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New podcast: Yes, election of first trans/queer/gender fluid ELCA bishop was a big story

New podcast: Yes, election of first trans/queer/gender fluid ELCA bishop was a big story

Imagine that you are a pastor or a layperson in the Lutheran Church-Missouri Synod, the Wisconsin Evangelical Lutheran Synod or one of the other conservative Lutheran bodies in the United States.

So you sit down with your morning coffee and pop open your email and you see that friends and family have sent you emails enquiring about a headline that they saw on Twitter or somewhere else in today’s complicated news marketplace.

In this case, the headline is from the New York Times and it states: “U.S. Lutheran Church Elects Its First Openly Transgender Bishop.

The problem, of course, is that the “U.S. Lutheran Church” doesn’t exist There is no one denomination that fits that description. Or perhaps the person sending you the email saw, somewhere, the Religion News Service headline that ran with this headline: “Lutherans elect Megan Rohrer first transgender bishop.” Second verse, same as the first.

When it comes to Lutheranism, many journalists continue to struggle when describing who is who and what is what. This brand-name problem was the first layer of the complex issues — in terms of church doctrine and journalism style — that we explored in this week’s “Crossroads” podcast. Click here to tune that in.

The denomination that elected Bishop-elect Rohrer was, of course, the Evangelical Lutheran Church in America, one of the “Seven Sisters” — we may need to make that “Seven Siblings” — of liberal Protestantism.

But what happens if you put that denominational brand name in a headline (besides the fact that it’s way too long for most newspaper layouts)? If you do that, you have to explain the presence of “evangelical,” which has become a near curse word in a news context. And, hey, “Lutheran” by itself sounds more important. Damn the accuracy, full speed ahead.

This brings us to the key hook for this podcast: There was little or nothing surprising about the progressive ELCA electing a trans (if that is the best term, in this case) bishop.


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Movie mogul Tyler Perry preaches tolerance to the woke flock at Oscars 2021

Movie mogul Tyler Perry preaches tolerance to the woke flock at Oscars 2021

It was just like one of those inspiring Tyler Perry movie scenes when a believer does the right thing and helps a struggler have a come-to-Jesus epiphany.

Perry was walking to his car after some Los Angeles production work when he was approached by homeless woman.

"I wish I had time to talk about judgment," said Tyler, after receiving the Jean Hersholt Humanitarian Award during the 93rd Academy Awards. "Anyway, I reach in my pocket and I'm about to give her the money and she says: 'Excuse me sir, do you have any shoes?'

"It stopped me cold because I remember being homeless and having one pair of shoes," he added. "So, I took her into the studio. … We're standing there [in] wardrobe and we find her these shoes and I help her put them on. I'm waiting for her to look up and all this time she's looking down. She finally looks up and she's got tears in her eyes. She says: 'Thank you Jesus. My feet are off the ground.' "

Perry, of course, is a movie mogul who has built a 330-acre studio facility in Atlanta used for all kinds of work, including parts of the Marvel epic "The Black Panther." He has created many profitable films of this own, such as "Diary of a Mad Black Woman," "The Family that Preys" and "Madea's Family Reunion," part of a series in which Perry, in drag, plays a pistol-packing, Bible-quoting matriarch at the heart of Black-family melodramas.

It was logical for Perry to receive the Jean Hersholt award, in part because of his rags-to-riches life and his efforts to help churches and nonprofits help the needy. At the same time, it's unlikely that he could ever win a regular Oscar statue since critics and Hollywood elites have long mocked his movies as soapy parables crafted to appeal to ordinary church folks -- Black and White. It isn't unusual, in the final act of Perry movies, for weeping sinners to pull their lives together during Gospel-music altar calls.

Thus, Perry's sermonette was an unusual twist in an Oscar rite packed with political messages and wins by films that few American moviegoers saw or even knew existed.


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New podcast: Should religious leaders and the cultural right applaud lousy Oscar ratings?

New podcast: Should religious leaders and the cultural right applaud lousy Oscar ratings?

Pick a headline, just about any Oscar headline.

The ratings for the 2021 Academy Awards were bad. How bad? Here’s the take from the world-weary folks at Entertainment Weekly: “Oscars hit another historic low in ratings.”

