroads,” which — for a change — does not focus on a religion-news story in the mainstream press (click here to listen to the podcast). Instead, you can think of this feature as a kind of Mattingly Memo, in which host Todd Wilken and I discussed the news (and religious) implications of a new Atlantic Monthly essay by Jonathan Haidt that ran with this dramatic double-decker headline:

The Dangerous Experiment on Teen Girls

The preponderance of the evidence suggests that social media is causing real damage to adolescents

On its face, this essay was not a “religion news” piece at all. From my point of view, that was kind of the point.

One of the themes Haidt stressed was that teen-aged girls are pretty much alone, when it comes to wrestling with the moral, emotional and even medical side effects of addiction to social media — the invasive visual-image wonderland of Instagram, in particular. The article includes a depressing file of research slides on this mental-health issue from the Wall Street Journal (click here for that .pdf). Note, in particular, that teens believe their parents have next to zero understanding of what is going on.

If parents are tuned out, where does that put clergy? Should religious leaders be playing some kind of role in public-square (and personal) discussions of this issue?

These questions made me think of an “On Religion” column that I wrote in 2017 about the efforts of some Colorado teens — reacting to several suicides linked to cyber-bullying — to help their friends examine the impact of social-media programs on their lives.


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From Off Broadway to movie screens: The complicated conversion story of C.S. Lewis

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From Off Broadway to movie screens: The complicated conversion story of C.S. Lewis

While historians argue about what C.S. Lewis did or didn't say, it can be stated with absolute certainty that the Oxford don never patted down his rumbled, professorial tweed jacket before exclaiming, "Where's my phone?"

That line occurs at the start of "The Most Reluctant Convert," as actor Max McLean enters a movie set preparing for the first scene. Seconds later, the camera follows him into the real Oxford, England, where Lewis was a scholar and tutor at Magdalen College.

At first, the famous Christian writer explains how he became an atheist. When he walks into the real White Horse pub, he orders two pints of beer, with one for the viewer. Soon, scenes from his memories spring to life, with Lewis striding through them as a narrator.

"Lewis is in his imagination. He's personified in his thoughts. … I do think that the structure emerged out of the fact that Lewis had a lot to say," said McLean, laughing.

Thus, director Norman Stone -- a BAFTA winner for BBC's "Shadowlands" -- let the "voice of Lewis articulate his struggle, his passion. He is one of those rare individuals where one's intellect, one's emotions and one's spirituality are completely intertwined," said McLean.

All of this is second nature to McLean since the film covers much of the same territory as his own "C.S Lewis Onstage." This was a one-man show at the Fellowship for Performing Arts in New York City, an off-Broadway company McLean founded and guides as artistic director. It has staged other Lewis works, such as "The Screwtape Letters" and "The Great Divorce," drawing warm reviews from The New York Times and other major publications.

The first-person narration, explained McLean, was primarily drawn from Lewis' autobiography, "Surprised by Joy," and the many volumes of his personal letters.

The jump from stage to screen, of course, allowed the film's creators to seek permission to film in some of the most important sites linked to Lewis' life.


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New podcast: Did a religious search help shape Norm Macdonald's haunting humor?

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New podcast: Did a religious search help shape Norm Macdonald's haunting humor?

While it may sound strange, I would argue that there are theological “ghosts” hiding inside the great comic Norm Macdonald’s most famous joke. This was the “moth” story, of course.

Right. This joke wasn’t a Saturday Night Live shot at O.J. Simpson or Bill Clinton. It was a long, twisting, bizarre story about a nihilistic moth who was afraid of eternity. It was the kind of joke that fit with the summary of Macdonald’s life and work that opened this Ricochet tribute by Jon Gabriel: “Norm Macdonald — Dostoyevsky in Front of a Red Brick Wall.”

The smartest comedians portray themselves as the dumbest; Norm Macdonald was the best at this sleight of hand. He graduated high school at 14, read Russian literature in his downtime, and had long philosophical discussions with clergy. … Macdonald was a student of human nature first, comedy second.

Macdonald was also a self-identified Christian, yet he made it clear that he didn’t consider himself a very good one.

The question raised during this week’s “Crossroads” episode (click here to tune that in) was whether news consumers had any right to expect journalists to mention that reality in their obits of this brilliant, courageous, edgy, mysterious comedian.

The more I read about him — following some really simple online searches — the more I hoped that someone would spot the religion “ghost” in his death-and-virtue haunted work. It also, at least to me, became obvious that many of his spiritual and religious questions were linked to his secret 10-year battle with the cancer that took his life. Cue up these two YouTube clips (here and here).