The New York Post has been known to produce blunt headlines. Thus: “Oscar ratings drop to an all-time low with unwatchable show.”

But what matters, of course, is what runs in prestige settings such as The New York Times. The big business-desk headline there provided some extra, rather acidic, context:

Oscars Ratings Plummet, With Fewer Than 10 Million Tuning In

Sunday night’s pandemic-restricted telecast drew 58 percent fewer viewers than last year’s record low.

Wait, there’s more bad news:

Among adults 18 to 49, the demographic that many advertisers pay a premium to reach, the Oscars suffered an even steeper 64 percent decline, according to preliminary data from Nielsen. …

[The] Oscars have been on a slide since 1998, when 57.2 million people tuned in to see “Titanic” sweep to best-picture victory.

What’s the religion-news hook in this story, other than the semi-religious role that the Oscar rites play in the cult of Hollywood? That was the subject of this week’s “Crossroads” podcast. Click here to tune that in or head over to Apple Podcasts to sign up for a weekly feed.

Let’s walk through this.


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GQ's religion-focused cover story is (clickbait) worth reading -- even for non-Beliebers

GQ's religion-focused cover story is (clickbait) worth reading -- even for non-Beliebers

Let’s open this week’s roundup with Justin Bieber — and not just for the clickbait.

“The Redemption of Justin Bieber,” GQ’s May cover story by senior writer Zach Baron, really is a fascinating read.

As Christianity Today’s Daniel Silliman put it on Twitter, “If you don't care at all about Justin Bieber, this is still a good story about someone who was young, stupid, powerful, privileged, destructive, and sad and nevertheless found grace.”

Not interested in Bieber?

Try $300 Bibles.

Religion News Service’s Emily McFarlan Miller delves into the marketing of an expensive, “modern version of God’s Holy Word.”

Miller explores not just the price tag but also the history behind so-called “premium” Bibles.

After Bieber and Bibles, I feel like I need one more “b” item to round out the set. What about ballgames?

Juggling church and football isn’t just for NFL fans anymore, writes AP sports writer Teresa M. Walker, with whom I worked during my time with The Associated Press in Nashville, Tenn.

“Thanks to the coronavirus pandemic, it became the norm for college fans like the Mosleys as most Football Championship Subdivision leagues moved their schedules to the spring,” Walker explains.


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Farewell to 'reindeer rules'? Indiana nativity scene case could have been turning point

Farewell to 'reindeer rules'? Indiana nativity scene case could have been turning point

Year after year, the Lion's Club sets up wire-frame Christmas decorations on the lawn of the historic Jackson County courthouse, facing Main Street in Brownstown, Ind.

The display, which belongs to the local ministerial alliance, glows from dusk to dawn from Thanksgiving until New Year's Day, with the county providing the electricity.

This led to yet another "Christmas Wars" dispute, with the recent Woodring v. Jackson County court decision offering a precise description of this tableau.

There is a "waving Santa Claus with his sleigh, a reindeer, seven large candy-striped poles, the nativity scene … and four carolers standing in front of a lamp post," noted Seventh Circuit Judge Amy Joan St. Eve. "Santa Claus and the reindeer are on the left. …To their right are three gift-bearing kings (Magi) and a camel, who look upon the nativity. On the right side of the sidewalk, Mary, Joseph, and infant Jesus in the stable are flanked on each side by trumpet-playing angels. To their right are several animals facing the nativity. The carolers stand in front of the animals, closer to Main Street."

Before the 2018 lawsuit, the Freedom From Religion Foundation warned that the nativity scene needed to come down. County officials responded by moving Santa and other secular symbols closer to the telltale manger.

That move was clearly linked to what activists call the "reindeer rules," in which secular and sacred symbols are mixed to honor guidelines from the Supreme Court's Lemon v. Kurtzman in 1971. The "Lemon test" asks if a government action's primary effect advanced religion, as opposed to a secular purpose, thus entangling church and state.

But the majority in the new 2-1 decision in Indiana argued that the "nativity scene is constitutional because it fits within a long national tradition of using the nativity scene in broader holiday displays to celebrate the origins of Christmas."

This post-Christmas decision in the heartland may have been a turning point.

"To the degree that the reindeer rules were based on Lemon, this decision said that we now have a new Supreme Court precedent. The reindeer rules appear to be gone," said Diana Verm, senior counsel for the Becket Fund for Religious Liberty, which filed a brief in the case.


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New podcast: There's more to Lent 2021 than virtual-ash selfies and giving up (fill in the blank)

New podcast: There's more to Lent 2021 than virtual-ash selfies and giving up (fill in the blank)

It happened every year that I worked in a mainstream newsroom. Apparently, there was a law somewhere that official newsroom “advance calendars” should include a note about the beginning of Lent.

Thus, an editor would ask me a question that sounded something like this: “So where are we sending a photographer this year on Ash Wednesday?”

This was, you see, the official way to handle Lent and it would be followed, of course, by some kind of sunrise-and-lilies photo when Easter rolled around. There might be an Easter story of some kind, but that was always a problem since the goal was to have the story in print on that Sunday, which meant the story and photograph needed to be done early. It’s so hard to cover a holy day that hasn’t happened yet.

But Ash Wednesday photographs, backed with a sentence of two about Lent, seem to be a news-culture tradition. That reality was the hook — sort of — for this week’s “Crossroads” podcast (click here to tune that in).

Thus, it was easy to anticipate this COVID-19 era variation on a familiar theme, care of Religion News Service: “Celebrating Ash Wednesday in a pandemic? There’s an app for that.

There are filters that blur “imperfections” in photos and filters that turn lawyers into cats on Zoom.

Now there are filters to help Christians safely display the very visible Ash Wednesday mark on social media.

Many Catholic and other liturgical churches observe Ash Wednesday by smudging ashes on congregants’ foreheads as a sign of repentance and a reminder of one’s mortality. That practice presents a problem during a season when health experts fighting COVID-19 have advised people to avoid touching their faces or coming in close proximity to others. …

In a year when so much of life has been lived virtually, Catholic prayer and meditation app Hallow has also taken the tradition online with an “AshTag” photo filter on both Facebook and Instagram.

That’s a valid story, even if it does fit a now familiar pandemic pattern — lots of coverage of virtual faith in these troubled times, as opposed to a few stories about the creative efforts of analog people to observe their traditions within the parameters of social-distancing guidelines.


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Chick Corea's life and music: If Scientology 'informed' his art, why not offer a few examples?

Chick Corea's life and music: If Scientology 'informed' his art, why not offer a few examples?

When it comes to modern forms of jazz, I was never a fan of the late Chick Corea’s work in the fusion megaband Return to Forever. I was a Weather Report guy.

However, I was totally into Corea’s classic duets with Gary Burton on vibes (see the epic 1979 live version of “Crystal Silence” at the top of this post) and his lovely “Children’s Songs” collection, for solo piano.

I can also remember debates long ago among my friends — secular and religious — about the impact that Corea’s embrace of the Church of Scientology would have on his life and music. After all, he was an instrumental musician. Were the teachings of L. Ron Hubbard supposed to have soaked into his unique chord voicings and the sparkling rhythms of his compositions?

This leads me to the solid New York Times obituary for Corea, who died recently after a short battle with a rare form of cancer. The double-decker headline on this feature covered a lot of ground:

Chick Corea, Jazz Keyboardist and Innovator, Dies at 79

When jazz and rock fused in the 1970s, he was at the forefront of the movement. But he never abandoned his love of the acoustic piano.

I’ve been thinking about this piece for a week now, wondering if it was worthy of a short post. I finally decided that it was. After all, the obit’s brief treatment of the religion angle demonstrated a classic puzzle that GetReligion has discussed many times in the past, linked to coverage of athletes, actors, writers, etc. Here is that section of the Times piece:

In the early 1970s, Mr. Corea converted to Scientology, and the religion’s teachings informed much of his music from then on, including his work with Return to Forever.

Armando Anthony Corea was born on June 12, 1941, in Chelsea, Mass., near Boston. His father, also named Armando Corea, was a trumpeter and bandleader in Boston, and his mother, Anna (Zaccone) Corea, was a homemaker. He began studying piano when he was 4.

And that was that.