So this brings us to a crucial text: The actual “moth story” as it unfolded on on Conan.

Read carefully and keep thinking — Russian literature and maybe even a glimpse of a sacred icon.

Yes, I know that this is long. That’s the point:


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Concerning prayers and penalty kicks: Inside the official Vatican soccer tournament

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Concerning prayers and penalty kicks: Inside the official Vatican soccer tournament

Beyond the Vatican’s walls and its soaring columns lies a not-so-secret passion. It is this passion, one that envelopes much of the planet, that takes over the lives of a select group of Catholic priests and seminarians.

This passion is especially relevant with the Italian national team playing in the finals of EURO 2020.

What is this passion? It’s soccer, of course. In particular, it’s the annual Clericus Cup, a soccer tournament contested by teams from various seminaries located throughout Rome. Founded in 2007, the competition features 66 different nationalities and is the brainchild of Cardinal Tarcisio Bertone, the former Vatican secretary of state and rabid soccer fan.

The tournament pits against one another different religious orders and schools where seminarians are studying and training to become ordained priests. Think of it as March Madness for priests-in-training who play the world’s most popular sport. In fact, the tournament has received regular press from the Italian media and even the subject last year of a feature story on FIFA.com, soccer’s world governing body.

This unique sporting event is the focus of a new 69-minute documentary called “The Holy Game” by filmmakers Brent Hodge and Chris Kelly. The film, distributed by Gravitas Ventures, details what’s often called the “World Cup of the Church” — but also takes a behind-the-scenes look at these seminarians who love both playing the game and the challenges that come with dedicated their lives to God.

Soccer aside, the film follows several seminarians all with a seemingly similar backstory: self-doubt and anxiety over what awaits them once they are ordained.


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That New Yorker #FreeBritany feature: It's all about a Baptist daddy and his wild daughter?

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That New Yorker #FreeBritany feature: It's all about a Baptist daddy and his wild daughter?

One thing is clear, when you read the long, sad (but buzz-worthy) feature in The New Yorker entitled “Britney Spears’s Conservatorship Nightmare.”

Britney is a celebrity.

When she goes to court, she is a celebrity. When she escapes to a pub, she is a celebrity. When she fights to see her children, she is a celebrity. When she has a nervous breakdown (especially in public), she is a celebrity.

If and when she ever returns to church (there are rumors), she will do so as a celebrity. Ditto for any return to celebrity friendly Kabbalah classes.

But you get what you expect in this feature, written by Ronan Farrow and Jia Tolentino. There’s a huge cast of characters, some who speak on the record and some who do not. There are waves of details from court documents and testimony. There’s an endless survey of public scenes and paparazzi chases.

But the second line of the double-decker headline points to the heart of the story: “How the pop star’s father and a team of lawyers seized control of her life — and have held on to it for thirteen years.”

This is a story about a fight between a Baptist father (simply “Jamie” in most of the story) and his wild daughter — who has lived her entire teen and adult life in the glare of a media spotlight that burned her, even as it poured wealth on everyone around her, including members of her immediate family.

What about faith issues? There are fleeting glimpses of religion “ghosts” throughout this story. However, there is evidence that The New Yorker team realizes that, behind all of the talk about Britney’s mental health, the father and daughter are fighting about the moral choices she has made in her private life. Meanwhile, the daughter keeps trying to break free from this noose, in part through sex, love, marriage and children.

Consider the implications of this passage, referring to the legal drama that pulled the #FreeBritney social-media world back into the headlines:


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Chris Hillman of the Byrds on fame, faith and the roots-music ties that bind

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Chris Hillman of the Byrds on fame, faith and the roots-music ties that bind

The Byrds' classic "Turn! Turn! Turn!" didn't sound like anything on the radio when it hit No. 1 on the Billboard charts in 1965.

For starters, the lyrics came from the Book of Ecclesiastes, noting "there is a season, and a time for every purpose, under Heaven. A time to be born, a time to die. A time to plant, a time to reap. A time to kill, a time to heal. A time to laugh, a time to weep."

What critics failed to realize, said Byrds co-founder Chris Hillman, was that covering the late Pete Seeger's classic was a logical move for musicians steeped in American roots music. Songs about struggle, glory, sacrifice and faith were common in early '60s folk concerts.

"Where did all of our music come from? Blues and Gospel. … White church, black church, the music all came from church," said Hillman, in a recent interview. "With the Byrds, we went right to that well. We didn't think twice about it. We didn't say, 'We can't do a Christian song.' "

Hillman's musical roots became more obvious as the Byrds ventured into what many started calling "country rock," especially with the landmark "Sweetheart of the Rodeo" album in 1968. Bluegrass, country and Gospel themes played a larger role as Hillman began writing songs for the Byrds and his later bands.