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It was hard to edit God out of Cicely Tyson's epic story, but some journalists gave it a try

It was hard to edit God out of Cicely Tyson's epic story, but some journalists gave it a try

It was hard to listen to Cicely Tyson talk about her life without recognizing the strong undercurrent of Christian faith in her words, deeds and also in her art. While remaining a proud, private, dignified woman, her faith was not something that she tried to hide.

The question here at GetReligion, of course, was whether any of that imagery and information would make it into the news coverage surrounding her death at the age of 96.

The answer was, of course, “yes” and “no.” Many of the obituaries mentioned her Tony-winning return to Broadway in 2013, at the age of 88, to play the unstoppable matriarch in Horton Foote’s classic, faith-driven play, “The Trip to Bountiful.” The show-stopping moment, night after night, was when Tyson would sing — joined by many in the audience — the classic hymn “Blessed Assurance.” It’s hard to avoid the content of lyrics such as these:

Blessed assurance, Jesus is mine; Oh, what a foretaste of glory divine!
Heir of salvation, purchase of God; Born of His Spirit, washed in His blood.

This is my story, this is my song, Praising my Savior all the day long.

If you were looking for the faith-free version of Tyson’s life, the natural place to turn was The New York Times.

This story did a great job of capturing her impact on American culture, especially in terms of the sacrifices she made to portray African-American life with style, power and dignity. Here are two crucial summary paragraphs on that essential theme:

In a remarkable career of seven decades, Ms. Tyson broke ground for serious Black actors by refusing to take parts that demeaned Black people. She urged Black colleagues to do the same, and often went without work. She was critical of films and television programs that cast Black characters as criminal, servile or immoral, and insisted that African-Americans, even if poor or downtrodden, should be portrayed with dignity.

Her chiseled face and willowy frame, striking even in her 90s, became familiar to millions in more than 100 film, television and stage roles, including some that had traditionally been given only to white actors. She won three Emmys and many awards from civil rights and women’s groups, and at 88 became the oldest person to win a Tony, for her 2013 Broadway role in a revival of Horton Foote’s “The Trip to Bountiful.”

But the only reference to her Christian faith — negative, of course — came in this bite of biography:


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New podcast: Conspiracy theory news isn't going away, so how will religious leaders respond?

New podcast: Conspiracy theory news isn't going away, so how will religious leaders respond?

Here we go again. This week’s “Crossroads” podcast (click here to tune that in) offers yet another journey into the world of QAnon and its impact in American pews.

All the evidence is that this subject is not going away, even as it gets more complex. See this week’s post entitled, “The New York Times looks at QAnon leader who is, wait, a Manhattan mystic from Harvard?” Some interesting court trials loom ahead, no doubt, after the January 6th riot at the U.S. Capitol.

Still, if you were looking for a thesis statement that captures how elite American newsrooms view QAnon, and the red-hot topic of conspiracy theories in general, it would be a bite of revealed truth drawn from the must-read “Shadowlands” package published last June by The Atlantic. In “The Prophecies of Q,” author Adrienne LaFrance claimed that QAnon is an emerging sect that is defined by its evangelical hopes and dreams, since the “language of evangelical Christianity has come to define the Q movement.”

In a GetReligion post at the time (“The Atlantic probes QAnon sect and finds (#shocking) another evangelical-ish conspiracy“) I offered my own opinion on that:

There are times, when reading the sprawling “Shadowland” package … when one is tempted to think that the goal was to weave a massive liberal conspiracy theory about the role that conservative conspiracy theories play in Donald Trump’s America.

At the center of this drama — of course — is evangelical Christianity. After all, evangelical Christians are to blame for Trump’s victory, even if they didn’t swing all those crucial states in the Catholic-labor Rust Belt.

It’s almost as if evangelicals are playing, for some strategic minds on the left, the same sick, oversized role in American life that some evangelicals assign to Hillary Clinton, George Soros, Bill Gates and all those liberal Southern Baptist intellectuals who love Johnny Cash and Jane Austen.

That’s still half of what I think on this topic.

It is certainly true that (a) leaders of the “political cult” called QAnon — to use a term from a must-read Joe Carter FAQ on this topic — speak fluent evangelical and that (b) the gospel according to Q and similar conspiracy heresies have influenced many people in pews (including some who traveled to the National Mall for Trump’s March to Save America rally).

That’s an important, ongoing story that must be covered.


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