While the Byrds put him in the Rock & Roll Hall of Fame, it was Hillman's grassroots connections that made history, according to the legend who produced his "Bidin' My Time" solo project in 2017. The late Tom Petty said: "Chris was a true innovator -- the man who invented country rock. Every time the Eagles board their private jet, Chris at least paid for the fuel."

That musical and spiritual journey is clear in Hillman's recent autobiography, "Time Between," with its mix of rock lore and personal reflections. Rather than offering a tell-all about sex, drugs and rock 'n' roll, Hillman focuses on lessons he learned along the way and his love for the musicians who, flaws and all, helped him.


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New podcast: Should religious leaders and the cultural right applaud lousy Oscar ratings?

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New podcast: Should religious leaders and the cultural right applaud lousy Oscar ratings?

Pick a headline, just about any Oscar headline.

The ratings for the 2021 Academy Awards were bad. How bad? Here’s the take from the world-weary folks at Entertainment Weekly: “Oscars hit another historic low in ratings.”

The New York Post has been known to produce blunt headlines. Thus: “Oscar ratings drop to an all-time low with unwatchable show.”

But what matters, of course, is what runs in prestige settings such as The New York Times. The big business-desk headline there provided some extra, rather acidic, context:

Oscars Ratings Plummet, With Fewer Than 10 Million Tuning In

Sunday night’s pandemic-restricted telecast drew 58 percent fewer viewers than last year’s record low.

Wait, there’s more bad news:

Among adults 18 to 49, the demographic that many advertisers pay a premium to reach, the Oscars suffered an even steeper 64 percent decline, according to preliminary data from Nielsen. …

[The] Oscars have been on a slide since 1998, when 57.2 million people tuned in to see “Titanic” sweep to best-picture victory.

What’s the religion-news hook in this story, other than the semi-religious role that the Oscar rites play in the cult of Hollywood? That was the subject of this week’s “Crossroads” podcast. Click here to tune that in or head over to Apple Podcasts to sign up for a weekly feed.

Let’s walk through this.


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Season 2 of 'The Chosen' arrives on TV screens on Easter. Where was the news coverage?

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Season 2 of 'The Chosen' arrives on TV screens on Easter. Where was the news coverage?

Back in the day when I was covering religion fulltime, I always knew I could score a front page story if I prepared a large feature for Easter Sunday. That was always the day that my editors were looking for “something religious” to please the church-attending readers. Other reporters did this as well, as it was one of the few days in the year that our work could shine.

Lots has changed, obviously, judging from the front pages of some of the newspapers I perused this past Easter Sunday. My former employer, the Houston Chronicle, had nothing local. Ditto for the Los Angeles Times, Seattle Times, Oregonian and even the Salt Lake Tribune –- usually reliable to at least run something Latter-day Saint related — came up short.

One bright light: Up river from the Oregonian, the Vancouver Columbian ran a huge spread Easter Day on St. Luke Productions, a Catholic theater company (that I’ve written about here and here) that’s based in southwest Washington and travels the country doing amazing portrayals of Catholic saints. See, it can be done.

A few outlets ran a pope-observes-Easter wire story from the Associated Press, but that was it. I looked at the Washington Post, which had a bit more, including a story about a local church opening up for the first time since COVID-19 started plus a piece on how pandemic-ravaged Italy is observing Easter.

The New York Times ran a mishmash of opinion pieces, including one from an English prof who wasn’t sure if Jesus had resurrected or not and one from a prof from Wheaton College urging readers to remember Easter is more than a spring celebration. There was a jewel of a piece on Jesus’ wounds and — in the Times wedding section — a beautifully photographed story about a Nigerian-American couple whose first kiss was on their wedding day. The story was snark free; a true Easter miracle.

I know it’s a challenge to come up with original Easter (and Passover) story ideas year after year, but it can be done and many of us did it.

Most of the religion content I saw yesterday was relegated to the opinion pages and kept away from news content, which is a troubling shift from religion-as-news to religion-in-the-realm-of-feelings. There’s plenty of the former available, but where’s the will to dig out those stories, especially the biggest one that happened yesterday that no one reported on?

That was the premiere of Season 2 of filmmaker Dallas Jenkins’ very successful “The Chosen” TV series. It’s the first multi-season TV series about the life of Christ, and 74,346 people raised $10 million for Season 1, which came out last year. That amount made “The Chosen” the largest crowdfunded media project –- ever.


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